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Atelier Tout va bien

Page d'Accueil
France
Dijon
Atelier Tout va bien

Atelier Tout va bien - Atelier de design graphique basé à Dijon Concept,
Lettre,
Affiche,
Livre,
Identité,
Signalétique,
Scénographie,
Web.

19/05/2026

Four years ago for the annual celebration hosted at the immersive , we were delighted to create a new invitation conceived around the idea of sharing, generosity and collective celebration — surrounded by luminous moving projections, live artistic interventions and a warm dinner experience.
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Designed as a ten-page roll-fold object, the invitation combines two mounted heavyweight cards with a refined palette of five spot colors. Beautifully produced by using .paper including Arena and translucent Pergamenata papers. Typography set in Fast Pro by .
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A sincere thank you to the entire back then communication team at that time, Jacqueline and Maxime for their continued confidence and collaboration throughout this project.
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17/04/2026

For the 2025–2026 musical season “Les Modulations” by .marseille, the accordion-fold leaflets collection keeps on growing, exploring both format and visual language. Printed on a range of pulp-colored Sirio papers by .paper, this third leaflet was delivered by . The texts are set in Garnett by with GT Super by .
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A newly designed grid system drives the compositions, allowing us to push further the formal variations of the letter “M”. Printed in metallic silver ink, it evolves across each piece, continuously shifting and interacting with the musicians’ imagery. The object itself unfolds from a compact 80×80 mm format into a fully extended 80×640 mm leaflet. Each panel (except for the first, which holds a 12-page stapled booklet) has been perforated, making it possible to tear, share, archive, or distribute sections as the season progresses.
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09/04/2026

From the archives, part three – The gathers eleven exceptional art houses within a striking building imagined by architect . Dedicated to preserving and celebrating savoir-faire, these ateliers contribute to the creation of pieces for and other leading French luxury houses. Initiated by Manufactures de Mode with the support of Chanel, the project opened its doors in 2020. We had the opportunity to design a small 24-pages publication conceived for both artisans and visitors as a guide that introduces the space and its purpose. With its hot foil stamped Skivertex cover, rounded corners, compact format and Singer binding, the object draws inspiration from the notions of notebooks and sketchbooks.
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Art direction by (Le Monde). Printed on Arena paper by .paper, produced by and set in Bradford, a typeface by .
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Many thanks to and for their trust.
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07/04/2026

A few glimpses of the activity reports designed over the years for .marseille digitally printed by on .paper. From an 88-page volume in 2021 to a much thicker 188-page edition in 2025. Text set in Garnett by and in GT Super by

02/04/2026

Oldies but goodies, part two — this time featuring the New Year’s Eve cards we had the pleasure of designing for our favorite screen printer, .
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What began as an invitation from our favorite screen printing studio, turned into something much more playful than we first imagined. From this collaboration came Mascarade — a game designed for all ages. At a time when masks had become part of our everyday lives during the lockdowns in France, the project took on a quiet layer of irony, echoing both disguise and reality, play and constraint.
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Inside each box, you’ll find twelve cards (one for each month of the year), printed in four colors (reflecting the four seasons) and finished with a glossy varnish. Each card features cut-out shapes that can be inserted into the clips of the four masks, allowing for a wide range of colorful compositions — from simple faces to more elaborate expressions…
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More a playful game than a conventional set of cards, we were delighted to discover your creations and all sorts of variations shared online at the time. Going far beyond what we had envisioned, we’re incredibly grateful for the energy and imagination you brought to it.
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A heartfelt thank you to Cyril, Sébastien, Santos, Sarah, and the entire Lezard team for their dedication and craftsmanship, as well as to Jean-Yves and Jean-Marc for their trust and for welcoming us into this adventure many years ago.
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30/03/2026

Oldies but goodies, trimester posters for .cncm
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Duotone silkscreened with love by our friends and text set in Beatrice by
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The main materials used to create these images were a grid, A4 sheets of paper, a few strips of paper, and a good scanner.
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13/12/2025

