IvanChung設計計

IvanChung設計計 ◾️ILLUSTRATION x GRAPHIC x MULTIMEDIA/HK
◾️平面插圖/DESIGN
▪️合作查詢/DM for commissions
◾️Founder of
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07/09/2026

Illustration / 第十三屆Hiii Illustration國際插畫獎參賽作品 / Part II

萬物和鳴:自然與科技的連結
Harmony of All Things: The Connection Between Nature and Technology

作品以「萬物和鳴」為核心概念,透過長城汽車展現科技與自然和諧共生的願景。許多人會質疑:科技進步是否必然犧牲自然生態?
答案是否定的。人類本就源於自然,而科技正是深化這份連結的橋樑。在人工智能時代,科技發展不再與自然對立,而是融入生態循環,共同演進。

本作品透過一系列視覺敘事,呈現長城汽車的創新科技如何與自然環境共生共榮。在浩瀚宇宙中,萬物皆為整體的一部分,它們在空間中相遇、交織——有時獨立存在,有時彼此融合——共同譜寫出精彩的篇章與卓越的工藝。作品讓觀者同時感受自然的寧靜與科技的力量,相信未來將奏響更和諧的樂章。

This work centers on the concept of “Harmony of All Things,” using Great Wall Motors as a vehicle to showcase a vision where technology and nature coexist harmoniously. Many question: Does technological progress inevitably come at the expense of natural ecosystems?

The answer is no. Humanity originates from nature, and technology serves as a bridge that deepens this connection. In the age of artificial intelligence, technological development no longer stands in opposition to nature but integrates into ecological cycles, evolving together.
Through a series of visual narratives, this work presents how Great Wall Motors’ innovative technology coexists and thrives alongside the natural environment. In the vast universe, all things are part of a greater whole, meeting and interweaving in space—sometimes existing independently, sometimes merging together—collectively composing magnificent chapters and exceptional craftsmanship. The work allows viewers to simultaneously experience the tranquility of nature and the power of technology, believing that the future will resonate with an even more harmonious symphony.

For commissions, please contact:
Email: [email protected]

More work:



17/08/2026

作品: Protect Marine Life design Campaign | Part II

作品以一張簡單、直接而有力的主視角,帶出保護海洋生態的重要性,並呼籲減少不必要的資源浪費,以及降低對不可再生物品的依賴。設計應用於不同物品之上,例如膠水樽、鋁罐及各種包裝招紙,營造出帶有諷刺與反思意味的效果,讓使用者更深刻體會:每次使用這些物品時,都需要留意並承擔其帶來的後果與責任。

「參賽作品 (Competition Entry)」 By IVMAN STUDIO

為強化“應用性”與“落地”,設計被系統化延伸至日常高頻接觸的載體——膠水樽、鋁罐與各類包裝紙品——以一致的識別與語氣在不同情境中重複出現,形成持續提醒。透過帶有諷刺意味的轉譯,作品迫使使用者意識到:每一次看似微小的消費選擇,都會累積成對海洋的具體影響;而每一次使用,也同時意味著必須承擔相應的後果與責任。

本作以「一眼即懂」的主視覺語言,將海洋生態受塑膠污染侵蝕的危機具象化,並把訊息聚焦於可被立即實踐的行動:減少一次性消耗、降低對不可再生材料的依賴。視覺策略採用克制而直接的構圖與強烈對比,讓警示在最短時間內被讀取,並在情緒上留下不適感與反思空間。

To strengthen usability and real-world feasibility, the design is systematically extended to everyday, high-frequency touchpoints—glue bottles, aluminum cans, and various packaging papers—so that a consistent identity and tone repeatedly appear across different contexts, creating an ongoing reminder. Through an ironic re-framing, the work forces viewers to recognize that every seemingly minor consumption choice accumulates into concrete impacts on marine environments; and that every act of use also implies responsibility for the consequences it brings.

