Openphoto Art

08/10/2026

Sometimes the landscape is the subject.

Sometimes it is the scale against which everything else is measured.

Four cyclists make their way through the Scottish Highlands, their flashes of colour becoming tiny marks within the vast landscape.

VISTA is now available as part of the newly revised READY TO HANG collection at

OPENPHOTO ART.
Framed, mounted and ready to hang.
Free UK delivery.
https://www.openphoto-art.com/product-page/vista-scottish-highlands-photographic-art

25/09/2026

AN ANCIENT WOODLAND IN A MODERN HOME

Wistman’s Wood is a place of twisted branches, moss-covered boulders and trees that seem to have grown into one another over centuries.

In this photograph, it was the colours and textures that caught my attention. The deep greens, the muted autumn tones and the shapes emerging from the woodland.

Presented as a framed photographic print, it brings a little of that atmosphere into a very different setting.

WISTMAN’S WOOD 1 | Photographic wall art

Explore the photograph and its READY TO HANG presentation at OPENPHOTO ART.

https://www.openphoto-art.com/product-page/wistman-s-wood-1-rth

18/09/2026

NATURE’S FILTER

The pastel tones in this photograph were not created in post-production.

I was standing in soft, misty rain at the Silver Sands of Morar on the west coast of Scotland. The rain itself was filtering the landscape, softening the distant hills and quietening the colours of the sand, water and grasses.

There was no need to add atmosphere to the photograph.

You just had to see it and be prepared to get wet.

SILVER SANDS OF MORAR

This photograph prints beautifully on Hahnemühle William Turner watercolour paper.

Available as a framed fine art print from OPENPHOTO ART:
www.openphoto-art.com/product-page/silver-sands-of-morar

Chris Page

11/09/2026

PHOTOGRAPH FROM MY MIND’S EYE

I had been thinking about this photograph for some time before I actually made it.

I knew the two sections of Herne Bay Pier and had already composed the photograph in my mind. But to make it work, several things needed to come together: low tide, a late sun and a clear, bright sky.

One June evening, they did.

I walked out ankle-deep into the estuary mud until I reached the position I had imagined. From there, the remains of the pier became a near-black silhouette, framing the isolated section beyond.

And then, just as I was making the photograph, a gull crossed the open sky.

PIER SILHOUETTE

Sometimes the photograph exists in the mind long before it exists in the camera.

Available as a framed fine art print from OPENPHOTO ART:
www.openphoto-art.com/product-page/pier-silhouette-black-and-white-photograph

Chris Page

04/09/2026

A PHOTOGRAPH IN ITS PLACE

There is a difference between seeing a photograph on a screen and seeing it framed and given its own space on a wall.

Scale changes. The surroundings become part of it. Even the light within a room can alter the way we experience the image.

WHISTABUBBLE is shown here as a framed print in an interior setting. A chance to see the photograph not simply as an image, but as something that might become part of a room.

Available as a framed photographic print from OPENPHOTO ART.

Discover WHISTABUBBLE →
https://www.openphoto-art.com/product-page/whitstabbuble-special-framed-edition-wall-art

Chris Page

28/08/2026

TIME

Last time I showed this photograph framed and placed within a room. Here is the photograph itself.

What first drew me to this scene was the way the architecture seemed to lead in two directions: the staircase rising towards the light, while the sequence of arches draws the eye deeper into the building.

Then there are the surfaces. Faded colour, peeling paint, worn stone and the marks left by years of use.

It was this sense of a place carrying its own history that eventually gave the photograph its title: TIME.

Available as a framed fine art print through OPENPHOTO ART.

Chris Page

19/08/2026

Photographic Art for your Walls

A photograph changes when it leaves the screen and becomes part of a room.

OPENPHOTO ART brings together a curated collection of my photographs available as framed fine art prints, created to live with and become part of the spaces around us.

Over the coming weeks I’ll be sharing individual works, different ways of presenting them, and some of the stories behind the photographs.

Explore the collection through the link in the profile.

Chris Page

19/08/2026

When Photographs Need Words

The latest Journal from Chris Page at OPENPAGE STUDIO explores something that sits behind many finished photographs: the words that sometimes accompany them.

Why give a photograph a title? Why write about an image that can already speak for itself? And when can a few carefully chosen words encourage us to look again?

The new Journal is now available to read.

When do photographs need words? Chris Page reflects on titles, notes, photographic books and the role of writing in helping viewers look more deeply at an image.