Sensoric Image Science

Sensoric Image Science International Reseach Project 'Sensoric Image Science'. Established 2010. I have been Professor and Director since August 2019.

Det ser sort ud. (Eng. below)Nætterne er lange, dagene ofte mørke og den sorte fredag, Black Friday, er nær. Også på and...
24/11/2024

Det ser sort ud. (Eng. below)
Nætterne er lange, dagene ofte mørke og den sorte fredag, Black Friday, er nær. Også på andre områder trænger sortsynet sig på. Jeg skrevet en artikel om farven sort, som gerne skulle tilføje en del nuancer til farven ud fra dens brug i hverdagen, inden for mode. maleri og fotografi især - samt tilføre æstetisk og kulturhistorisk dybde.

It looks black.
The nights are long, the days are often dark and Black Friday is near. Also in other areas dark thoughts are invading. I wrote an article about the color black, which would like to add some nuances to the color based on its use in everyday life, in fashion. painting and photography in particular - as well as add aesthetic and cultural-historical depth.

(English tranlation will be published in a while)

Sort er både blevet æret og frygtet. Det ses ofte som farven på det ukendte, en visuel pendant til begrebet tomrummet eller det uendelige, skriver Bent Fausing.

Illuminations.The place for light or neon advertising par excellence became Times Square in New York. It started small i...
04/08/2024

Illuminations.
The place for light or neon advertising par excellence became Times Square in New York. It started small in 1906 with a light advertising whiskey, then Wrigley’s chewing gum followed.

Since 1906, light and neon advertising has reigned as the star attraction of Times Square; the flashing, pulsating, sometimes disorienting messages have radiated in all directions from the large signs. As the illuminated show of American and later international commerce developed, it shaped an imaginative personality for the district that thoroughly embodied the site's colorful show. It was not a place for subtlety. The space became a stunning and an overwhelming show, a visual maelstrom freely available almost overbearing from all comers of the square and changing moment by moment.

In a particularly exciting and thorough book 'The Remade of Times Square. The Dynamics of Urban Space' (MIT Press 2024), Lynne B. Sagalyn has investigated the aesthetic, visual and cultural-historical origins of this special place as well as of illuminated advertising as an essential part of commodity aesthetics and commodity production. The light and neon advertising were part of the extra layer, Schein, which was a shell of colors, bright lights, logos, and narratives around the product itself, Sein. The Schein could constantly be renewed as part of an ongoing aesthetic innovation.

What is so distinctive about the illuminations on Times Square? In short: that, like posters, you cannot avoid seeing them. You cannot scroll further; you have to see. Even if you look away, you have seen what you do not want to see.

Photos: 1. and 2. The start of Times Square's light advertisements 1906. 3. The cover of Sagalyn's highly recommended book. 4. Contemporary photo that I took from Times Square a couple of years ago. - Times Square got its name when the New York Times newspaper moved its headquarters to a new building in the area.

Algorithms Are Not Innocent.With the AI image programs, we've got a fun toy and an inspiring technology that creates ima...
21/12/2023

Algorithms Are Not Innocent.
With the AI image programs, we've got a fun toy and an inspiring technology that creates images differently and quickly and therefore comes with surprises and occasionally wild solutions. It enables amateurs to create fantasy images that no one could dream of. It provides the professional with perfect equipment that makes many previous stages redundant (stock photos, studio, models, stylists, etc.). We can create something, and we can recreate something that we unconsciously have within us.

But the fascination also lives on the fact that something cannot be shown. For example, MidJourney, DALL-E etc. cannot create women who are over 39 and under 60. Nor can they wear glasses. Faces that meet these criteria simply do not exist in the database. ‘Do you want a beautiful 20+? No problem! We can get a billion of them! Do you want a wrinkled grandma? It can be done too! Do you want a reasonably attractive, pleasant-looking middle-aged woman with great skin? Sorry, they don't exist, but we can make some gruff, alcoholic zombies for you at that age.’ (Jennifer Shepherd, comment on page 'Midjourney' Facebook, Sep. 4, 2022). Here, algorithmic bias is pointed in relation to gender and age, but also exists in relation to ethnicity.

Algorithms are not innocent, they are chosen and cultural, and just as there is no pure denotation, there is no pure algorithm either.

