Jaspart Creative

Jaspart Creative Design and Illustration by my Alter Ego. Gig posters, logos, illustration and branding. If you like

hey folks- selling an exclusive few of these limited edition oblivion A1 prints. Each individually numbered and signed w...
01/03/2022

hey folks- selling an exclusive few of these limited edition oblivion A1 prints. Each individually numbered and signed with proceeds going to accountable mutual aid and SES flood relief for Northern NSW & South East QLD.

Postage and handling inclusive.

PM to purchase: only 6 left

If time is truly progressive…Then why do I keep falling?A reflection on recent personal stagnation mixed with my emergin...
15/11/2021

If time is truly progressive…
Then why do I keep falling?

A reflection on recent personal stagnation mixed with my emerging interest (probed by recent university studies) into new age performative movements.

Western secular tradition is heavily built on the concept of having a linear timeline of progression. Where society is supposed to be “progressing” towards something “greater” over time.

Yet in a society where we are completely atomised from a collective direction of progression, what does a linear timeline provide to the individual? It can be argued that the de-secularisation process has shown that many of us are now moving towards alternate philosophical and spiritual outlooks on time.

These concepts, particularly those that have been imported from the East, have surrounded the emergent “wellness culture.” Ultimately, becoming appropriated to the individual in contrast to a more “collective” practice seen in their respective traditions. Why has this performative change occurred?

There are many complexities to new age spiritually. However one major cause of concern is the nature of the neoliberal consumerist death cult. Pushing us into such a society of spectacle that even spirituality has become marketed and sold as an “alternative” source of wellbeing and meaning.

While it’s extremely important to find a sense of ontological security within yourself, the most individualistic causes of stagnation can be solved via a collective response. You can learn to love yourself and others around you simultaneously.

Be the “i” in Unity.

Jaspart x

The Talking Heads. Completed For Project CrescendoMy first contact with Crescendo was when I was approached on Instagram...
26/07/2021

The Talking Heads. Completed For Project Crescendo

My first contact with Crescendo was when I was approached on Instagram in January by Miss Nanda Soe, the project’s creative director and connoisseur of demiurgic ideas. She liked my art (if we want to attribute my work to art) and found my doings intriguing and encapsulating. She asked if I wanted to be part of creative endeavours: Project Crescendo. Photography & videography based art exhibition inspired by music featuring five Immersive album worlds, five-album recreation covers and five conceptual short films. These albums being Blonde, Magdalene, Demon Days, Melodrama and Mm..Food. I was fascinated, to say the least. In only a few short paragraphs and a brief project outline, I was bought and sold into the realm of Project Crescendo.

During these early stages, many other creatives from across the region and beyond were also becoming part of the Crescendo brand. Nanda and her accompanying multi-talented enchantress, Project Producer and best of friends London Hawke were migrating across the numerous creative disciplines, picking up intuitive minds and capitative souls to join the Crescendo crew. People were hearing the word, but they weren’t seeing it- well, not yet anyway.

It was here as a designer that I was tasked to develop the visual identity of the Crescendo exhibition. We could not wait for the final artworks that were months in the making to be completed, we needed some visual stimulus now. Something to inveigle crew, and more importantly, the public’s interest in the project and give them an idea of what it could become.

Often related to sound and music, a crescendo is defined as the highest point reached in a progressive increase of intensity. I wanted to take the definition away from the literal and more into the metaphorical. Without writing an etymology on music and the way it transcends our being and place, I wanted to communicate the way music fuels us in the many ways it does best. An increase of intensity till reaching the highest point of self-actualisation. A crescendo of thought, imagination and self-expression.

The Talking Heads are many things. They are expressions that are formed through and shaped by, music. They are just 4, of infinite enunciations of what we ascribe music to be. They are, if you will, a crescendo of emotions. Of thoughts, feelings and ideas.

I don’t tend to attribute my work directly to the influences of previous artists, illustrators and musicians, however, I am not ignorant to the ascendancy they have brought not only to my work but my process, my intuition and my resolve. After all, there’s a joke that everything is stolen from somewhere these days and I’m not one to disregard that. So instead, I will tribute this to a few names. While being used individually to promote crescendo, it was always intended for the heads to come together in a 2x2 grid. Visually sharing a close resemblance to many pieces in popular culture, but in particular, to one of Crescendo’s album worlds: Demon Days by Gorillaz. The partnership of Blur frontman Damon Albarn and infamous comic artist Jamie Hewlett is a real-life amalgamation of my own personal journey through the arts. A combination of my childhood idolisation for the graphic medium of comics and illustration, and my adult love of music, film and performance. The title Talking Heads is an explicit tribute to the American new wave band of the same name. The past and present works of David Byrne is a staple piece for what not only a good musician, but a creative mind is and should be. The Heads’ music interspersed components of punk, art rock, funk, and world music with avant-garde sensibilities and an anxious, clean-cut not seen before to audiences. Well, according to their Wikipedia anyway. I would like to believe the Talking Heads of Crescendo is the same, combining elements of different genres of music, disciplines of art and influences of inspiration to achieve something not seen before.