Using an “understand-at-a-glance” key visual language, this project makes the crisis of marine ecosystems being eroded by plastic pollution tangible, and focuses the message on actions that can be practiced immediately: reducing single-use consumption and lowering r

作品: Protect Marine Life design Campaign 作品以一張簡單、直接而有力的主視角,帶出保護海洋生態的重要性,並呼籲減少不必要的資源浪費,以及降低對不可再生物品的依賴。設計應用於不同物品之上,例如膠水樽、鋁罐...
16/08/2026

作品: Protect Marine Life design Campaign

作品以一張簡單、直接而有力的主視角,帶出保護海洋生態的重要性,並呼籲減少不必要的資源浪費,以及降低對不可再生物品的依賴。設計應用於不同物品之上,例如膠水樽、鋁罐及各種包裝招紙,營造出帶有諷刺與反思意味的效果,讓使用者更深刻體會:每次使用這些物品時,都需要留意並承擔其帶來的後果與責任。

「參賽作品 (Competition Entry)」 By IVMAN STUDIO

為強化“應用性”與“落地”,設計被系統化延伸至日常高頻接觸的載體——膠水樽、鋁罐與各類包裝紙品——以一致的識別與語氣在不同情境中重複出現,形成持續提醒。透過帶有諷刺意味的轉譯,作品迫使使用者意識到:每一次看似微小的消費選擇,都會累積成對海洋的具體影響;而每一次使用,也同時意味著必須承擔相應的後果與責任。

本作以「一眼即懂」的主視覺語言,將海洋生態受塑膠污染侵蝕的危機具象化,並把訊息聚焦於可被立即實踐的行動:減少一次性消耗、降低對不可再生材料的依賴。視覺策略採用克制而直接的構圖與強烈對比,讓警示在最短時間內被讀取,並在情緒上留下不適感與反思空間。

To strengthen usability and real-world feasibility, the design is systematically extended to everyday, high-frequency touchpoints—glue bottles, aluminum cans, and various packaging papers—so that a consistent identity and tone repeatedly appear across different contexts, creating an ongoing reminder. Through an ironic re-framing, the work forces viewers to recognize that every seemingly minor consumption choice accumulates into concrete impacts on marine environments; and that every act of use also implies responsibility for the consequences it brings.

Using an “understand-at-a-glance” key visual language, this project makes the crisis of marine ecosystems being eroded by plastic pollution tangible, and focuses the message on actions that can be practiced immediately: reducing single-use consumption and lowering reliance on non-renewable materials.

The visual strategy adopts restrained yet direct composition and strong contrast, allowing the warning to be read in the shortest time while leaving a sense of discomfort and space for reflection.

10/08/2026

「CLASSICS the Small Luxury Design Award 2026」Handkerchief design 參賽作品02 |Part II
主題: 「Yum Yum」 #ハンカチのデザイン

作品名稱 Title
My Favorite Irresistible Skewered Food
讓我垂涎欲滴的四款丸子
/

CLASSICS the Small Luxury was founded in 2003 under the philosophy of “private luxury in the palm of your hand.” Drawing on the techniques and experience accumulated by its parent company, Blooming Nakanishi, established in 1879, the brand combines this heritage with a modern sensibility to create a specialty handkerchief shop that releases original designs each season.

The brand has collaborated with many artists from Japan and overseas, seeking to bring new charm and possibilities to handkerchiefs through the power of design. To support artists’ creative activities and encourage designs that feel closer to everyday life, the “CLASSICS the Small Luxury Design Award” was established in 2020.

CLASSICS the Small Luxury 以「手掌心中的私密奢華」為理念於 2003 年創立。結合母公司「Blooming 中西」(創立於 1879 年)所累積的技術與經驗,並融合現代感性,打造出每季推出原創設計的手帕專門店。

過去曾與國內外多位藝術家合作推出手帕作品,追求透過設計的力量賦予手帕新的魅力與可能性。為了支持藝術家活動,並期許設計能更貼近人們的生活,自 2020 年起創立了「CLASSICS the Small Luxury Design Award」。

/
2026 JAN
By IVMAN STUDIO
#插畫 #設計
海報設計 手繪 設計 畫畫 平面 平面設計 hk

03/08/2026
02/08/2026

“Beware of Central Obesity” OSH Infographics Design Competition 2025 Competition entry
「中央肥胖要留神」職安健創意資訊圖設計比賽2025參賽作品

The “Beware of Central Obesity” OSH Infographics Design Competition 2025, co-organized by the Sedentary & Professional Services Safety and Health Committee, the Printing, Information & Communications Safety and Health Committee and the Health Care Services Safety and Health Committee of the Council, has successfully concluded. 

