18/04/2025
15th April this year marked the beginning of what could become a landmark case for branding and the creative arts industry in Ghana — and possibly the world. Sarkodie, one of Ghana’s most celebrated musicians, filed a lawsuit against Ecobank, an international banking giant, arguing among other things that a promo image the bank used was a breach of his intellectual property and a violation of the Protection Against Unfair Competition Act, 2000 (Act 589).
Here’s the twist: it wasn’t even a direct image of him. The promo featured a man who looked unmistakably like Sarkodie — same haircut, same beard trim, same black shades — with the tagline, “Looks can be deceiving.” The irony? It wasn’t deceiving at all. Everyone saw Sarkodie.
Now, I’ll say this — I’m no lawyer. But this is easy money if Sarkodie plays it right. From where I stand as a brand strategist, there are three clear steps to make the case:
Prove that he has a distinct identity
Prove that the identity is widely recognized
Prove that the identity has economic value
To get there, let’s define a few key terms.
Brand
A brand, simply put, is the identifying or differentiating factor of a product. The iPhone is the product — Apple is the brand. Dell is the brand — the laptop is the product. In some cases, identical products are marketed under different brand names for strategic reasons.
Brand Identity
This is the complete set of elements — visual, verbal, behavioral — that come together to distinguish a brand from others in the market. These are carefully curated to create a unique image and presence.
Take FanMilk, for example: its blue-and-white logo, the iconic bicycle with the front bucket, the nostalgic sound of the “Porpi” bell — all of that isn’t just branding, it’s identity. It’s memorable. It’s emotional. And it’s defensible.
In Sarkodie’s case, his brand identity includes his image, his appearance, his logo, his voice, and even his signature “Huhh!” ad-lib. All these work together to form a consistent, recognizable brand.
Branding
Branding is the act of consistently applying the brand identity across all communication and touchpoints. When done well, branding transforms a product into a brand. And when it’s done consistently, even unregistered elements — a logo, a color, a sound, a hairstyle — may qualify as trademarks through usage and recognition, even without formal registration.
Sarkodie: Identity, Branding & Recognition
Let’s now examine how all this applies to Sarkodie — and how it helps him win.
1. Identity
Ghana has a vibrant music scene with many rappers, but Sarkodie stands apart. Over the years, he has carefully maintained a consistent visual identity: a clean, high-top fade haircut, neatly trimmed beard, and black sunglasses. By themselves, these might be generic. But together — repeated over more than a decade — they have become a signature look.
This look has become so tied to him that even illustrations — like ’s drawing featured in the promo — trigger instant recognition. During last year’s viral “lookalike” wave, many of the lookalikes were only identifiable because of these exact brand elements.
2. Proving Identity & Brand Recognition
This is where things get technical — but in Sarkodie’s favor.
He could conduct a brand audit — not for marketing, but for legal reinforcement. Show a sample group images of the promo art, the drawing, or pictures of his lookalikes and ask: “Who does this remind you of?”
Recognition rates would likely be extremely high — which strengthens the argument that the promo image clearly evokes his brand.
Importantly, under the Protection Against Unfair Competition Act, Sections 1 and 2 protect trademarks, business identifiers, and celebrities. Sarkodie qualifies on all three fronts.
3. Economic Value of the Brand
Sarkodie’s brand is more than an aesthetic — it’s a business asset.
His image has helped him land major endorsements — including his current role as brand ambassador for First Bank, and previous collaborations with Standard Chartered. His brand translates into ticket sales, streaming revenue, merchandise, and even emotional capital like relatability and loyalty.
Once it’s proven that his image and identity have clear economic value, any unauthorized use — especially if it’s misleading — falls under unfair competition as defined by Sections 1 through 4 of the Act.
Conclusion
Sarkodie’s side-fades with a high top, dark sunglasses, and trimmed beard are not just a style — they’re brand identity elements. These features have achieved deep recognition and hold significant economic value. As such, they function as trademarks.
Combined with his celebrity status, Sarkodie is well within his rights to pursue this case under the Protection Against Unfair Competition Act, 2000.
A Note
Again, I’m not a lawyer. I don’t pretend to speak on legal matters. But this case sits at the intersection of branding, creative identity, and commercial value — and that’s a conversation worth having.
Feature Picture by: https://www.instagram.com/excusemyart/