Photography is something of a magical invention — it’s an art form that renders fleeting images permanent and makes memories tangible.
02/16/2026
...Geoff Tate runs "Operation: Mindcrime" with the conviction of a man closing the book on his own myth: voice commanding, band locked, and every turn of the story hitting hard. If this truly is "The Final Chapter," it exits on a high, tight, emotional, and powerful note, enough to leave the room buzzing long after the lights come up...
Kieran Robertson | Dario Parente | Clodagh McCarthy | James Brown Musician | Jack Ross Musician
02/18/2025
Scenes from the unrelenting metal celebration that was 70000tons, a four-day voyage of the high seas that encompassed 61 bands, and a global community of over 3000 devoted metalheads. Pictured below: HammerFall | Krisiun | Stratovarius | Sepultura | Twilight Force | SEPTICFLESH | Sonata Arctica | Symphony X | DIRKSCHNEIDER | Krisiun | Onslaught official | Finntroll | Kissin' Dynamite | Candlemass | Flotsam and Jetsam | Ihsahn -Official- | Emperor official | Majestica | Maurizio Iacono | Trouble
02/11/2025
As we approach mid-February, I find myself reflecting on the absolute whirlwind that was 2024 — a year that pushed my photography activities to their limits. Saying it was the busiest and most exhausting 12 months I’ve ever had behind the camera would be an understatement.
Over the year, I worked on three music cruises — Monsters of Rock, Cruise to the Edge, and On The Blue — along with eight massive music festivals: Summer Breeze Brazil, Welcome To Rockville, Sonic Temple, Inkcarceration, Rocklahoma, ProgPower USA, Louder Than Life, and Aftershock. Does that sound like a lot? That’s because it was. I walked hundreds of miles, flew thousands more, and pressed the shutter an astonishing 269,423 times. By the time I wrapped up two back-to-back Iron Maiden shows in early November, I was running on pure adrenaline — and maybe some energy drinks.
Through it all, I had the privilege of working alongside some of my favorite musicians and bands, as well as the most passionate and genuine label reps, PR professionals, fellow photographers, designers, writers, and friends (you know who you are!). I captured images that I’m incredibly proud of, and more than anything, I cherished every single moment. If there’s one thing life has taught me, it’s to never take these opportunities for granted — I remain deeply grateful for every experience.
Looking back, it’s impossible to choose just a handful of favorite shots from 2024, so I’ve decided to break this retrospective into themes. If I had to describe my year in one word, it would be FIRE. And fittingly, the first theme is just that — FIRE. These images are among the hottest of the year and trust me, there’s plenty of flames to prove it. Now, don’t be shy; show me your best fire shots from 2024!
PS: Here are some tips if you wanna up your game when capturing flames/pyro the next time:
* Photographing on-stage pyro presents a challenge due to the flames' extreme brightness and fast movement. Since flames are the brightest part of the image, you must meter for the highlights to prevent them from overexposing and losing detail.
* Don't be afraid to underexpose, even if your photo looks dark (in case you are using mirrorless and you can see the scene in front of your eyes before pressing the shutter). You will be able to recover shadow detail in post-processing.
* Flames move quickly, and a fast shutter will capture their shape and texture. 1/500s or faster is ideal for freeze motion. Also, use burst mode and fire a bunch of shots. Why? As the flames move up, their brightness change, and also you wanna capture them at their peak "formation" in the air. It's nearly impossible to wait and press your shutter once, to "freeze" the right moment, as everything happens too fast for your senses to react (unless your camera has a pre-capture feature)
* Use a smaller aperture (higher f-number, like f/5.6–f/11) to help control brightness. Keep the ISO as low as possible in conjunction, without turning your image pitch black.
* Be prepared to lose the opportunity to capture any other "cool" things happening on stage if you really wanna nail down the moment with the flames. You can't properly expose two things happening second apart with totally different lighting conditions.
* Needless to say: shoot RAW and in manual mode. Any "Auto" modes may adjust exposure unpredictably due to the sudden brightness of pyro.
* If possible, learn the cues for pyro bursts by paying attention to the song's timing or choruses so you can be ready with proper exposure and framing. Pyro often creates strong backlight behind performers, so exposing for silhouettes can be a creative choice
02/04/2025
One of many images to come from the 70000tons metal experience over the weekend... When the hammer falls and the guitar flies... the final moment of HammerFall's closing set at the pool deck
12/07/2024
The end of an era that started almost 42 years ago, when the world first heard of him via the iconic drum intro to "Where Eagles Dare", the opening salvo of the "Piece Of Mind" album...
The way this band, and Nicko himself changed my musical journey cannot be measured with words... to say he will be missed is the understatement of the century.