Here is an article from The Guardian pointing out the not so innocent algorithms. The text above comes in part from an article that I have written and is available in Danish and English, I have put links the articles in the comments.

https://www.theguardian.com/technology/2023/feb/08/biased-ai-algorithms-racy-women-bodies?fbclid=IwAR38jiDbsQfUpDqUxxCW8JIlTTj6UIILbwgs9NyE3v4vA4T2m_CTSmwLkYw

Guardian exclusive: AI tools rate photos of women as more sexually suggestive than those of men, especially if ni***es, pregnant bellies or exercise is involved

Around Trump’s Mugshot.Blend of criminal portrait, surveillance, ambivalence, entertainment, mythology of the gaze, and ...
11/10/2023

Around Trump’s Mugshot.
Blend of criminal portrait, surveillance, ambivalence, entertainment, mythology of the gaze, and meaning of the face On Thursday, August 25, 2023, a mugshot, a criminal portrait, was taken at the Fulton County Jail of former President Donald Trump. It has entered visual culture as a mixture of criminal portraiture, surveillance, ambivalence, entertainment, and mythology of the gaze. Everything is centered around his face as the essential, and this focus and union with the other elements is the subject in the following.

This is an English edition of an article, which I posted in Danish the other day.

https://www.academia.edu/107958684/Around_Trumps_Mugshot?fbclid=IwAR2wE9DkEyiMb7qHJF68SYWFE18hyjbBEraBZXez3zvB85N4TcpUTWYVqpM_aem_AYvd08Svp8EPeHLWK43QDgmDtV-iRcEFoJucIFfTqHHiwV05DGJhJ3OybOHArNSwMOs

Blend of criminal portrait, surveillance, ambivalence, entertainment, mythology of the gaze, and meaning of the face On Thursday, August 25, 2023, a mugshot, a criminal portrait, was taken at the Fulton County Jail of former President Donald Trump.

Sleep Less.I am my apps. Some time ago I revisited Jonathan Crary's 'Late Capitalism and the End of Sleep' (2014). Even ...
07/10/2023

Sleep Less.
I am my apps.

Some time ago I revisited Jonathan Crary's 'Late Capitalism and the End of Sleep' (2014). Even if I do not agree, for instanser in the negative attitude towards the development of media, I am always inspired by Crary's writings. Their knowledge and well-formulated sentences set things and minds in motion. It was for a seminar and here is what I found out; I am my apps. They never sleep.

We live in the end of sleep times. We want to live forever, without sleep. ‘The ends of sleep’ has a double meaning. The first is that sleep is under threat; a hundred years ago most adults slept ten hours a day, while the average now is six and a half.

Neoliberalism has colonized our nightly relief as part of its general operation of ‘bioregulation’. As with many other military initiatives, the creation of the sleepless soldier* has moved into civilian life with online producers and consumers attached to global workplaces and markets 24/7. Once a kind of torture, sleeplessness is now a bragging lifestyle for a select few (‘sleeping is for losers’) and an economic necessity for countless others. Less asleep than in sleep mode, many live in ‘low-power readiness’ where nothing is ever fundamentally “off” and there is never an actual state of rest. Increasingly we become our apps: the personal is made into an application of new control systems, a mess of identities that exist only as effects of momentary technological preparations.

They are systems and arrangements which we either passively or actively help to control, thus collaborating in our own disciplining, surveillance, and data digging.** 24/7 denotes the ruins of the day as much as it concerns the ending of darkness. Activities that do not have an online correlate begin to weaken as shared in-person experience gives way to serial online solitude. Everyday life becomes a ‘hollowed-out simulation,’ and the passage of time a disabled and neglected diachrony.

—-

*The Nazi-German so called Blitz Krieg [Flash War] in 1940 in West and East Europe was not only made possible through new equipment and tactics. It was made possible through medicine, Pervitin. Pervitin combatted fatigue, triggering a heightened state of alert, and renewing the consumer with a fresh wave of motivation and concentration. It allowed people to work for longer and in the world of a soldier where sleep was the enemy.

** Sleep solutions tend to be focused narrowly on the purchase of products and technologies (sleep sprays, essential oils and melatonin gummies, blackout curtains, premium bedding, sleep apps, sound machines, adult sleep coaches). Cf. Suzanne Leonard and Diane Negra ‘Labour, Self-Care and Respite: Neoliberal Rationalities in Sleep Crisis Rhetoric’ in: new formations: a journal of culture/theory/politics, vol. 106, 2022.

