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The Social Slayer, Paris (2026)

29/04/2026

You’re actually way closer to consistent sales than you think 🥹

like… this isn’t a “start over” situation this isn’t “you need a whole new strategy”
it’s a small shift…

so before you go create another post or rewrite your whole offer 👀

read this👇

you don’t need more content you don’t need better hooks you don’t need to “add more value”

you’re already doing a lot
and if we’re being honest… probably too much.

and it’s still not paying you the way it should
so let’s just call it what it is

if you’re not making the money you want

right now, your messaging isn’t landing
that’s it…

and if that doesn’t change?

nothing you launch in Q2 is going to hit the way you want it to.

not your course not your masterclass not the new thing you’re excited about.

people will see it
and just… not move.

and I know how frustrating that is because it’s not like you don’t know what you’re doing.

you’re showing up you’re putting in effort your stuff is actually good
but right now your content is doing just enough to be seen,

not enough to be felt.

so people: watch like save
…and then go buy from someone else
because their message just clicked faster.

APEX is where we fix that.
it’s a 4-week, high-touch experience where we clean up how you’re seen and how you say what you do
so when you sell something…
It actually lands.

inside you get:
🗡️ live telegram challenges (so you’re actually doing the work, not just learning it)
🗡️ real-time content feedback (I’m literally tightening your messaging as you go)
🗡️ offer + positioning refinement (so people get it instantly… and act on it)
🗡️ recorded modules (short, clear, straight to the point)
and then there’s the APEX room
🗡️ 4 live calls 🗡️ hot seat coaching 🗡️ real-time recalibration
this is where we look at what’s not landing and fix it with you live.

so if you’re launching anything in Q2
fix this first

or you’ll keep getting the same vibe:

seen engaged almost there
…but not chosen

and you’re way too good for that
be clearer be sharper be the obvious choice

(and yes… get paid properly for it hehe)
APEX is open now 
✅ DM Apex for the link!

-

24/04/2026

As an ex-opera singer who toured the world and sang to the Queen…

Here’s what that actually taught me about building an audience that’s OBSESSED with you:

On stage, no one cared about my credentials.

They cared about how you make them feel in the first 10 seconds.

And THAT changes everything.

Because obsession isn’t built on information…

it’s built on energy, identity, and emotional pull.

Here’s how that translates to your brand 👇

⭐️ Command attention instantly

In opera, if you don’t own the room immediately,
you’ve lost them.

Same here. Your first 3 seconds aren’t an intro, they’re a decision point.

👑 Stop performing. Start transmitting.

The best performances weren’t “perfect”, but even then I could see they were felt by the faces in the audience.

If your content feels rehearsed, people disconnect.

Raw over polished. Always. Remember we love messy bitch action around here!

🥂 Make people feel seen, not taught

Say the thing they’ve been thinking but couldn’t articulate themselves.

💕 Create signature energy

You could hear 3 seconds of a voice and know exactly who it was.

That’s branding.

Not your colours. Not your fonts. Your presence.

🍾 Hold tension instead of rushing to prove yourself.

The magic in performance is in the pauses, the crescendo, build-up, the control.

If you’re over-explaining everything, you’re killing the intrigue.

🔥 Be too much for the wrong people.

The best performers divide the room.

If everyone “likes” you… no one is obsessed.

This is why some people blow up “out of nowhere”
and others stay invisible for years.

It’s not talent.
It’s not luck.

It’s how deeply people feel you.

If you’re already in my world, you know we don’t do surface-level here. ✨

-

21/04/2026

She did it again.

I’m not gonna lie, I’m very happy to be nearing the end of April. It’s usually my favourite month (I’m an Aries queen and turned 36 on the 2nd).

This year it’s been different.

And different can actually be a fcking amazing thing.

I’m back, a beautiful shoot in Bath yesterday with my queen (we have a very exciting announcement coming soon!)

And I’ve got APEX my next offer stating early May (dm me Apex and I’ll send you the link to see if it’s your next best step - it will be 😏)

Oh and I’ve just dropped my latest FREE tapping activation NAME ON THEIR LIPS 💋

There’s never any stopping me from doing what I was born to do, make a bunch of baddies all over the world their richest most AUDACIOUS AF powerful selves.