由職安局文職及專業服務業、印刷、資訊及通訊業及醫護服務業安全及健康委員會合辦之「中央肥胖要留神」職安健創意資訊圖設計比賽現正接受報名。
今年比賽主題為「中央肥胖要留神」,旨在鼓勵學生和公眾透過創意的手法設計資訊圖,向在職人士推廣預防中央肥胖的訊息。

Design and illustration by IVMAN STUDIO. 
#設計 #中央肥胖

洪水橋/厦村新發展區《由蓋作樂》渠蓋設計比賽2026 (Mock Up ) Hung Shui Kiu/Ha Tsuen New Development Area‘UnCover the Joy’ Manhole Cover Design ...
01/08/2026

洪水橋/厦村新發展區
《由蓋作樂》渠蓋設計比賽2026 (Mock Up )
Hung Shui Kiu/Ha Tsuen New Development Area
‘UnCover the Joy’ Manhole Cover Design Competition 2026 (Mock Up )

參賽作品: 日夜交融 · 鷺舞洪橋
By IVMAN Studio

作品以洪水橋日夜景致為核心。上半部描繪日光下翠綠山巒與幽靜水面,展現自然寧靜;下半部呈現夜幕下璀璨高樓與鄉村建築,彰顯都市活力與城鄉共融。中央融入白鷺形象,上下倒轉均可見白鷺展翅,貫穿日夜交替的獨特魅力,共譜和諧樂章。
Competition entry: Day–Night Fusion · Egret Dancing over Hung Shui Kiu
The piece centers on the day-and-night scenery of Hung Shui Kiu. The upper half depicts verdant mountains and tranquil waters under daylight, expressing the calm of nature; the lower half shows glittering high-rises and village architecture at night, highlighting urban vitality and urban–rural integration. A white egret motif is placed at the center—when viewed upside down, the egret with outstretched wings can still be seen—conveying the unique charm of day-to-night transition and composing a harmonious movement.

結構設計
方形渠蓋須由兩個三角形組成 - 這是一個獨特的幾何結構要求
渠蓋表面必須凹凸以增強防滑程度 - 確保行人安全
須有兩個圓形狹縫 - 讓工作人員插入特別工具以拉起渠蓋
早期鑄造的渠蓋大部分是圓形的,其後改為由兩個三角形拼合而成的方形設計,渠務人員可較易用鐵撬打開渠蓋,而拼合式設計亦較易於操作。至於渠蓋上的凹凸花紋,除了增加防滑度,主要是給渠務人員識別兩種不同的渠道─污水和清水(雨水)。圓圈、放射式花紋是清水渠蓋,小正方形格子則為污水渠蓋,故坊間簡稱「圓清方濁」。

設計主題
作品須呈現洪水橋/厦村新發展區的願景、設計亮點及理念,將實用功能與藝術設計結合。

For commissions, please contact:
Email: [email protected]

「數碼賦能 網安同行」即時通訊軟件貼圖設計比賽2025“Let’s Secure as we Digitalise” Instant Messaging Apps Stickers Design Contest 2025公開組冠軍 Cham...
28/07/2026

「數碼賦能 網安同行」即時通訊軟件貼圖設計比賽2025
“Let’s Secure as we Digitalise” Instant Messaging Apps Stickers Design Contest 2025
公開組冠軍 Champion of Open Division
Ivan Chung • IVMAN STUDIO

於2025年參加了這個Sticker設計比賽,收穫豐富,喜獲公開組冠軍🙏🏼

#插圖 #設計

比賽內容:
數字政策辦公室、香港警務處及香港網絡安全事故協調中心合辦「數碼賦能 網安同行」即時通訊軟件貼圖設計比賽。是次比賽旨在讓參賽者以有趣及互動的方式了解網絡安全的重要性,從而進一步提高公眾對網絡安全的認識。冀望藉此建立一個協作平台,增強全城對抗網絡攻擊的能力。

06/06/2026

IVMAN STUDIO|Design & Illustration(設計及插畫服務)

** Brand 品牌 **
Black and white commercial Illustrstion 商業黑白插圖
Professional Caricature 專業似顏繪
American style illustration and graphic 美式風格插圖@simpleblackmcaq minimalist avatar design 簡約人像設計

以細緻線條建立層次與質感,專注黑白簡約、流線構圖的視覺語言,把重要時刻轉化成可被收藏的作品與設計。

**服務範圍(Commission / Collaboration):**

品牌宣傳主視覺(Key Visual)/ Campaign assets

封面設計(Cover design)

插畫 Logo / 視覺識別延伸(Brand illustration)

插圖設計(Editorial / Product illustration)

植物/人像/動物插畫

頭像(Avatar)設計

紀念禮物插畫(客製化)

情侶/朋友合照插畫

**查詢(Enquiry):**

Email:[email protected]

DM / WhatsApp : +852 56429042

branding keyvisual 香港插畫 黑白插畫 商業插畫 插畫委託 似顏繪

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Hong Kong

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