25/10/2024
One of the tougher things to get right when it comes to music packaging/design is visually representing really REALLY complex, abstract music in a roughly 12cm square space.
Working with Manuella Blackburn on her last two releases has seen, I think, two of the more successful attempts at creating an impactful image at scale that somehow touches on the themes/techniques employed during the creation of the music.
For computer music that uses tiny fragments of close mic recordings of different "non musical" materials/elements to build engaging musical forms, the trick is to go neither literal/representational nor too obscure. And then it's usually for a *collection* of tracks created over a few years.
So with the latest one I was given the title and decided to focus on the themes of two pieces; one literally created from the sounds of microplastics in the environment and another sourced from the constituent parts of the famous but now obsolete Fairlight synth.
The palette is intended to evoke plastics (have a look at some online documentation of plastics found at sea for example, with reds, blues and oranges being commonplace) and a set of blended vertical columns that might suggest both a built form, and an audio waveform. At least that was the thinking. Your mileage may vary!
Manuella was given a set of options but really pushed me to develop this one and I'm glad she did. Once again thanks to Manuella, Mantis Manchester, and Jean-François Denis for everything they do!