Type-Ø-Tones

Type-Ø-Tones Type-Ø-Tones. Type Design, also custom. Diseño de tipografías, también a medida.

Type-Ø-Tones is an independent type foundry publishing and distributing original Latin fonts established by Joan Barjau, Enric Jardí, Laura Meseguer & Jose Manuel Urós and based in Barcelona, Spain.

Joc Display making an appearance in Alphabettes Soup 🍲 – Feminist Approaches to Type.A playful mix of voices, forms, and...
20/04/2026

Joc Display making an appearance in Alphabettes Soup 🍲 – Feminist Approaches to Type.
A playful mix of voices, forms, and perspectives; we are happy to see it among such great company.

Explore Joc via Type-O-Tones
Designed by



Harri Condensed is the narrow evolution of the Harri family, offering the same unique soul in a space-saving Basque cond...
16/03/2026

Harri Condensed is the narrow evolution of the Harri family, offering the same unique soul in a space-saving Basque condensed font. Inspired by the rhythmic and powerful carvings of traditional Basque gravestones, this flared font has been meticulously adjusted to maintain its historical character in much tighter proportions. It is a sturdy condensed font designed for those who need to deliver a bold, authoritative message when horizontal space is a luxury.

From headlines and logos to labels and data displays, Harri Condensed makes a strong impression while maximizing every inch of available layout space. Designed by Juan Luis Blanco.

Clean Efficiency: A Unique Basque Sans Serif Condensed FontHarri Sans Condensed keeps the signature, terminal-free look ...
11/03/2026

Clean Efficiency: A Unique Basque Sans Serif Condensed Font

Harri Sans Condensed keeps the signature, terminal-free look of Harri Sans but in a tighter, space-saving form. As a professional Basque sans serif condensed font, it shares the exact structure and metrics as Harri Condensed, allowing you to swap between the flared and sans styles without worrying about line breaks or text reflow. This makes it a highly efficient condensed font for complex editorial and branding systems.

Like the rest of the family, this modern Basque typeface offers extensive OpenType features —mix and match styles, explore contextual alternates, and play with unique ligatures. Whether you’re working on posters, book covers, packaging, or digital interfaces, Harri Sans Condensed delivers a clear, bold voice while maximizing your layout space.

The perfect companion for Harri Sans. For ultimate creative control, try Harri Variable —a powerhouse Basque variable font that allows you to modulate weight, width, and flare axes to find your exact typographic voice.
Designed by

Harri Sans marks a decisive evolution. Redefining traditional Basque lettering through the lens of modern minimalism, it...
10/03/2026

Harri Sans marks a decisive evolution. Redefining traditional Basque lettering through the lens of modern minimalism, it consciously distills the iconic forms of the original Harri into clean, humanist proportions. This family provides a high-performance Basque sans font built for the rigors of contemporary global branding.

The calligraphic traits of the original curves have been meticulously adjusted to align with the precision of modern geometric sans serifs. Nevertheless, Harri Sans retains a slightly organic flavour, striking a perfect balance between cultural tradition and modern branding needs. The result is a distinctive display sans serif that offers ample opportunity for experimentation through an extensive set of ligatures and contextual alternates.

Whether used for high-impact posters, book covers, packaging, or digital interfaces, Harri Sans conveys clear and powerful messages with a unique local soul.

Designed by , available at

Las calles de Barcelona están llenas de letras — grabadas, fundidas y esmaltadas.Placa, de Laura Meseguer, es una interp...
29/10/2025

Las calles de Barcelona están llenas de letras — grabadas, fundidas y esmaltadas.
Placa, de Laura Meseguer, es una interpretación tipográfica del estilo más característico de las placas de las calles de la ciudad: una sans serif geométrica y condensada que define su ritmo visual.

Nació como encargo para el documental “Barcelona. La Rosa de Fuego” (dir. Manuel Huerga, prod. Mariona Omedes .ojos y Media Pro) con una pregunta clave:
¿Qué tipografía podría representar a Barcelona?

De ahí surgió Placa, una sans serif incisa con esqueleto geométrico y detalles precisos, más tarde ampliada en una familia completa — de Fina a Gruixuda, con Variable Font incluida.

Su nombre, Placa (“placa” en catalán y español), nació en conversación con Ferran de : una palabra sencilla, grabada en la superficie misma de la ciudad.

🩶 Descubre más en type-o-tones.com/fonts/placa (Link en la bio)

29/10/2025
PART IVKanat Latin has a bold attitude and playful spirit. It loves avocados too! The font supports 269 languages and co...
25/07/2025

PART IV

Kanat Latin has a bold attitude and playful spirit. It loves avocados too! The font supports 269 languages and covers Basic Latin, Latin-1 Supplement, Latin-2 Central European and Latin Plus.

This font is best used at 48pt and above. Following its Arabic Companion called Kanat Solid by Lara Captan, it contains some stencil characters. It is designed to highlight words with flair, and finds its sweet spot in architectural, food, music, fashion, and packaging contexts.

Designed by Maria Montes and distributed by Type-Ø-Tones. Come and play with us!

ZooLogic is a sans-serif typeface with rounded terminals that originated from a hand-lettering project. In 2007, CocoBoo...
23/07/2025

ZooLogic is a sans-serif typeface with rounded terminals that originated from a hand-lettering project. In 2007, CocoBooks published the work of the Japanese illustration group La Zoo, known for covers that integrate informal letterforms with their illustrations.

For the Spanish and Catalan editions, we sought to bring the rhythm of the original Japanese compositions into the Latin script, using the same finishing techniques and integration methods. This led to the creation of multiple variations for each character, resulting in a vibrant and diverse collection of cover designs.

When we began developing a typeface based on the characters used for La Zoo, we established an unconventional style system: a formal version (Style 1), a more idiosyncratic version (Style 2), and finally, the most informal of the family (Style 3), where the letterforms vary significantly in design and size, creating a lively, bouncing effect along the baseline.

Dirección

Barcelona
08012

Notificaciones

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