If you want to awaken the TITAN in you, then head to my IG stories and click the link!

-

28/03/2026

The past two weeks?
probably the worst of my life.

personally. emotionally. physically.

the kind of weeks that don’t just test you…
they FULLY try to take you out.

and for a second?

i understood why people decide to go offline forever when life hits like that.

because it would be easier.

easier to shut down
easier to soften
easier to become smaller so nothing else can reach you
but that’s not what happens to women like me.

and it’s not what happens to women like you.

because TITANS aren’t built when things are calm.
they’re built in the moments where everything feels like it’s falling apart👇

and YOU decide, consciously that actually,

I’m not going to go with it.

i’ve been knocked off my feet (literally)

recovering
forced to slow down
sitting with everything i’d usually outrun
and still…

i’m not ashes.
i’m awareness.
i’m clarity.

this is the part no one romanticises.
the part where you’re not glowing
you’re not posting perfectly

you’re just… becoming someone stronger in private
and that’s why most people never reach the level they say they want.

because they want the identity
without surviving the fire that forges it.

female entrepreneurs who lead at the highest level?

we don’t break.
we recalibrate.
we shed.
we see clearly.

we come back… different.

stronger.
quieter.

less available for anything that doesn’t match where we’re going.

so no, this hasn’t been easy.
but it’s been necessary.

and i already know
the woman walking out of this

isn’t someone you would have met two weeks ago.

So if you’re in your own version of this right now…
don’t rush it.❤️‍🔥

you’re not being reduced.
you’re being refined. 🔥

-

25/03/2026

I guarantee the majority of you reading this have been taught deep down… to mistrust your TOO MUCHNESS ❤️‍🔥✨

To soften it.
Tone it down.

But here’s what’s actually happening 👇👇👇

That “too much” you feel?

It’s your dopamine + pursuit circuit.

This part of your brain is responsible for:

🧠 drive

🧠 desire

🧠 decision-making

🧠 going after what you want

It was never designed to be subdued, or soft, it’s specifically designed to MOVE YOU FORWARD 🥂

But when that energy isn’t directed, it’s doesn’t just vanish into thin air, it turns inward and becomes 👇

❌ overthinking

❌ self doubt

❌ perfectionism

❌ over-explaining your every move

And this is why women who build powerful 7 & 8 figure brands, they don’t have less intensity.

They just don’t apologise for it. They channel it…

🍾 presence

🍾 visibility

🍾 standards

This is what converts, not the tips, the method, or strategy.

That’s all the icing on top, but the CORE of what you want to make the BIG 💸💸💸, then you need to OWN wha makes others LEAN INTO YOU.

If you know your brand is ready to take center stage, that the rest of 2026 is about to BLOW TF UP 👇

Then come with me to Paris for my ALL THAT GLITTERS experience ✨

2 spots remain. ✅ DM me PARIS for the details!

-

17/03/2026

The Oscars are fascinating to watch.

Not because of the speeches or dresses.

But the actual moment a name is called.

One person stands while five others stay seated.

And our brains suddenly register what happened 👇

Humans are wired to read status signals constantly.

Who is chosen

Who is recognised

Who the room turns toward.

Neuroscience has a name for this…salience

Your brain pays attention to what and who stands out in the environment, and then updates the hierarchy.

That’s why moments of public recognition feel so powerful.

They don’t just change how others see someone.

They change how that person sees themselves.

Identity recalibrates.

Which is also why so many people avoid the spotlight entirely.

Because the stage does something dangerous.

It reveals who is willing to be seen.
The showgirl archetype understood this instinctively.

She never waited politely for the room to decide.

She stepped onto the stage and let the room reorganise itself around her.

And whether people admit it or not…
Markets, brands, and culture still work exactly the same way.

Visibility → salience → authority.

Which is why the rooms you step into matter more than most strategy.

And why I’m so intentional about the room I’m creating in Paris.

3 women. One Parisian stage. A Louis XVI residence. A showgirl shoot in the city.
Two seats remain.

If Paris is calling you, you’ll know.
DM PARIS 💎

-

13/03/2026

Most women start businesses for “freedom.”

