Polytype (Graphic/Book Design)

Polytype (Graphic/Book Design) Carl-H.K. Zakrisson and Polytype FORMATIVE YEARS AND POLYTYPE
Carl-Henrik Kruse Zakrisson (1963) was born and raised in Arboga, Sweden. I-VI, Franklin D.

He worked for a number of years in a graphic studio in Sweden before moving in 1987 to Copenhagen, Denmark. His early years in Copenhagen were spent at an in-house graphic studio, where he quickly advanced to head of his department. Once in Copenhagen, CHKZ contacted Danish designer and typographer Erik Ellegaard-Frederiksen, one-time apprentice of Jan Tschichold at Penguin Books during the late 1

940's and early 1950's. It was EEF who encouraged CHKZ to apply to Reading University in England - and it was while studying Typography & Graphic Communication at Reading (1991-1995) that CHKZ's interest for typography and book design became a full-blooded passion. After obtaining his degree, CHKZ returned to Copenhagen to set up his own design studio, POLYTYPE, in autumn 1995. In 2008, Tod Alan Spoerl joined CHKZ and Polytype on a full time capacity. SIMPLE SOLUTIONS FOR COMPLEX WORK I-IV
I: HIGHLY TEXTUAL
CHKZ is known as a specialist within »nitty-gritty« typography. Much of his work is highly textual, often requiring simple solutions for complex works, as illustrated by the latest edition of the Danish Hymnal (Den Danske Salmebog) - with its four formats and numerous bindings, a comprehensive dictionary (Den Danske Ordbog) in six volumes, a comprehensive work on grammar (Grammatik over det Danske Sprog, Vol. I-III) academic works with complex poetry or actors' dialogue compositions (Platons Samlede Værker, Vols. Lewis' Rumi · før og nu, øst og vest, 612 pages), or a monolithic single volume encyclopaedia containing 1,115 pages (Gyldendals Teaterleksikon). II: ILLUSTRATED WORKS
No less complicated are CHKZ's designs for numerous illustrated works, often double-volume luxury editions in large formats, like the mid-eighteenth century travelogue (Frederik Ludvig Nordens Rejse i Egypten og Nubien, Vol. I-II, 2010) published and presented to Queen Margrethe II on the occasion of her 70th birthday; late eighteenth to early nineteenth century furniture design and making (Møbler med Mening, Vol. I-II), Frederiksborg Castle (Frederiksborgs Genrejsning, Vol. I-II), as well as artist monologues (P.C. Skovgaard), exhibition catalogues (Lorenz Frøchlich · Helt sin egen, Danish Design Museum, Leonard Forslund · 99-11, Kunsthallerne Branderigården & Brandts). CKHZ's collaborative designs for a series of illustrated classics (Forlaget Vandkunsten) also deserve mention, fx. Hans Christian Andersen's Fodreisen (Kai Ulrik von Platen, 2005), Lee Edgar Masters' Spoon River (Leonard Forslund 2009), and Dylan Thomas' Under Mælkeskoven (Jesper Fabricius, 2010)

