StageGraphix Art & Design

StageGraphix Art & Design StageGraphix Art & Design create bold theatre posters, logos, and promotional materials. Bespoke, print-ready designs for productions, events, and businesses.

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Shakespeare, but make it fabulous. 🎭✨For this take on As You Like It, I leaned into the play’s cheeky exploration of ide...
02/03/2026

Shakespeare, but make it fabulous. 🎭✨

For this take on As You Like It, I leaned into the play’s cheeky exploration of identity, disguise, and gender-swapping—because let’s be honest, Rosalind was doing drag long before it was trending.

The concept blends Elizabethan opulence with full-throttle modern drag energy: sculpted glamour, a statement moustache, and a look that sits perfectly between masculine and feminine. It’s bold, playful, and knowingly theatrical—just like the text itself.

The neon title brings that contemporary punch, while the cracked glowing heart adds a wink to the chaos of love, lust, and mistaken identity that drives the story.

Classic Shakespeare, reworked for a late-night, high-gloss revival.

Some concepts just click instantly — and this was one of them.I wanted to take Hamlet and strip it back to its core them...
28/02/2026

Some concepts just click instantly — and this was one of them.

I wanted to take Hamlet and strip it back to its core themes: death, performance, madness… and spectacle. Then rebuild it through a bold, modern lens that feels more West End revival meets underground cabaret.

The skull felt obvious — but making it a mirrored disco skull instantly pushed it into something more theatrical, more commercial, and honestly… more fun. It reflects everything around it, just like Hamlet reflects the corruption of the world he’s trapped in.

Then came the twist — the red clown nose.

Because Hamlet is, at its heart, a performance.
Madness (real or not), play-acting, deception… it’s all there. The nose brings in that slightly uncomfortable humour — that “are we meant to laugh?” feeling.

This is the kind of brief I love:
Taking a classic and asking — how do we make people look twice?

Because if a poster stops you in your tracks…
the show’s already started.

I wanted to create something that felt like stepping into a dream… not just seeing one.This concept leans heavily into t...
28/02/2026

I wanted to create something that felt like stepping into a dream… not just seeing one.

This concept leans heavily into that surreal, magical chaos that A Midsummer Night’s Dream is all about—love, illusion, transformation—and pushes it into a vibrant, modern visual world.

🌸 The Vision
Instead of a traditional woodland fairy setting, I went for something more immersive and sensory—a living, breathing dreamscape.
• A floral explosion forming a crown/mask to blur identity
• Neon-infused colour palette (pinks, blues, greens) to heighten the fantasy
• Glittering, almost cosmic lighting to suggest magic in the air

🎭 Character Focus
The central figure is all about joy, abandon, and enchantment—that feeling of being completely lost in the magic of the forest. The flowers obscure the eyes to hint at the play’s themes of confusion and altered perception.

If you’re a theatre company looking to reimagine a classic with a modern, commercial edge… you know where I am 👀

Designing this Torch Song Trilogy concept wasn’t about throwing everything at it… it was about honouring the story.This ...
28/02/2026

Designing this Torch Song Trilogy concept wasn’t about throwing everything at it… it was about honouring the story.

This piece is built around Arnold (a New York Drag Queen living and working during a time of heavy prejudice)— bold, unapologetic on the surface, but layered with vulnerability underneath.
The eyes are everything. They hold that mix of strength, heartbreak, defiance, and survival — reflecting a journey that spans love, loss, and ultimately building a life on your own terms.

From International Stud — the ache of wanting real love…To Fugue in a Nursery — the chaos and complexity of relationships…To Widows and Children First! — grief, resilience, and redefining what family looks like.

I wanted the design to echo those themes:
✨ The rich velvet purple — intimacy, theatricality, emotion
✨ The gold title — strength, legacy, and something worth fighting for
✨ The covered mouth — what’s hidden, what’s judged, what’s left unsaid
✨ The hair filling the frame — presence, identity, refusing to shrink
And most importantly — no clutter.Because at its core, this story is about one person trying to live a conventional life in an unconventional world.

Love. Loss. Survival. Family.

✨ Bringing passion, power, and tragedy to life… ✨There’s something timeless about Antony & Cleopatra—a love story that b...
27/02/2026

✨ Bringing passion, power, and tragedy to life… ✨

There’s something timeless about Antony & Cleopatra—a love story that burns bright, fast, and dangerously. I wanted this design to feel exactly that.

So I leaned fully into heat, intimacy, and intensity.
That close, almost-touching moment between them? It’s not just romance—it’s tension, politics, obsession… everything sitting just beneath the surface.

This one was all about contrast—soft vs powerful, love vs destruction, beauty vs inevitability.

I wanted the design to feel like a love letter to London — so the concept started with a tube map reimagined as a heart,...
23/02/2026

I wanted the design to feel like a love letter to London — so the concept started with a tube map reimagined as a heart, symbolising connection, chaos, and the intertwining lives at the centre of the story. From there, everything grew into the aesthetic we see now.