I took this image during their show last month in New York, unbeknownst at the time, his final ever in the Big Apple with Iron Maiden
We love you, Nicko. THANK YOU for all the years of musical greatness and the memories that will forever live with us ❤️
📷 Sony A1 | Edited on Capture One and Adobe Photoshop
Rebecca Ann McBrain
09/28/2024
The raw, full-throttle brutality of 1999 roars back to life, bursting through a palette of bloody reds, stark greens, gritty blues, and dancing blues. Pure, unfiltered chaos in its most primal form. Are you ready for the pain? Slipknot
📷 Sony A1 with GM Lenses | Edited on Capture One and Adobe Photoshop
09/19/2024
"...Come now, let us all kneel before Lamb of God, for to them we owe our metal souls…"
📷 Sony A1 with GM Lenses | Edited on Capture One and Adobe Photoshop
Mark Morton | Art Cruz
09/15/2024
Scenes from last night's Korn sold-out show at the iTHINK Financial Amphitheatre, the second date of their current headlining US tour
Ray Luzier | Jonathan Davis | James "Munky" Shaffer | Brian Head Welch | Ra Diaz
07/14/2024
To encapsulate the essence of the night in a mere handful of words: if you harbor a bit of affection for Sammy Hagar's illustrious tenure with Van Halen, or just wish to relive some of those durable generation-defining anthems that put Van Halen at the top of the rock 'n' roll royalty’s tree, you better don’t miss this tour. This may as well be the last opportunity to watch those timeless hits being belted out again and performed with passion and authenticity by two of the very architects who breathed life into their inception
Sammy Hagar (The Red Rocker) | Joe Satriani | Jason Bonham | Rai Thistlethwayte | Bravewords.com | Van Halen
05/31/2024
Small visual flashback to some of the action during Welcome To Rockville 2024 last month. These are 10 random picks from the hundreds of images I took across the four days.
1- Jeremy Mckinnon surrounded by flames while leading A Day To Remember
2- Rob Halford and Richie Faulkner summoning heavy metal anthems with Judas Priest
3- Josh Kiszka hitting impossibly high notes amidst columns of fire during Greta Van Fleet
4- Dave Grohl commanding an audience of thousands with Foo Fighters
5- Fred Durst impersonating maximum stage fun with Limp Bizkit
6- Ash Costello showing how it's done with New Years Day
7- Alex The Terrible slaying invisible enemies with Slaughter To Prevail
8- Elias Soriano Nonpoint boundless energy with Nonpoint
9- The ultimate stage antics of Brandon Yeagley with Crobot
10- Dan Jacobs delivering sick guitar licks with Atreyu
📷: Sony A1 with Tamron Americas lenses | Edited on Capture One and Adobe Photoshop
05/08/2024
'... The Ice Stage would become the site where this metal festival truly reached its explosive capacity at around 1:30 PM courtesy of the original wrecking crew themselves, namely New Jersey’s own thrash titans Overkill.
Subtlety and nuance were naturally not a part of what would unfold, as neck-destroying riffs and bone-shattering drum beats rang out to the four winds, all the while the original banshee himself Bobby “Blitz” Ellsworth showcased the same ear-shattering wail at the ripe old age of 64 that he’s been rocking since 1983.
Of particular note was the unique rhythm section on display, with drummer Jason Bittner almost destroying his kit while Megadeth’s own David Ellefson did an apt job filling in for D.D. Verni and approximating the latter’s signature glassy bass assault. Bittner would all but steal the show during a drum section comprised of a medley of intros of “Painkiller”, “Run To The Hills”, “Tom Sawyer” and a Shadows Fall (Bittner’s other band) song, followed by Ellefson took playing the into basslines of “Peace Sells” followed by a roaring audience reaction.
The bulk of the medley of proper songs was a masterful blend of old and new, with modern thrashing beasts like “Bring Me The Night”, “Electric Rattlesnake” and latest album entry “Scorched” trading blows with 80s stapes like “Hello From The Gutter”, “Elimination” and explosive final performance of their signature cover of The Subhumans’ “F**k You”...' Summer Breeze Summer Breeze Brasil
05/06/2024
“… At noon attention would shift to the Hot Stage for the arrival of American power/thrash crusaders Flotsam and Jetsam, and it is without even the slightest hint of hyperbole that they delivered an annihilating set. The Brazilian heat had already steeped the air in Sao Paulo at this point, and about halfway through their 10-song set lead vocalist Eric A.K. couldn’t resist joking that he would never wear leather again when playing in Brazil.
But the climate’s opposition aside, the crowd was a sea of moving bodies as this longstanding thrash machine pummeled the airwaves with a succession of high-octane numbers, mostly consisting of classics from their seminal early albums "Doomsday For The Deceiver" and "No Place For Disgrace" respectively. “Hammerhead”, “She Took The Axe”, and the closing performance of “No Place For Disgrace” would prove the brightest highlights, but a dark horse entry from their more recent era “Iron Maiden” (a tribute song to the band with the same name) and especially a more stylistically appropriate, sped up version of “Suffer The Masses” were also moments of note...”
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Send a message to Joel Barrios - Photography That Rocks:
Storytelling and creative innovation are my passion and my creative outlet. Photography and digital art allow me to express what I’m thinking and feeling in ways that no words could ever do. Memories, moments and moods can be captured and compiled in an image, which makes them unrepeatable and unique. My work seeks to be a window open to the imagination and the sensations of those who want to enjoy it.
I am a Miami-based freelance multidisciplinary designer and professional photographer, born some decades ago in the beautiful island of Cuba. Despite I studied software development, I have been a self-taught designer and photographer for most of my life, and dabbling with code and digital manipulation software have become my natural element. Besides designing and managing web design projects or digital products, I also write about technology and primarily about music, which is my other passion.
I am inspired by life… by music, books that I read, colors, the way people go about their lives… I find inspiration all around me.
When I look back at the relationships that I have built in the years spent in this business, I cannot help but be humbled.
I have a big family – my happy team: my wife, four daughters and two cats.