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A recent piece of mine has just been published by Wirripang Music Publishers. It's a clarinet quartet: Eb Clarinet, Bb C...
01/09/2024

A recent piece of mine has just been published by Wirripang Music Publishers. It's a clarinet quartet: Eb Clarinet, Bb Clarinet I & II, Bass Clarinet. John Martin, Brian Fuller, Peter Purches

Neat logo for the QUAD Summit, Japan.
25/05/2022

Neat logo for the QUAD Summit, Japan.

22/08/2020

A short portfolio of CD Cover design work for Don Spencer OAM.
donspencer.com.au Also check out Don's Australian Children's Music Foundation at acmf.com.au

Artist Reveals What Fonts Were Used To Design Famous Logos (30 Pics)
12/08/2020

Artist Reveals What Fonts Were Used To Design Famous Logos (30 Pics)

The Italian graphic designer, or logo guru, as one might say, Emanuele Abrate, shows what fonts some of the most popular brands chose to represent them by replacing names in logos with logo fonts.

My "Rags to Riches" piano suite has now been kindly published by Wirripang. 4 pieces reflecting a few jazz influences! S...
20/07/2019

My "Rags to Riches" piano suite has now been kindly published by Wirripang. 4 pieces reflecting a few jazz influences! Sibelius audio samples are at http://rodheard.com/compositions.htm

Catholic by DesignAll print and online graphic design for Catholic schools, parishes, and organisations. Social Media, e...
06/03/2019

Catholic by Design
All print and online graphic design for Catholic schools, parishes, and organisations. Social Media, email, flyers, brochure and signage. Click our portfolio below!

Rod Heard Studios has specialised in providing quality design to the Catholic community for many years. Please view the portfolio below for examples of work for a number of clients.

A new book cover design from Rod Heard Studios for publisher Albatross Books.The following is a review by Roy Williams i...
04/03/2019

A new book cover design from Rod Heard Studios for publisher Albatross Books.

The following is a review by Roy Williams in the Australian, Saturday March 2, 2019.

In his bestselling 2006 polemic The God Delusion, Richard Dawkins pronounced that “religion has been completely superseded by science”. A corollary of this worldview — reflexively held by hundreds of millions of atheists across the West — is that the opening chapters of the Book of Genesis stand utterly discredited.

The sneering wisecracks are familiar. The universe as we know it didn’t spring up in six 24-hour days! Eve wasn’t made from Adam’s rib! Snakes don’t talk!

Those who press such childish “arguments” are usually not qualified to make them. They have not even tried to grapple with all the relevant fields of knowledge. Apart from several branches of science, these include theology, philosophy, anthropology, archeology, ancient history, hermeneutics and linguistics. Dawkins’s sole area of genuine expertise is biology. Otherwise his mind seems small and closed.

Yet we live in an age of hyper-specialisation. It’s hard for anyone to digest, let alone master, all the pertinent information about human origins. It’s harder still to synthesise it fairly, in a form accessible to the contemporary reader.

Certainly the effort must be made, but it requires judgment and courage as well as erudition. Genesis is a minefield. Even the greatest biblical scholars tread with caution.

One thinks of the likes of Henri Blocher, whose 1984 masterpiece In the Beginning is a model of thoughtful exegesis. Now an Australian lay Christian, Tom Croucher, has taken the plunge. Adam: The First Human? is a fresh take on a perennial debate.

By his own admission, Croucher’s only formal academic training is in mathematics. Otherwise, his background is in high-school teaching, software engineering and local government. In short he’s a talented amateur — an old-fashioned polymath in the tradition of Blaise Pascal — who’s been researching the ­issues since 2002.

Crucially, he found a publisher in Albatross Books (a small but significant Sydney-based house that published John Harris’s monumental work of indigenous history, One Blood).

Croucher’s stated aim is ambitious, even audacious: “To provide an interpretation of Genesis that is supported by the current understanding of each relevant discipline”.

The range of his sources is rather limited. Nevertheless, I found his main thesis worthy of serious consideration (and will summarise it presently). But first it’s instructive to ponder why Croucher is likely on a hiding to nothing.

Hard-boiled atheists will dismiss him out of hand. Why? Because he is a confessed and (mostly) orthodox monotheist who believes that God created the universe with humankind in view. He also “upholds the Christian scriptures” as “authoritative and inspired”.

Equally, however, Croucher must expect to be trenchantly criticised by Christians who hold to a literal (or “traditional”) interpretation of Genesis. Such people are far more prevalent in the US than in Australia, but they exist here too.

Croucher will disappoint them because he accepts some central findings of modern scholarship: the emergence of Homo sapiens as a species about 200,000 years ago, by evolutionary means, and the emergence of recognisable “civilisation” about 12,000 years ago, in Mesopotamia. He pinpoints the 4th millennium BC as key to human cultural development: by then agriculture and animal husbandry had become sophisticated, and (circa 3500 BC) writing was invented. Perhaps a more serious problem for Christian purists will be Croucher’s rejection of the doctrine of Biblical “inerrancy”, at least as that controversial term is narrowly construed.

In his opinion: “If there are long-held beliefs that are no longer supportable as they are demonstrably untrue, then we have to relinquish them. … [W]e must pursue interpretations that are consistent and credible.”

Croucher rightly remarks that this is a “balancing act”. Scripture warns repeatedly against human beings trusting too much in their own understanding (cf. 1 John 4:5). On the other hand, Croucher reminds us that so mighty a theologian as St Augustine (AD 354-430) excoriated Christians who stuck stubbornly to “nonsensical” or “embarrassing” views of Genesis.

We now have access to 1600 years of additional knowledge and Genesis must be construed in its light. As Croucher writes, “if all truth is God’s truth — as it surely is — we need not be afraid of the consequences”.

Here is a telling example of what he has in mind. In most translations of Genesis, many of the leading figures, including Adam himself, are recorded as having lived up to 900 years. Croucher rejects this as literal truth: ancient Hebrew scribes, he suggests convincingly, misapplied the much older Sumerian dating system. (This gels with Psalm 90:10.)

More fundamentally, Croucher’s basic thesis is that Genesis is “neither science nor myth”. Adam and Eve, he contends, were not the first human beings. They were not the genetic ancestors of everyone alive today, and their disobedience in Eden did not give rise to physical death in nature.

Properly read, the Bible does not say so. Rather, Adam and Eve were real people who lived in Sumer around 3100-3030BC, “the dawn of written history”. Eden was a real, identifiable place. Adam and Eve are best understood as the first known prophets of the biblical God (Yahweh), and the first deliberate sinners. Adam or one his descendants may have written the first few chapters of Genesis. At any rate, his story “explains human nature”.

For further details, open-minded seekers should read the book. It is thought-provoking and valuable.

Roy Williams is a Sydney-based lawyer and author whose books include 'God, Actually'.

Copycat wine labels demonstrate the power of branding…
14/10/2018

Copycat wine labels demonstrate the power of branding…

The Australian wine industry's $143 million trade with China could be threatened following the discovery of fake Australian wines in China.

New - transcription and typesetting of lead sheets - from $50/page!
07/10/2018

New - transcription and typesetting of lead sheets - from $50/page!

Wearing my design hat... Vertical Banners are a cost effective display component for conferences and exhibitions etc. Th...
20/04/2018

Wearing my design hat... Vertical Banners are a cost effective display component for conferences and exhibitions etc. These are about .8 by 1.8 metres in size.

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