Trump’s Mugshot.1.A mugshot is a photographic portrait of a person from the shoulders up, typically taken after a person...
25/08/2023

Trump’s Mugshot.
1.
A mugshot is a photographic portrait of a person from the shoulders up, typically taken after a person is arrested. The original purpose of the mug shot was to allow law enforcement to have a photographic record of an arrested individual to allow for identification by victims, the public and investigators.

Mug is an English slang term for "face", dating from the 18th century. Mug shot can more loosely mean any small picture of a face used for any reason.

A typical mug shot is two-part, with one side-view photo, and one front-view. The background is usually plain to avoid distraction from the head. Mug shots may be compiled into a mug book in order to determine the identity of a criminal. In high-profile cases, mug shots may also be published in newspapers and other media.

2.
All brands need a leitmotif and an aesthetic, and president Donald Trump has spent decades promoting both. The theme is success, wealth, power, and the aesthetic is bright, brassy, tacky and loud—or gaudy and fake. More is more, not less is more. In person, the Trump look is that distinctive hair, oversize blue suits and long, shiny red ties. Architecturally, it’s gilt and mirrors, as in his famous marble-and-gold Trump Tower apartment, with its canopy beds, fresco-style ceilings and colossal chandeliers. Angelo Donghia designed the Trump apartment, decorated in 24K gold and marble, in Louis XIV style. It is easy, almost too easy, to draw parallels to other despots and dictators, who have used the same style; often, however, with a little medieval castle involved. The line from Herman Göring, Sadam Hussein, Victor Yanukovich is obvious.

In Donald Trump’s mug shot taken at the Fulton County Jail on Thursday, he’s looking straight into the camera. His platinum blonde cotton candy wisp of hair shimmering in the harsh jailhouse lighting. The self-tanner has also been in use. His eyes locked in a hard stare. His eyebrows are raised, a silent command of submission and obedience. His mouth flattened in a grimace. Instead of smiling like some of his co-defendants, he appears to be scowling. Gaining power through the gaze and scowl is a way to indirectly secure narcissistic supply and power.

Trump confronts the camera in front of a bland gray backdrop, his eyes meeting the lens in an intense glare. He’s wearing a blue suit, white shirt and the red tie, his shoulders squared, his head tilted slightly toward the camera. The sheriff’s logo has been digitally added above his right shoulder.

The mug shot was released by the Fulton County Sheriff’s Office roughly an hour after the former President was booked as inmate P01135809 over charges that he illegally schemed to overturn his 2020 election loss in Georgia.

Donald Trump’s photo is significant because it’s the first time a criminal mug shot has been taken of any U.S. president or former president.

On Thursday evening, his PAC already started to fundraise off the mug shot with T-shirts. Those who donated $47 or more - the number 47 indicating his possibly being elected the 47th president - got a free shirt with the words “NEVER SURRENDER.” Trump also posted the photo on Truth Social with the words “ELECTION INTERFERENCE.”

Trump was booked Thursday at the Fulton County Jail, where he got his fingerprints and mug shot taken. His height was recorded as 6 feet, 3 inches, and his weight as 215 pounds. The photo was released a short while later and instantly drew attention on social media.

Before the mug shot was even released, the term was trending on X, the platform formally known as Twitter, and fake mug shots of Trump circulated on the site.

3.
A camera clicks in a prison. In a fraction of a second, the shutter opens and then closes, freezing forever the image in front of it.

When the camera shutter clicked inside the jail in downtown Atlanta on Thursday, it both created and documented a tiny inflection point in American life. Captured for posterity, there was a former president of the United States, for the first time in history, under arrest and captured in the sort of frame more commonly associated with drug dealers or drunken drivers. The trappings of power gone, for that split second.

Left behind is an enduring image that will appear in history books long after Donald Trump is gone. However his message in his aggressive face is clear, I’m not go I ready to fight, fear me.

4.
Why is the face important? The face is the showroom of the self. The face is the showroom of the self because it immediately shows our age, gender, ethnic background, health, character traits and mood. The face is presence here and now, via the face we distinguish ourselves from all other people, when we see our face, we are part of the self-reflexive project that involves creating ourselves in relation to others, i.e. a social individual among other individuals. Trump adds aggressive contact to the otherwise passive mugshot, he is not cowed or captured. He is trying to signal that I can break out, I will come back.

