LatinoType

LatinoType Typedesign from the end of the World. Latinotype is a new digital type foundry established in the year 2007 in the city of Concepción, Chile.

Our goal is to design new typefaces remixing diverse influences related to our South American identity (most often known as “latino”) with high quality products for the contemporary design industry.

Not another grotesque. Suspiria doesn't join the packit breaks it.Sharp angles and taut diagonals leave no room for doub...
20/08/2026

Not another grotesque. Suspiria doesn't join the packit breaks it.

Sharp angles and taut diagonals leave no room for doubt: there's firmness in every stroke, a rhythm that doesn't negotiate. The high optical center in the caps and the wide, sturdy lowercase work together so the text doesn't ask for permission — it takes it.

In its Black weight, the tension hits its limit: terminals touch, spacing tightens, and the text block turns solid, almost architectural.

Suspiria rejects neutrality. It bets on recognition over uniformity, on character over conformity. It's not a typeface that fits into a system it's one that defines it.

Eight weights, from ExtraLight to Black. 530 glyphs, including an arrow set.

Character over conformity.

Launch coupon: 60% off. Available now at latinotype.com 🔗

Design: Felipe Sanzana & Latinotype Team
Foundry: LatinoType

Warmth, made structuralAmigável starts from a strict geometric grid where every letterform stands on precise proportions...
28/07/2026

Warmth, made structural

Amigável starts from a strict geometric grid where every letterform stands on precise proportions, nothing left to chance. Then it lets go, just enough. The curves round off, the terminals soften, and what was purely architectural starts to feel like it's speaking your language.

Generous x-height, open apertures legible from a business card to a billboard.

7 weights. Matching italics. One variable font.

60% off the complete family with code AMIGAVEL60 — available now, link in bio.

Design: .design &LatinoType
Foundry: LatinoType

Not every geometric sans wants to be friendly. Amigável does and it doesn't need to break its own structure to get there...
25/07/2026

Not every geometric sans wants to be friendly. Amigável does and it doesn't need to break its own structure to get there.

The letterforms stay upright, precise, generous in proportion. What changes is in the details: a single-story "a" for a project that wants restraint, a double-story one for a project that wants personality. Same family, different mood, no compromise on legibility.

Open counters and a tall x-height mean it holds up from a signage panel to a phone screen without losing warmth along the way.

7 weights, matching italics, one variable font. A complete system.

Get 60% off the complete family with code AMIGAVEL60 available now, link in bio.

Design: .design & LatinoType
Foundry: LatinoType

23/07/2026

Amigável is here!

Some typefaces feel structured before you notice the warmth. Amigável is both at once. The precise geometry holds the letterforms upright, while every curve softens just enough to add a charming human touch.

Switch between single and double-story "a" and "g" and the whole personality shifts — sharper for one project, friendlier for the next. A generous x-height keeps it legible everywhere, from a packaging label to a full interface.

7 weights, matching italics, and a variable font. Precise geometry, warm character.

60% off the complete family with code AMIGAVEL60 — available now, link in bio.

Design: .design & LatinoType
Foundry:

A sans serif font designed for low contrast.Phase Grotesk maintains consistent stroke weight throughout, giving it a sta...
21/07/2026

A sans serif font designed for low contrast.

Phase Grotesk maintains consistent stroke weight throughout, giving it a stable texture. Its curves are taut and slightly compressed, avoiding the perfect circle. The closed openings of the “e,” “c,” and “a” are reminiscent of early sans serif typefaces used in signage and vintage catalogs that’s where its sincere, unpretentious character comes from.

These imperfections are more noticeable at large sizes. In body text, they soften without affecting readability. That’s why it works equally well in high-impact compositions as well as in interface design, publishing, and branding.

16 typefaces, 8 weights, and corresponding italics. A complete system.

60% off the complete family with the code PHASE-60% at checkout.
Available now—link in bio.

Design: Felipe Sanzana & Font Catalogue Team
Specimen design:

Frankfurt, Barcelona, and a MetaDesign office in between.Forward Festival, Monotype's Foundry Business Summit, conversat...
15/07/2026

Frankfurt, Barcelona, and a MetaDesign office in between.
Forward Festival, Monotype's Foundry Business Summit, conversations that didn't fit in any panel.
Between cities, typography kept showing up where we weren't looking for it on a sign, in a shop window, on a wall.
And the people, as always, are what stayed with u

Gothic is having its moment.Not the revival kind — the contemporary kind. Dark aesthetics, high contrast, medieval refer...
12/06/2026

Gothic is having its moment.
Not the revival kind — the contemporary kind. Dark aesthetics, high contrast, medieval references showing up in packaging, branding, concert visuals. The kind of design that has weight and presence.

Beth was built for exactly this. A pop gothic serif that moves effortlessly between a luxury fragrance label and a poster. Light and shadow in the same typeface.

Designed by Ale Navarro at Latinotype. 7 weights, Light to Black. Two character sets — 14 fonts total.
latinotype.com/typefaces/beth

60% off for 90 days — use code BETH-60% at checkout.

The oracle speaks to me of Beth. — Meet our latest release.A pop gothic serif rooted in early twentieth-century English ...
05/06/2026

The oracle speaks to me of Beth. — Meet our latest release.
A pop gothic serif rooted in early twentieth-century English shopfront lettering. Neoclassical uppercase, Johnston's calligraphic hand in the lowercase, contrast drawn from copper engraving. Designed by Ale Navarro at Latinotype.

7 weights, Light to Black. Two character sets — 14 fonts total. Built for luxury labels, editorial, and concert posters alike.

Available now at latinotype.com/typefaces/beth

60% off for 90 days — use code BETH-60% at checkout.
(And yes — there's a new site waiting for you.)

Marcante. Kept in Portuguese because no translation does it justice.Impactful. Striking. Memorable. That's what the name...
21/05/2026

Marcante. Kept in Portuguese because no translation does it justice.

Impactful. Striking. Memorable. That's what the name means — and that's exactly what Brazilian designer .design set out to design.

Its construction combines the solidity of a neo-grotesque with the precision of a geometric. The contrast between wide curves and straight strokes generates rhythm and tension while defining a strong and recognizable identity.

With six weights ranging from Regular to Black, plus a Variable font, Marcante offers an expressive range always oriented toward visual presence. Each weight intensifies its voice, evolving into denser, more forceful variants designed for headlines that demand immediate attention.
Designed to catch the eye and stay in the memory.

Available now👆
Link in bio.

Marsella is a TDC72 finalist — one of the world's most recognized type competitions — and we couldn't be happier.Designe...
28/04/2026

Marsella is a TDC72 finalist — one of the world's most recognized type competitions — and we couldn't be happier.

Designed by our Type Design Director, Ale Navarro, with the Latinotype Team, Marsella is a display typeface that embodies the character and personality we pour into every project. Being recognized by the TDC means a lot to us.

Dirección

Santiago

Horario de Apertura

Lunes 09:00 - 18:00
Martes 09:00 - 18:00
Miércoles 09:00 - 18:00
Jueves 09:00 - 18:00
Viernes 09:00 - 18:00

Teléfono

+56228866386

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