The Talking Heads are many things. While they may not visually represent Crescendo, they embody its message and communicate its ideas. They are a tribute, reflection and admiration to the many creative minds who have brought these six months of art-making together. Some who I’m sure have not only reached levels of actualisation not seen before but have made new experiences and connections with others that they will value for life. They are expressions of my frivolous and nonsensical self. They are finally an accolade of appreciation to Nanda and London. Who, while having led this project, has conducted leadership in a way that lifts everyone to their most fluent potential. To a point where we are all equal in the creative journey that has become Project Crescendo.

Jaspart x

A short spiel here for those who wish to potentially open their minds to my half-wit anecdotes. As beautifully expressed...
05/04/2021

A short spiel here for those who wish to potentially open their minds to my half-wit anecdotes. As beautifully expressed in this parody of Marx by Brisbane Design Studio Inkahoots:

“The designers have only packaged the world, in various ways. The point, however, is to change it.”

One thing that I’ve become drastically aware of throughout my past three years of university, is that the reality of design, and creative output in general is alarmingly skewered towards the fields of wealth, corporatism and exploitation. The irony being that as designers our role is supposed to problem solve the things we interact with as humans, and yet so much of our efforts are geared towards the manufactured consumeristic needs of wearing stupid fu***ng Nike sneakers or ensuring British Petroleum’s new brand campaign promotes falsified aesthetics of “wokeness” and “sustainability”.

The current design teachings are also woeful. We are taught to distrust the word “capitalism”, yet are never given an appropriate understanding of what it is or more importantly, the types of alternatives that exist. We don’t reject theory, but unfortunately cherry pick those that give off a particular liking of the world, regardless of whether it is true to reality or not. We have packaged the world no differently to the very media oligarchs and public relations propagandists that have manufactured our very consent regardless of what “ism” is trending on the day.

The question I’m putting here is not a new one. Historically there have been many designers of prevalence who have raised and pushed the query of what should our role in society be?

The First things First Manifesto of 1964 by Ken Garland and co is a fantastic example.

My point is, to whatever creative you might be. Is your sole role in society going to just sell your labour of love for the attainment of self-wealth? Ask whether you want to use your god-gifted talents for something beneficial outside of your self-serving needs? It’s something only you yourself can answer and only something you yourself can fulfil.

It’s a brutal take, especially from someone who doesn’t exactly stand on the fence of moral relativism. But as with my usual antics, I’m non-apologetic, for there is always an impact we can make as a collective for a better tomorrow. Reach out to other people and reject rugged individualism. You may have a greater impact on the community then you could ever imagine. Strive to build a world of love and solidarity, not one of death and decay.

Jaspart x

Single cover art completed for Radicals.You can stream “i hate myself” on platforms now.
19/03/2021

Single cover art completed for Radicals.

You can stream “i hate myself” on platforms now.

12/01/2021

“oh so you like draw as a hobby?”

yeah i just spend what feels like an eternal millennium in emotional blood sweat and tears in creating work that’s just as much as a self reflection as much as it “looks cool” you uncultured, complete absence of creativity, demeaning prick. but yeah guess i can slip on cons too and call myself an artist because why the f**k not. wearing shoes owned by a billion dollar corporation does not make you alternative or counter culture and i don’t use my art as some trendy pickup line to be used on the chick with the fringe at the local dive bar. but sure thing it’s a hobby x

Poster for Gorillaz Song Machine Season One: Strange Timez
10/11/2020

Poster for Gorillaz Song Machine Season One: Strange Timez

14/10/2020

Artwork for Venus.⁣⁣ The new single by Blue Savannah Underworld is now available for streaming. Originally by Shocking Blue, the BSU boys have reinvigorated an absolute classic.⁣⁣ Show your support by downloading and listening now!

06/10/2020

Very excited to announce that Sunday, the 11th of October, our new single “Venus” will be available for streaming everywhere. Originally by Shocking Blue, thrusted onto the charts by Bananarama, now resurrected by BSU. Link for pre-save in our bio 🌶
Art by Jasper Oberg

Is what they doing unprecedented? Absolutely not. ⁣⁣But there’s no act in current existence communicating the struggle o...
26/09/2020

Is what they doing unprecedented? Absolutely not. ⁣

But there’s no act in current existence communicating the struggle of the working class and minorities of the British context better in the medium of music. ⁣

IDLES aren’t just inspiring conversation, they’re taking the notions of the male patriarchy, xenophobia, nationalism, misogyny and austerity- and burning it to the ground with perplex lyrics and energising post-punk rhythms that will galvanise to say the least. ⁣

They’re bringing the struggle of working people to the forefront, fighting class warfare in the process and I fu***ng love them for it.⁣

Here’s my new poster for their new album ⁣
The main feature is a hyper-stylised of Idles frontman Joe Talbot. I reluctantly decided to stick with the black and white for the cover.⁣ There’s other colour versions on my Instagram.

03/09/2020

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