III: POSTER DESIGN ET AL. A series of posters for three separate exhibitions at Thorvaldsens Museum (Magtens Pris, 2012; Krop & Kanon 2009, Hvid Krist, 2007) are memorable and are now part of the poster archive at Designmuseum Danmark (formerly Kunstindustrimuseum), Copenhagen. Beyond books, exhibition posters, and artist catalogues, CHKZ's work also includes broad ranging graphic design: Exhibition signs, corporate identities and logos, sign systems, flyers, invitations, campaigns & promotions and member magazines to name a few. IV: EXHIBITION DESIGN
From 2012, and together with Tod Alan Spoerl, Carl-H.K. Zakrisson has ventured into exhibition design. Polytype's first independent project was for a touring exhibition entitled »Af Kærlighed til Grønland« (For the Love of Greenland) that centered around HRH Prince Henrik of Denmark's collection of Greenlandic folk art, including a selection of the prince's poetry and water colour paintings by Greenlandic painter Aka Høegh, as well as choice pieces from the Amalienborg Museum containing HM Queen Margrethe's folk costume and other assorted accessories from Greenland. Commencing at Schæffergården Gentofte-Copenhagen in 2012, the exhibition went on to Maison du Danemar in Paris (2013) where it received a completely new look. The exhibition is projected to arrive in Nuuk, Greenland during the spring of 2013 and from there to Bodø, Norway, with a final stop at the Museum for Religous Art in Lemvig, Denmark, later that same year. BOARD MEMBER AND REPRESENTATIVE
CHKZ has since 2019 been appointed as a representative of THE DANISH SOCIETY FOR BOOK CRAFTSMANSHIP on the Board of Trustees for THE BERGIA FOUNDATION (charitable organisation that supports projects and publications concerning craftsmanship, design, and architecture). AWARDS & RECOGNITION
Since its beginnings in 1995, Polytype's book designs are featured regularly at the annual »Best Book Design & Craftsmanship of the Year« festival. Major awards and recognition also include CHARLESWORTH GROUP MAIN AWARD 1997/1998 for »Typographical Excellence in Journal & Serial Publishing«; HONORARY DIPLOMA from The Danish Society for Book Craftsmanship for »Exceptional Contribution to the Field of Typographic Design« in 2000; LIS AHLMANN'S ENDOWMENT for an »Outstanding Typographic Contribution« in 2007; GRANT – DANISH ARTS FOUNDATION (STATENS KUNSTFUND) – for design and management of decoration of church interior (Helligtrekongers Kirke, Vallensbæk-Copenhagen), 2009; KNUD V. ENGELHARDT'S MEMORIAL FUND recognizes CHKZ for »possessing an exceptional capacity for design« in 2010; BOOK OF THE YEAR 2010 AWARD for »Under Mælkeskov« from The Danish Society for Book Craftsmanship; the Swedish BERLING AWARD 2011, the Danish THORVALD BINDESBØLL MEDAL 2012, and most recently ALBERTSEN FOUNDATION HONOURARY AWARD 2021

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THE FOLLOWING SECTION CONTAINS
CHKZ PROFESSIONAL DATA

· Publishers
· Institutions
· Museums, Galleries & Exhibition Venues
· Associates
· Awards, Grants & Recognition
· Articles by CHKZ
· Articles about CHKZ

PUBLISHERS
· Aarhus Universitetsforlag / Aarhus University Press
· Yale University Press, New York
· Hatje Cantz Verlag, Berlin
· Bibelselskabet
· Det Danske Sprog- og Litteraturselskab
· Gyldendal
· Gads Forlag
· Arkitektens Forlag / The Danish Architectural Press
· Strandberg Publishing
· Forlaget Mind Space
· Det kongelige Bibliotek
· Forening for Boghaandværk
· Forlaget Vandkunsten
· Carsten Niebuhr Biblioteket
· Davids Samling / The David Collection
· Lindhardt & Ringhof (Egmont)
· Forlaget Samfundslitteratur
· Politikens/Jyllands-Postens/Ekstra Bladets Forlag
· Hans Reitzels Forlag
· Nyt Nordisk Forlag
· Ikaros Press
· Akademisk Forlag
· Munksgaard Danmark

INSTITUTIONS
· Ny Carlsbergfondet / The New Carlsberg Foundation
· Den Kongelige Bibliotek / The Royal Library
· Udenrigsministeriet / Ministry of Foreign Affairs of Denmark
· La Maison du Danemark – Paris
· Nordisk Ministerråd / The Nordic Council of Ministers
· Havehistorisk Selskab / Historical Society of Gardens and Gardening
· Danish-Egyptian Dialogue Institute – Cairo
· Danes (formerly Danes Worldwide, formerly Dansk Samvirke)