REELS. Den digitale påklædningsdukke (English below).Fænomenerne fremtræder på nye måder i den digitale tidsalder. En ny...
15/03/2023

REELS. Den digitale påklædningsdukke (English below).
Fænomenerne fremtræder på nye måder i den digitale tidsalder. En ny fænomenologi er opstået, der både er knyttet til tingen selv og samtidig er virtuel. Tingene er til stede som digitale billeder og handlinger med tingene på billederne, og de er der alligevel ikke fysisk. Varerne byder sig til som pixels på skærmene og er blot få klik væk. Fra at bruge professionelle modeller til at vise varen markerer selfier en ny måde ikke kun at optage sig selv på, men også at vise varen frem med almindelige mennesker. Den nyeste udgave af den selfie-promovering er reels, hvor selfien nu er blevet små, korte, levende billedforløb.

RELLS. The digital dress-up doll.
The phenomena appear in new ways in the digital age. A new phenomenology has emerged that is both linked to the thing itself and at the same time virtual. The things are present as digital images and actions with the things in the images, and yet they are not physical. The goods offer themselves for a few pixels on the screens and are just a few clicks away. From using professional models to display the product, selfies mark a new way not only to record oneself but also to display the product with ordinary people. The newest version of the selfie promotion is reels, where the selfie has now become small, short, moving image sequences.

Fænomenerne fremtræder på nye måder i den digitale tidsalder. En ny fænomenologi er opstået, der både er knyttet til tingen selv og samtidig er virtuel. Tingene er til stede som digitale billeder og handlinger med tingene på billederne, og de er der alligevel ikke fysisk. Varerne byder sig t...

A  NEW YEARS GREETING.One Year…And 60 Million Light-Years.Human imagination and collaboration.As another and difficult y...
03/01/2023

A NEW YEARS GREETING.
One Year…And 60 Million Light-Years.
Human imagination and collaboration.

As another and difficult year had ended, and a new and hopefully better one has started, it can be helpful maybe even therapeutic to seek a slice of perspective. Like, 60 million light-years worth of perspective. That’s how far away the supermassive black hole called M87 is, and yet people still managed to take a picture of it. A picture of something that, by definition, emits no visible light and thus is invisible. The realisation that we are all stardust but also a transient speck in the life of the universe can be usefully humbling. The real takeaway here is that the seemingly impossible can be achieved with human imagination, inventiveness, and collaboration. Now that’s a bright perspective for 2023. - Happy New Year.

What Do You Imagine…This is an article about the new AI images. I seek to take a few steps back and look meta-like at th...
26/11/2022

What Do You Imagine…
This is an article about the new AI images. I seek to take a few steps back and look meta-like at the phenomenon, AI images. I do this to be able to address questions better and more thoroughly about fascination, new word-and-image contexts, the digital unconscious and developments within digital cameras. It is new, and yet already a part of us all. What does the new consist of and how are we all affected? The starting point is the special thing that makes us human, our image-creating abilities and desires.

This is an article about the new AI images. I seek to take a few steps back and look meta-like at the phenomenon, AI images. I do this to be able to better and more thoroughly address questions about fascination, new word-and-image contexts, the

HVAD BILDER DU DIG IND,,, (English in first comment)Jeg har skrevet en artikel om de ny AI billeder. Det er en artikel, ...
21/11/2022

HVAD BILDER DU DIG IND,,,
(English in first comment)
Jeg har skrevet en artikel om de ny AI billeder. Det er en artikel, hvor jeg søger at træde nogle skridt tilbage og se meta-agtigt på fænomenet, AI billeder. Det gør jeg for bedre og mere grundigt at kunne tage spørgsmål om fascination, nye ord-og-billede sammenhænge, det digitalt ubevidste og udviklingen inden for digitale kameraer op. Det er nyt, og alligevel allerede en del af os alle. Hvad består det nye i og hvordan er vi alle berørte af det? Udgangspunktet er det særlige, der gør menneskelige, vores billedskabende evner og lyster. - Engelsk oversættelse af artiklen kommer.

https://www.kommunikationsforum.dk/artikler/Derfor-elsker-vi-AI-generede-billeder?utm_source=nyhedsbrev&utm_medium=email&utm_term=indhold&utm_campaign=nyhedsbrev-17-11-2022&fbclid=IwAR0aAn5SmLmQ6lWv5QXedBKFoNtz6vtm0vxpvYrcoEIIUtPNsD76fGCTo4U

Vi er billedskabende dyr. Det er evnen til at skabe billeder og danne visioner, der gør os menneskelige. Billedet er sjælens valuta, ræsonnerer neurologen Antonio Damasio. Forestillingsevnen eller indbildningskraften er hjertets muskel, er andre udtryk, han og andre beslægtede forskere anvender ...

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