Studio Sarah Schrauwen

31/12/2025

2025 — analogue memories.

02/08/2025

A visit to the 👀

1–2: Juliette Wytsman-Trullemans, ‘Summer by the Meuse’ (1911), detail & overview
3: Alfred William Finch, ‘Landscape in Seneffe’ (1888), detail
4: Emile Claus, ‘Summer’ (1893), detail
5: Hans Op de Beeck, ‘The Horseman’ (2020), detail
6: Light poetry

16/12/2024

Me in the early nineties, already deep into books, animals and pensive glances. End of message. ✌️

04/11/2024

A few months ago we were interviewed by ANTWERP. POWERED BY CREATIVES. about our creative ventures and towards the end I shared my long-time dream of becoming a publisher. Today I can share that this dream is about to come true!

We (Doublebill.design) joined forces with Johannes De Breuker to form the slow publisher flaneur uitgevers. The PRE-ORDER of our very first own publication ‘Belgische cinema in 24 frames’ is now live. (It’s all in Dutch/Flemish!)

→ More info and pre-order via WWW.FLANEURUITGEVERS.BE

For the paper and printing we will be working with Arctic Paper and zwartopwit.be. The book will officially be launched in the beginning of February 2025 during Filmfestival Oostende.

And in case you want to watch the whole interview: vimeo.com/943631051.
Portraits (3rd photo) by Gloeilampje

17/11/2023

23/02/2023

Books, books & books at the temporary home office. 📚 About a month and a half to go before moving into ! 🤞

22/07/2022

Book design for ‘Point Break: Raymond Pettibon, Surfers and Waves’, a collection of more than 100 artworks featuring surfers by American artist Raymond Pettibon. A recurring motif in his work since 1985, the series ranges from smaller-scale monochromatic works on paper to large-scale colourful paintings on canvas or directly on walls. We chose a large format for the book to reflect the physical size of the artworks, and also – more importantly – the huge force of nature that the waves represent in Pettibon’s work.

With texts by Jamie Brisick and Brian Lukacher, and contributions by Emily Erickson and Stephanie Gilmore. Published by David Zwirner Books and printed in CMYK + 1 PMS by Conti Tipocolor in Italy.

02/06/2022

Still one of my favourite and most-used cookbooks! Five years ago Dorien Knockaert wrote this gem and I had the pleasure of designing it. Published by , with photographs by Ivan Put.

PS: we (doublebill.design) are featured on the Luster website for a ‘behind the scenes’ interview. ‘Thuiskomen’ is mentioned as one of my favourite projects. Check it out: nl.lusterpublishing.com (in Dutch)

16/03/2022

Annelies Van Hullebusch is an artist who writes, draws, photographs, interviews and performs. I had the pleasure of working with her on an artist book for her latest tactile performance BOEK-STEEN-PAPIER, where each audience member holds the book in their hands. What they see and read in the book reflects and interacts with what happens on the stage.

The performance and book are made up of five ‘milestones’: events that have determined, influenced and enriched Annelies’ life. Each chapter starts from a personal experience, but zooms out to a universal story about strength and conviction.

BOEK-STEEN-PAPIER has an open spine with a yellow thread. The chapters are divided and characterised by pastel-coloured papers from the Papyrus Rainbow range: light yellow, salmon, light blue, light green and violet.

One of the chapters from the performance book was self-published by Annelies as an audio zine entitled ALFONSINA, you can buy it here: www.anneliesvanhullebusch.be/hoorzine-alfonsina. The front and back cover are pastel blue and it’s bound with a dark blue thread.

You can still catch the performance BOEK-STEEN-PAPIER on March 30th (in Tilburg, The Netherlands) and on May 14th (in Deinze, Belgium).

Writings and drawings by . Book design and print management by me. Printed and bound by .capitan_the.coprinting.co with papers by (Nautilus Classic White, 100% post-consumer recycled paper) and (Rainbow range).
⠀⠀⠀⠀⠀⠀⠀⠀