MUSEUMS, GALLERIES & EXHIBITION VENUES
· Ordrupgaard
· Den Hirschsprungske Samling
· Willumsens Museum
· Statens Museum for Kunst / National Gallery of Denmark
· Thorvaldsens Museum
· Rosenborg – Kongernes Samling / Royal Danish Collections
· Holstebro Kunstmuseum
· Nivaagaards Malerisamling / The Nivaagaard Collection
· Vejen Kunstmuseum
· Skagens Museum
· Skovgaard Museet
· Museum Lolland-Falster
· Nationalmuseet / National Museum of Denmark
· Ny Carlsberg Glyptotek
· Fuglsang Museum
· Maison du Danemark, Paris
· The Viking Ship Museum · Roskilde
· Designmuseum Danmark (formerly Kunstindustrimuseet)
· Michael og Anna Anchers Hus · Saxilds Gaard
· Kunsthallen Nikolaj · Copenhagen Contemporary Art Centre
· Galerie Susanne Højriis
· Galerie Birch

ASSOCIATES
· Peter Linde Busk (Visual artist)
· Maria Fabricius Hansen (Professor History of Art, Copenhagen University)
· Jesper Svenningsen (Project researcher, Statens Museum for Kunst)
· Chris Fischer (Head of Centre for Advanced Studies in Master Drawings)
· Dr. Margrethe Floryan (Curator, Thorvaldsens Museum)
· Jesper Christiansen (Visual artist)
· Merete Pryds Helle (Author)
· Christian Vind (Visual artist)
· Allan Daastrup, Types United (Type designer)
· Pernille Klemp (Photographer)
· Bjørn Pierri Enevoldsen (Photographer)
· Katja Johansen (Textile conservator, Rosenborg Castle, retired)
· Jørgen Hein (Curator, Rosenborg Castle)
· Elisabeth Fabritius (Researcher and author)
· Jesper Fabricius (Visual artist and publisher)
· Leonard Forslund (Visual artist)
· Cai Ulrik von Platen (Visual artist)
· Åse Eg Jørgensen (Book & graphic designer)
· Per Baasch Jørgensen, Graphorama (Book & graphic designer)
· Toni Larsen (Visual artist)
· Julie Sass (Visual artist)
· Claus Due, Designbolaget (Graphic designer)
· Peder Elgaard Nielsen, Erik Møller Arkitekter (Architect)


AWARDS, GRANTS & RECOGNITION
· 2021 | ALBERTSEN FOUNDATION'S HONOURARY AWARD »in recognition of a long-standing and cumulative effort in book design of the highest quality and greatest diversification, including a body of work that conveys art and craftsmanship in the most exemplary way«.

· 2012 | THE THORVALD BINDESBØLL MEDAL is bestowed upon CHKZ for his »invariable sense of aesthetics and the propensity to unite content, form and craftsmanship, for a persistent experimentation that presents the book as a unique and unified object, and for aptly elevating literary content with no compromise to a book's overall integrity«.

· 2011 | BERLING AWARD is given to »prominent Swedish designers for exemplary design, technical skill and excellent treatment of letters«. CHKZ is the only non-resident to receive this Swedish award in its 20-year existence.

· 2010 | KNUD V. ENGELHARDT'S MEMORIAL FUND recognizes CHKZ for »possessing an exceptional capacity for design«.

· 2010 | BOOK OF THE YEAR goes to »Under Mælkeskoven«. CHKZ receives the newly established »DANISH BOOK DESIGN AWARD« from The Society for Book Craftsmanship (Forening for Boghåndværk).

· 2009 | GRANT · DANISH ARTS FOUNDATION (STATENS KUNSTFUND)
Design and mangement of decoration for church interior: Helligtrekongers Kirke, Vallensbæk-Copenhagen, opened/consecrated 2012.

· 2007 | LIS AHLMANN'S HONORARY ENDOWMENT is granted to CHKZ for an »Outstanding Typographic Contribution«.

· 2001 | FIRST PRIZE IN INVITED COMPETITION
CHKZ'S DESIGN FOR THE DANISH HYMNAL is the winning selection. In a nation of no more than 5.5 million inhabitants, and with a print run of not less than a million copies, DEN DANSKE SAMLEBOG is viewed as the most important publication of recent times.

· 2000 | AN HONORARY DIPLOMA and local recognition is awarded to CHKZ for an »Exceptional Contribution to the Field of Typographic Design« from THE DANISH SOCIETY FOR BOOK CRAFTSMANSHIP.