Flexible schedules. Cute laptops. A few online offers.

That was never the plan for me.

Long before I was ever pregnant, I was already designing a business my children could inherit.

Not just something that paid me.
Something that could outlive me.

A company my children could one day step into if they wanted.

And if they didn’t?

A business powerful enough to provide for them anyway.

Because some founders are building income.

And some founders are building legacy.

Those are two completely different games.

And the women building legacy?

They tend to share a similar archetype.

The showgirl.

Not the shallow version people imagine.

Not just red lipstick. Not just glitter. Not just spectacle.

The real showgirl is something else entirely.

She’s a woman who knows how to command a room.

She understands visibility. Presence. Performance. Story.

She knows that if you want to shape culture…people actually have to see you.

There’s neuroscience behind this.
Your brain literally expands or contracts based on the ambition of the people around you.

Mirror neurons. Social contagion.

Which means who you sit beside quietly determines how big you build.

This is why iconic brands weren’t built alone.
They were shaped in rare rooms.

Not massive audiences. Not endless scrolling.

Rooms where the thinking is bigger. The standards are higher. 
And no one is interested in playing small.

So I’m hosting a private retreat in Paris for women building businesses meant to create:

generational wealth cultural influence and something their family will still benefit from decades from now.

✨ All That Glitters: Paris

For the showgirls building legacy brands.

There are 2 spaces left.

✅ Comment PARIS and I’ll send the details.

(And if this post makes you uncomfortable, you’re probably not the founder this room was designed for.)

-

09/03/2026

I watched that Timothée Chalamet interview with Matthew McConaughey recently.

The one where he dismissed opera and ballet as outdated.

And honestly… it was a dick move.

Not because those art forms need defending.

But because it revealed something interesting about how spectacle, especially spectacle associated with women…still gets trivialised.

Opera. Ballet. Cabaret. The stage.

These aren’t frivolous pursuits in history.
Believe me, as a former opera singer, I know first hand the level of commitment and dedication it takes.

These art forms were architectures of attention.

And attention has always been economic power.

Long before Instagram. Long before “personal branding.”

People understood something simple:
Control the gaze, control the room.

Royal courts staged authority. Parisian theatres staged desire. Cabarets staged myth.

The room was never neutral.
Lighting was deliberate. Entrances were choreographed. 
The audience’s gaze was directed with precision.

And at the center of it all?
The showgirl.

Not the most qualified person in the room. Not the most credentialed.
But the focal point.

Neuroscience has a word for this: salience.

Your brain encodes what stands out.

Not what is correct. Not what is qualified.
What is central.

Which is why two founders with the same expertise can build completely different businesses.

One is respected.
The other is unforgettable.
Respect is intellectual.
Memorability is neurological.

And the showgirl archetype understands something most brands still miss:

Attention is the oldest form of currency.
Which is exactly why I created ALL THAT GLITTERS: Paris.

Not a business retreat.
An identity retreat.

Six women.

A “Diamonds Are a Girl’s Best Friend” dinner and show on one of the most iconic stages in the world.
A private Paris residence.
The Louvre.
A Paris Shoot Day under city lights.

Because once your nervous system experiences you as the focal point…

your brand can’t go back to playing small.

One showgirl seat is already gone.

Paris has always been a city
where culture, spectacle, and power meet.

✅ DM PARIS if you want to be part of it. 💎

-

03/03/2026

I want to talk about absorbing words that are aimed to destroy you…

I’ve had a lot of that the past year.

Some from unexpected sources, others not so much.

And I’ve absorbed it all like a sponge.

And it’s important that you don’t.

It doesn’t make you the bigger person, more professional, more loveable, more likeable.

It’s setting a precedent for future bullsh*t if I’m totally honest.

You deserve to be respected without having to prove anything, to be loved unconditionally, to take up space.

Doesn’t mean the hits don’t hurt. 🎯

It doesn’t make you more loveable, more likeable, or more respected.

Love yourself more than the venom and vitriol thrown at you by people determined to see you as the villain.

That’s all ♥️

-

The Social Slayer

29/04/2026

24/04/2026

21/04/2026

28/03/2026

25/03/2026

17/03/2026

13/03/2026

09/03/2026

03/03/2026

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