The sign itself is built like a classic theatre marquee, wrapped in warm bulbs to give that unmistakable “opening night” glow. I then pushed the lighting further — introducing neon tube lines in their authentic colours, bringing energy, movement, and a slightly rebellious Soho edge.

The title was key.
“SOHO CINDERS” needed to pop — so I layered in warm backlighting and glow, giving it that premium, cinematic lift you’d expect from a professional production.

And then… the twist.

Front and centre: a sparkly, chunky trainer — worn, bold, unapologetic.
A modern fairytale doesn’t need a glass slipper. This is Soho. This is now.

✨ Grit meets glamour
✨ Romance meets realism
✨ Tradition meets rebellion

Finished with rain-soaked reflections, haze, and subtle bloom to bring it all together into a fully immersive, street-level moment — like you’ve just stumbled across the show on a late-night walk through London.

Absolutely loved crafting this one.

💖✨ Harvard… but through Elle Woods’ eyes ✨💖Designing this Legally Blonde The Musical poster was all about transforming t...
22/02/2026

💖✨ Harvard… but through Elle Woods’ eyes ✨💖

Designing this Legally Blonde The Musical poster was all about transforming the expected into something completely fabulous. Harvard is traditionally seen as serious, structured… even a little drab. But through Elle’s lens? It becomes bold, glamorous, and unapologetically pink.
I wanted this design to feel like we’ve stepped into her version of that world — where chandeliers glow a little brighter, corridors feel more luxurious, and every surface has that signature Elle sparkle. It’s not just a place… it’s a transformation.

From the rich pink palette to the glossy textures and glitter accents, every detail was crafted to reflect how Elle doesn’t just enter spaces — she redefines them. She takes the ordinary and makes it extraordinary. The serious becomes stylish. The rigid becomes radiant.

And at the heart of it all is that confidence — the idea that you don’t have to change who you are to succeed… you just turn up, shine brighter, and bring your world with you 💅✨

Because in Elle’s world, even Harvard gets a makeover.

🎧✨ Bringing Footloose: The Musical to life…This one was all about capturing that moment where music changes everything. ...
22/02/2026

🎧✨ Bringing Footloose: The Musical to life…

This one was all about capturing that moment where music changes everything. I wanted the design to feel like you’ve just hit play — that instant spark of energy, rebellion, and freedom that sits right at the heart of Footloose.

The cassette and headphones became the hero — a nostalgic nod to the era, but elevated with a modern, cinematic glow. I pushed a strong magenta/purple palette to give it that electric, almost neon warmth, then layered in light rays, particles, and depth to create a real sense of atmosphere… like the music is literally in the air.

Title logo-wise, the goal was simple: make it feel like it’s alive. A soft neon glow and subtle lift helps it sit just above the world, while the centred credit block brings that clean, professional finish.

It’s bold, it’s nostalgic, it’s high-energy — and most importantly, it feels like Footloose.

There’s something beautifully intimate about The Last 5 Years — two people, one relationship, told from opposite directi...
21/02/2026

There’s something beautifully intimate about The Last 5 Years — two people, one relationship, told from opposite directions in time. I wanted this design to capture that emotional push and pull in a really simple, striking way.

The glowing “5” became the heartbeat of the piece. It’s not just a number — it’s time, memory, and inevitability. By placing it behind the couple, it almost feels like their story is being illuminated… or even overshadowed by the years themselves.
I kept the figures in silhouette to focus purely on connection rather than detail — that quiet, almost painful closeness where everything feels both full of love and slightly fragile. The cool blue palette leans into that reflective, late-night feeling the show carries so well, with a soft city skyline grounding it in a contemporary, urban reality.

Subtle particle textures and light bloom were added to give it that cinematic, almost dreamlike quality — like looking back on a relationship through memory rather than reality.

Simple. Emotional. Timeless.
This one’s all about letting the concept breathe.

There’s something iconic about The Wizard of Oz — but I didn’t want to recreate it… I wanted to reimagine it for a moder...
21/02/2026

There’s something iconic about The Wizard of Oz — but I didn’t want to recreate it… I wanted to reimagine it for a modern revival ✨

This is exactly the kind of work I love creating — taking classic titles and giving them a bold, contemporary identity while still respecting what makes them iconic.

This one was all about tension, seduction and power.I wanted the image to feel dangerous and glamorous at the same time ...
21/02/2026

This one was all about tension, seduction and power.

I wanted the image to feel dangerous and glamorous at the same time — that classic noir femme fatale energy — but framed through something stark and oppressive. The prison bars became the visual anchor. Cold. Rigid. Unforgiving.

Against that, I pushed rich magentas and deep violets to create heat and allure, letting the lighting sculpt the face so it feels cinematic rather than illustrative. The green bars cutting through the composition add contrast and unease — beauty confined.

The typography is bold and unapologetic. Clean, heavy lettering that almost feels like it’s physically pressing against the bars. Strong. Iconic. Instantly readable from across the street.

Subtle smoke, controlled highlights, and a tight crop keep it intimate — like you’re too close, almost complicit.

This design was about balancing:
Seduction
Danger
Drama
Prestige

A modern, high-impact interpretation of an iconic musical.





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