· 1997/1998 | INTERNATIONAL RECOGNITION for the design of an international medical journal (Immunological Reviews, Munksgaard Copenhagen): CHKZ is awarded the prestigious CHARLESWORTH GROUP MAIN AWARD for »Typographical Excellence in Journal & Serial Publishing 1997/98«. ARTICLES BY CHKZ
https://bibliotek.kk.dk/ting/search/facet.creator%3D%22Carl-H.%20K.%20Zakrisson%22

Zakrisson, Carl-H.K., »Den gode tilrettelæggelse«. Bogvennen, 2007. Den gode bog, pp. 37-40, Copenhagen: Forening for Boghåndværk, 2009. Zakrisson, Carl-H.K., »Den Danske Salmebog 2002«. Newspaper feature (kronik). Kristeligt dagblad, 3 June 2003. http://www.kristeligt-dagblad.dk/artikel/146709:Kronik--Den-Danske-Salmebog-2002

Zakrisson, Carl-H.K., »Luftige værdier. Atten praktiske øvelser i skriftklogskab«. Bogvennen, 1998-99. Det tomme rum, pausen og det hvide papir. Med to artikler om tysk bogdesign, pp. 163-192, Copenhagen: Forening for Boghåndværk, 2002. Morgan, John, S. Bailey & C.-H.K. Zakrisson, »Arbejdsrum. Syv grafiske arbejdspladser set gennem nøglehullet«. Med to artikler om tysk bogdesign, pp. 91-110, Copenhagen: Forening for Boghåndværk, 2002. Zakrisson, Carl-H.K., »Nok se, men ikke læse! Et essay om typografiske idealer«. Bogvennen, 1997. Stil & smag. Form & function, pp. 61-68, Copenhagen: Forening for Boghåndværk, 1998. Zakrisson, Carl-H.K., »Erik Ellegaard Frederiksens artikler og bøger«. Form & funktion, pp. 123-136, Forening for Boghåndværk, 1998. Zakrisson, Carl-H.K., »Erik Ellegaard Frederiksen, Designer in Denmark«. Dissertation, Typography & Graphic Communication, The University of Reading, UK, 1995.https://jorgenellegaard.dk/onewebmedia/EEF/EEF%20eng%20bio%20CZ.pdf


ARTICLES ABOUT CHKZ
Graa Christensen, Louise & Lea Holtze: »Biblen skal først og fremmest kunne læses«, Bibelselskabet, 26 May 2014. http://www.bibelselskabet.dk/nyheder/nyhedsoversigt/arkiv2014/carl_zakrisson

Bertelsen, Jens: 'Et broget billedstof' (Jens Bertelsen motiverer Den Dansk Bogdesignpris 2010 til værket »Under mælkeskoven ...«), Nyt for Bogvenner, nr. 2, 2011, s. 8-10 https://issuu.com/boghaandvaerk/docs/3nfb_11-2

Kaaber, Christian: »Dansk bogdesign i det 20. århundrede«, book review, Dansk Historisk Fællesråd
https://www.historie-online.dk/boger/anmeldelser-5-5/kunst-arkitektur-haver-design-mode/dansk-bogdesign-i-det-20-aarhundrede

Kjær, Birgitte: »Hvordan ser en virkelig lækker bog egentlig ud?«, Politiken,
25 September 2022
https://politiken.dk/kultur/boger/art8959209/Hvordan-ser-en-virkelig-lækker-bog-egentlig-ud

Kure, Henrik, »Udseende sælger«, DJØF StudSamf Bladet, nr. 4, 2003, 26 October 2004. http://www.djoef.dk/blade/djoefstuderende/studsamfbladet2003/djoefstudsamfbladetnr42003/udseendesaelger.aspx

Schulz, Henrik, »Godt design holder mindst en generation«. Kristeligt Dagblad, 20 February 2003. http://www.kristeligt-dagblad.dk/artikel/157145:Kirke---tro--Godt-design-holder-mindst-en-generation

