Deidre Driscoll

05/01/2026

To start off the new year, I'm looking to the past to acknowledge and thank all the great clients I worked with in 2025. Here is partial collection of logo design and identity projects that I worked on from the past year.

This collection presents a curated set of logo designs that I produced for multiple clients over the last year. Each mark was built as a functional identity asset: clear forms, controlled typography, and vector structure optimized for scale across print a...

17/11/2025

A project from last year: The visual identity for Rosier's album "Elle Veille Encore." The identity included the design for the outer cover, inner sleeve and vinyl for their record as well as artwork for the singles off their album, the edition graphic associated with the album and apparel design for their merch. 🎶

Visual identity for Rosier's album "Elle Veille Encore." The identity included the design for the outer cover, inner sleeve and vinyl for their record as well as artwork for the singles off their album, the edition graphic associated with the album and ap...

04/11/2025

A project I worked on earlier this year: Logo family and colour system design for Hamburg-based automated freight forwarding company, Logic Solutions and its sub-companies, Heroes and Journeys. Logic is revolutionizing the freight forwarding industry by harnessing AI to automate all manual aspects of the shipping process and to provide valuable data-driven insights.

As the focus was to emphasize the union between freight forwarding and technology, I created a modular graphic to replace the “O” which represents both a processing chip (to tie in the tech side of Logic’s workflow) as well as the modular structure of a shipping container, an object synonymous with freight forwarding. I also focused on the “O” because it is a letter that occurs in all three brands: in Logic and its sub-brands Heroes and Journeys, to help unify the brands and to better create a cohesive and identifiable logo family. The “O” can also be used on its own as a overarching brand logo mark.
pangram ’s typeface PP Neue Corp was chosen as the base for the logo family and then was manipulated to create modular inspired characters to harmonize with the modular “O” and to create fully customized and distinct logos.

An energizing and distinct colour palette was selected to represent each sub-brand while also maintaining the ability to all work together as one overarching brand palette.

                    .ai  

29/09/2025

Recent artwork for the EP ‘Fall’ from Tokyo-based producers Yoshi Horino, M-Scape and Werner Niedermeier. Released through .

                 

29/01/2025

I thought it’d be interesting to show some of the exploration that took place for the recent logo redesign to for PDTSTUDIO. A lot goes into making a logo, many iterations, much research and a lot of trial and error. None of these made the cut but some of them I still really like.

   

09/01/2025

Long overdue to have some professional photos taken of myself. Thank you for making the shoot way less awkward than I usually am in front of a camera 😅

Lots of creative ideas and projects on the horizon for 2025. DM for creative direction, art direction and graphic design for your future projects and collabs 💪

📷

     

12/12/2024

This personal project centers on a collection of recipes passed down through my mother’s side of the family, dating back to my great-grandmother. The original recipe book was so worn that the pages had nearly detached, so I set out to give it new life.

Along the way, I discovered “commonplace books”—collections of personal knowledge and reflections—which inspired me to curate and incorporate family memories, quotes, and photos related to the recipes. I wanted the book to feel fun and exploratory, leading to its quirky design. In addition to memories and photos, it features stylized magazine cut-outs from 1959 and scans of handwritten recipes on old office memos and index cards—all found within the original book. The book is handbound using coptic stitching with a linen cover. I created copies for various family members so they too could access the recipes and contribute their own recipes and heritage to this growing archive.

When I learned the theme for the 2024 edition for was “heritage,” I submitted this project and was pleased to have been selected for publication in their magazine, as well as to have the physical book showcased at their exhibition.

Creative Direction & Graphic Design: �Fonts used: Editorial Old (regular) & Neue Montreal (medium) .pangram
Photos of book by

27/11/2024

04/11/2024

Poster design for upcoming show.

31/10/2024

Recent embossed business card & logo design for an independent therapy clinic.
Typefaces:
PP Playground .pangram
Space Mono & Grotesk
.ai