And last but not least, some more sets of postcards inserted and held in a folded invitation for the , in Blois, regarding the exhibition “Territorios derides, corpos vivos” by artist , curated by and “À bas l’impérialisme” by legendary French artist Ben, curated by Eva Vautier ()
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Through installations, photography, film and painting, Brazilian artist Bianca Dacosta explores territorial memory and natural resources from a postcolonial, anti-extractivist perspective. Combining research and poetic forms, the exhibition contrasts water as a source of life and memory with the destructive impact of extractivist policies on the Amazon and the living world.
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The Fondation du doute presents an exhibition dedicated to Ben Vautier, who passed away in June 2024. Spanning nearly seventy years of work, it explores his radical critique of imperialism, French centralism, and Western elitism in art, as well as his strong defense of marginalized cultures and languages, shaped by Fluxus and ethnist thought.
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For the folded invitation, we focused on a very simple trick of a two-in-one medium. A twelve pages leaflet is holding, like a kangaroo pouch generated by three folds, a postcard of an artwork. A straightforward medium strongly linked to Fluxus and used extensively during the movement’s golden age. The leaflet includes all information on the exhibition.
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1) Bianca Dacosta, “Madeira queimada corte fresco & Cinzas” (Bois brûlé fraîchement coupé et Cendres), 2022, ©ADAGP, Paris, 2025
2) Bianca Dacosta, “Corpo d’água” (Corps d’eau), 2023, ©ADAGP, Paris, 2025
3) Bianca Dacosta, “O dia do fogo” (Le jour du feu), détail, 2020, ©ADAGP, Paris, 2025
4) Ben, “À bas l’impérialisme”, 1993, ©D.R
5) Ben, “Message des cultures minoritaires et du tiers-monde à l’avant-garde des impérialistes cosmopolites”, 1992, © D.R.
6) Ben, “Paris n’est pas le centre du monde“, 1993, © D.R.
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Text set in Big Daily Short designed by and available at and documents printed by
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13/12/2025

New sets of postcards inserted and held in a folded invitation for the , in Blois, regarding the group exhibition “Mascara.des!”, curated by . It included artists dominiquetheate and friends 💛 and 💜
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Bringing together six artists, the exhibition examines self-staging and metamorphosis as tools to disturb identity. Against today’s cult of authenticity and transparency, it proposes the world as a stage where roles are constantly performed. Masking emerges as a conscious, playful strategy that resists fixed selves and any claim to immutable truth.
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The Fondation du doute is dedicated to Fluxus, an artistic movement from the 60’s in which artist Ben was part of and represented, among other peers, the French branch of the creative movement. Their focus is slowly but surely shifting towards a program devoted increasingly to contemporary art.
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1) Aurore-Caroline Marty, “Soulier”, 2024, Pâte de verre, 14×20×9cm, Photo
2) Dominique Théate, “Sans titre”, 2014, Technique mixte sur papier, 35,8×27cm, Collection La S Grand Atelier, Vielsalm
3) Charles Fréger, “Clown”, Fort James, Antigua Island, Antigua-et-Barbuda, 2014-2018, Tirage jet d’encre contrecollé sur aluminium, 145×110cm
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Text set in Big Daily Short designed by and available at , printed by
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04/12/2025

For this eighth invitation designed for .chinalDargent exhibition «nobody cares that parrots can talk» at , we turned our attention to the fragile architecture of a perch — a minimal structure meant to hold, elevate and yet restrain. While the feather on the back side of the invitation captures the brief trace of something that has just taken off. The parrot speaks because it seeks to make contact. This is one of the reasons for its highly developed brain compared to other bird species. The parrots in Tristan Chinal-Dargent’s work, however—often hidden, masked behind a tree, or absent from their cages—remember. They utter phrases that belong to a forgotten memory.
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Text set in a custom version of EB Ackerhof, available at , and printed on an HP Indigo by .
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02/11/2025

A week behind schedule, here is our latest identity for Festival MV organized by and . This year we wanted to get our hands back into inks and paper. The concept is rooted in three gestures: inking, folding, unfolding.
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As the music world keeps evolving, we felt it was time to pause — to breathe, to question, to let doubt and movement become part of the process. A moment for introspection, renewal, and a few necessary folds and unfolds. The vertically symmetrical letters M and V became the starting point for a new visual language: a Rorschach-like identity that holds traces, silhouettes, and interpretations. Between ink and paper, each blot carries both wound and imprint, eclipse and expression — a reflection of a major industry learning (very slowly) to look at itself differently. We wanted to emphasize the act of looking inward, of reinterpreting what’s already there, and perhaps seeing it differently.
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The Rorschach test is a projective psychological assessment consisting of inkblot cards shown to a person, who is asked what each image might represent. So move on to slides 9 to 14 and please tell us what you see!
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Tram stop poster silkscreened by our dear printer in duotone with one mate spot color (Coolgray 9) and a shiny neon pink (806). Text set in Right Serif Mono designed by .pangram. The rest of the printed matters, a 40×60cm poster and four leaflets were all done on the HP Indigo of as the Indichrome neon pink is extremely efficient and very much similar to the silkscreened posters. Thanks .legrand for the pictures.
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Adresse

72 Rue Berbisey
Dijon
21000

Heures d'ouverture

Lundi	09:00 - 19:30
Mardi	09:00 - 19:30
Mercredi	09:00 - 19:30
Jeudi	09:00 - 19:30
Vendredi	09:00 - 19:30
Samedi	09:00 - 19:30

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http://ateliertoutvabien.com/

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