Thomsen, Sara Maarup: »120 hyldemeter bøger og 14 udgaver af Bibelen«, Kristeligt Dagblad, 09 December 2017
https://www.kristeligt-dagblad.dk/kultur/120-hyldemeter-boeger-og-14-udgaver-af-bibelen

Thomsen, Søren Ulrik: »En skriftlig kirkeudsmykning«, Kristeligt Dagblad, 27 October 2012
https://www.kristeligt-dagblad.dk/kultur/en-skriftlig-kirkeudsmykning

»Thorvald Bindesbøll Medaljen 2012 · Designer og grafisk tilrettelægger Carl-Henrik Kruse Zakrisson«
https://akademiraadet.dk/thorvald-bindesboell-medaljen-2012/

»Bagsværd Kirke er udvalgt til bog om vellykket betonarkitektur«, Dansk Byggeri, 14 June 2018
https://via.ritzau.dk/pressemeddelelse/13066668/bagsvaerd-kirke-er-udvalgt-til-bog-om-vellykket-betonarkitektur?publisherId=12604233

ONLINE BIOGRAPHIES
Carl-H K (Carl-Henrik Kruse) Zakrisson
https://www.kristeligt-dagblad.dk/profiler/carl-h-k-carl-henrik-kruse-zakrisson

Poul Steen Larsen: »Carl H.K. Zakrisson«, Den Store Dansk Leksikon https://denstoredanske.lex.dk/Carl_H.K._Zakrisson

STARRY SKIES OVER POLYTYPE!⭐️⭐️⭐️⭐️⭐️ Danish Daily, Kristeligt Dagblad, has selected its best books of the year. ❤️ THRE...
26/11/2025

STARRY SKIES OVER POLYTYPE!
⭐️⭐️⭐️⭐️⭐️

Danish Daily, Kristeligt Dagblad, has selected its best books of the year.

❤️ THREE of the four books chosen in the category ART BOOKS are designed by POLYTYPE.

We are delighted that our books have been so well received, and we are honoured to work with such talented authors, editors and publishers.

Without their trust, we could not do what we do.

Annual Best Danish Book Designs 2025 –  Opening Tonight at the Royal Library.  We are proud to have one of our books cho...
03/06/2025

Annual Best Danish Book Designs 2025
– Opening Tonight at the Royal Library.

We are proud to have one of our books chosen for the best book design again this year.

Erik Pontoppidans Dansk Grammatik (Danish Grammar)
Published under Det Danske Sprog- og Litteraturselskab (DSL, Demmark)

Here: Title page

22/03/2025

Hey facebook venner ‼️
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Meld dig til tre havevandringer i tre af Københavns smukkest parker – med mig som vært!

Der er stadig plads på onsdagsholdet – den første onsdag i hhv. april, maj og juni!
Klik på linket og meld dig.
Del gerne opslaget. 😉

PS: Jeg planlægger et søndagshold – skriv i kommentarfeltet eller send mig en PM, hvis du er interesseret.

Polytype's latest – hot off the press!Publisher: Aarhus Universitetsforlag
16/09/2024

Polytype's latest – hot off the press!

Publisher: Aarhus Universitetsforlag

Aktuelt rentryk.

Don't miss our large banner—at the French Embassy at Kongens Nytorv (near the Royal Academy of Art and Nyhavn)—for the c...
06/04/2024

Don't miss our large banner—at the French Embassy at Kongens Nytorv (near the Royal Academy of Art and Nyhavn)—for the current exhibition at the Ordrupgaard Museum that focuses on key Impressionist women artists and models neglected by outdated art historical convention. Catalogue, banner, and advertising designed by Polytype.

The exhibition that runs until 20 May offers a rare opportunity to see works by Berthe Morisot and American Mary Cassatt, side by side with works by lesser-known artists such as French Eva Gonzalès and Marie Bracquemond (both French) and Russian-Ukrainian Marie Bashkirtseff.

Highly recommended

Great opening last night at Ordrupgaard!(And even better after the catalogue arrived some two hours late.)
09/02/2024

Great opening last night at Ordrupgaard!

(And even better after the catalogue
arrived some two hours late.)

