Jillian Ross Print

05/25/2026

05/24/2026

That’s a wrap.
best art fair ever :)

05/24/2026

Triumphs and Laments at RMB Latitudes Art Fair

Link in bio

RMB Latitudes Art Fair
Photo courtesy Latitudes Online
Photo by Anthea Pokroy

05/23/2026

Scenes from the ‘Martinique in Saskatoon.’

05/22/2026

Some photos from today at RMB Latitudes.
A really lovely day.

05/21/2026

Meanwhile, back in Saskatoon printing continues for The Great Yes, The Great No.

05/21/2026

WILLIAM KENTRIDGE
TRIUMPHS AND LAMENTS at
RMB Latitudes Art Fair, Johannesburg May 21 -24

Links in bio

In 2023 William Kentridge proposed a collaboration for a print series based on his ephemeral monumental frieze, Triumphs and Laments (2016 - 2019), which was stencilled on a wall that runs along the Tiber River in Rome.

The procession of 51 figures was drawn from the history of the city: from Remus to Pasolini,
from Caesar’s Quadruple Triumph to Fellini’s La Dolce Vita, from the campaigns of Marcus
Aurelius beyond the Danube to mourners at a funeral for Eritrean refugees who died at sea
trying to reach Italy in 2013.

The Triumphs and Laments leporello (accordion-fold print) is made from 30 photopolymer
plates printed onto 22 sheets of Arches Cover White, folded and glued to form four signatures,
totaling 13 meters. The folded sections and signatures are of irregular lengths. On occasion
parts of the printed images are repeated to produce an intentional stuttering effect. Once
assembled, the leporello displays the 550-meter frieze at its full length.

The photopolymer print, Winged Victory, depicts a single figure from the frieze. It shows a
winged goddess recording on a shield the victorious end to Emperor Trajan’s first campaign
against the Dacians.

April 2026 marks the 10-year anniversary of the mural.

05/21/2026

WILLIAM KENTRIDGE
TRIUMPHS AND LAMENTS at
RMB Latitudes Art Fair, Johannesburg May 21 -24

Links in bio

In 2023 William Kentridge proposed a collaboration for a print series based on his ephemeral monumental frieze, Triumphs and Laments (2016 - 2019), which was stencilled on a wall that runs along the Tiber River in Rome.

The procession of 51 figures was drawn from the history of the city: from Remus to Pasolini,
from Caesar’s Quadruple Triumph to Fellini’s La Dolce Vita, from the campaigns of Marcus
Aurelius beyond the Danube to mourners at a funeral for Eritrean refugees who died at sea
trying to reach Italy in 2013.

The Triumphs and Laments leporello (accordion-fold print) is made from 30 photopolymer
plates printed onto 22 sheets of Arches Cover White, folded and glued to form four signatures,
totaling 13 meters. The folded sections and signatures are of irregular lengths. On occasion
parts of the printed images are repeated to produce an intentional stuttering effect. Once
assembled, the leporello displays the 550-meter frieze at its full length.

The photopolymer print, Winged Victory, depicts a single figure from the frieze. It shows a
winged goddess recording on a shield the victorious end to Emperor Trajan’s first campaign
against the Dacians.

April 2026 marks the 10-year anniversary of the mural.