Our latest catalogue for Ordrupgaard

Impressionism and
Its Overlooked Women

BACK cover and FRONT cover, respectively

Our latest catalogue for OrdrupgaardImpressionism and Its Overlooked WomenBACK cover and FRONT cover, respectively
09/02/2024

Our latest catalogue for Ordrupgaard

Impressionism and
Its Overlooked Women

BACK cover and FRONT cover, respectively

Getting ready for exhibition opening tonight  with launch of our latest catalogue ... »Impressionism and Its Overlooked ...
08/02/2024

Getting ready for exhibition opening tonight
with launch of our latest catalogue ...

»Impressionism and Its Overlooked Women«

at Ordrupgaard

23/12/2023
Polytype’s Annual Holiday Palindrome* Anno 2023_______________________________________This year’s Yuletide greeting feat...
23/12/2023

Polytype’s Annual Holiday Palindrome* Anno 2023
_______________________________________

This year’s Yuletide greeting features the typeface »Curlz«

Curlz is a classic 1990s early Digital Age typeface, designed in 1995 by two RIT graduates, Carl Crossgrove and Steve Matteson, as a fun, decorative alternative to the more sedate fonts of the time. As casual as it is expressive, Curlz was designed to look like bent, twisted metal – the designers freely admit that the wavy strokes and swirls at the beginning and ends of letters were inspired by wrought iron furniture. It proved ideal for titles, signage, greeting cards, menus, and the like.

Designed originally for Monotype, this spirited typeface was introduced in Microsoft's font set and as a staple feature in the Monotype Fonts Library, where it received oodles of visibility from the get-go. Curlz became an instant sensation! The popularity and longevity of the font, coupled with its silliness of style and the heavy-handed criticism of colleagues, led one of the designers, Matteson, to later admit – perhaps in a highbrow moment – that it was not the proudest moment of his career. Well! We can't say if his partner-in-type, Crossgrove, would agree. Crossgrove makes no excuses for its success when he recalls how, during his youth, he dabbled in fantastic display lettering and how an eclectic mix of comic books, album covers, and the Art Nouveau craze of the 1970s were his major influences. The connection is loud and clear!

For this year’s holiday greeting, Curlz conveys a necessary sense of fun and joy while radiating a rather literary (and cinematic) connection. For the initiate and young at heart, these overlapping swirls placed against a cyan-blue starburst conjure up images – instantly, irresistibly – of the Whos of Who-ville, and that »mean one, Mr. Grinch,« who, suddenly empowered by an enormous change of heart, becomes the ultimate superhero of the Yuletide season.

»And what happened, then? Well, in Who-ville they say
– that the Grinch’s small heart grew three sizes that day.
And then – the true meaning of Christmas came through
… and the Grinch found the strength of ten Grinches,
plus two!«

– How the Grinch Stole Christmas!
Dr. Seuss (Theodor Geisel), 1957/1966.

_______________________________________

A true if somewhat ironic introduction to the font Curlz
https://morganlmurrayims224researchtopic.wordpress.com/2014/06/02/curlz-mt/

Read more about Curlz’ typedesigners
https://www.linotype.com/359/carl-crossgrove.html
https://mattesontypographics.com

See and read Dr. Seuss’ Christmas classic, How the Grinch Stole Christmas!
Animation: https://www.dailymotion.com/video/x53fh90
Book: https://www.scribd.com/document/329785659/Dr-Seuss-How-the-Grinch-Stole-Christmas-pdf

POLYTYPE donates minimum 1% of its revenue to children in need.
SOS Children's Villages (Republikken Gambia) and Save the Children (Ukraine)

SOS Børnebyerne http://www.sosbornebyerne.dk/stot-os
SOS Children's Villages http://www.sos-childrensvillages.org/
Red Barnet https://indsamler.redbarnet.dk
Save the Children https://www.savethechildren.net

POLYTYPE offsets its carbon emissions
https://www.modstroem.dk/om-modstroem/

* The repetition of the curly stocking-shaped »J« is the basis for JUL.
Pronounced Yule (as in Yuletide), JUL is the Danish word for Christmas.

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Adresse

Classensgade 17
Copenhagen
2100Ø

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