Envisage Design Studio

Envisage Design Studio WE are an award-winning concept design studio
with a holistic approach, specializing in creating
a visual voice for premium brands.

Envisage is for those that want conceptual branding,
interior design, product design and ideas creation.

Hi Everyone!!!I am Ryan, the founder of Envisage, an interior design studio. With over 15 years of experience in interna...
01/07/2024

Hi Everyone!!!

I am Ryan, the founder of Envisage, an interior design studio. With over 15 years of experience in international markets, I have developed a keen eye for emerging trends while respecting the enduring appeal of classic aesthetics. I specialize in creating harmonious and functional spaces that reflect my clients' unique personalities and needs.

As I continue to grow my business, I am actively seeking both local and international project opportunities in interior design. If you know of any projects or positions that could benefit from my expertise, please don't hesitate to reach out. I'm always excited to take on new challenges and bring fresh perspectives to diverse design projects.

Feel free to connect with me to discuss potential collaborations or simply to share ideas about the ever-evolving world of interior design. I look forward to contributing my skills and passion to new and exciting ventures in this community and beyond.
Looking forward to connecting with you through my LinkedIn network, here on Facebook, or by email.

Email- [email protected]
LinkedIn- Ryan Lev Ari

25/08/2021

המסעדה החדשה נמצאת במתחם מסעדות בצפון תל אביב שבו יושקעו 15 מיליון שקל. העיצוב משחזר את האווירה התיאטרלית, האורבנית והסקסית של מועדוני הקברט והג'ז משנות ה-30

may this yearwill beinfinitely beautifulinfinitely happyinfinitely richwith love and abundancemay it shower youwith magi...
31/12/2020

may this year
will be
infinitely beautiful
infinitely happy
infinitely rich
with love and abundance
may it shower you
with magic and miracles

27/09/2020
נכון שזו היתה שנה מטורפת (כן... כולנו מרגישים שהיא עדיין לא נגמרה)ועם כל זאת אני מאחלת לכולם שהשנה הבאה תהיה מופלאה, שתה...
17/09/2020

נכון שזו היתה שנה מטורפת (כן... כולנו מרגישים שהיא עדיין לא נגמרה)
ועם כל זאת אני מאחלת לכולם שהשנה הבאה תהיה מופלאה, שתהיה טובה בהרבה מוקדמתה (ברור שזה לא בעיה)
שהנשה הבאה תהיה קלילה, מלאה בשמחה, ביופי, בריאות ואהבה

שנה טובה ומתוקה ממאיתנו לכולם

Jonathan MizziIn an age where we both want to catch up with and invalidate the trends that swirl around our heads, we ha...
21/07/2020

Jonathan Mizzi

In an age where we both want to catch up with and invalidate the trends that swirl around our heads, we have to ask ourselves, do we really know what is going on? Does kitsch mean the same thing it did many years ago? What exactly is a fixed gear bike?! One term you may have seen tattooed on the chest of many a web web page, is ‘concept design.’ As a studio, we like to class our selves within the aforementioned description of the modern person: caught up in conflicting zeitgeists, and itching to maintain elements of archaism in our work. Yet we find ourselves falling under the same roof as other artists who define themselves as ‘concept designers’. We don’t simply do branding; interior design; graphic design. Instead, we have come to develop a word for a niche point in commercial art that you now have to ask yourself: what exactly does it mean?

There is no greater example of why this term is so important, than Jonathan Mizzi, the creator of the eponymous Mizzi Studio. He specialises in -you guessed it- concept design! We have included a few examples of his work in this post- perhaps you can already see what stands him apart from his more rigid contemporaries? As you probably know about our studio, we revel in tasks and artists who focus on uniqueness. Mizzi does this. Oh boy, he does! Bold and academic in his designs, he takes simple interior design and branding and turns it into a concept that transcends functionality whilst it also maintaining it as the core of his work. It is this sumptuous slither of a cross section that he teeters on, which makes us addicted to his results. Recently, Mizzi has been focusing on industrial, naval design and incorporating into his projects. This reflects once more, this cross section: beauty meeting functionality, if you will.

The final product doesn’t necessarily need to be completely functional- it just needs to absorb and compliment the space it was assigned. Our challenge is to make art that doesn’t overshadow the operative space of a restaurant, bar or cafe etc. We define functionality in this case as this seamless blending of art as an interactive force with a public space. A public space must be receptive to an idea that takes what it means for example, to eat in a restaurant and make it an experience outside of the ordinary. Mizzi Studio Tom Raffield

Avant-Garde uses of ConcreteWe talked a little last week about the gradual emergence of industrial art in the interior a...
21/07/2020

Avant-Garde uses of Concrete

We talked a little last week about the gradual emergence of industrial art in the interior and concept design narrative. Here is our chance to peak under the rigid pleats of its skirt and discuss its exponentially appealing use this decade. What is it about cold slabs of grey material and un polished metal that have had this affect on us all? Sure, industrial, space-y, futuristic motifs were hot in the early chunk of the millennia. Academically, we can attribute this to the flick of three 9s to a few zeros that left us all wanting to grapple with a future that was unknown and yet appeared malleable to us. We had made it to the 21st century! We were in the era of exploration and post-analogue dreariness. Our tastes and lifestyle reflected this and we all liked to think, on the boring commute home, that we were returning to a house that was a slice of this zeitgeist.

Then the zeitgeist evolved- as it does. Our tastes once more swirled and shivered inside the mixing glass and we went greener and more colourful; flat packed and cash strapped. Now we find ourselves once more at the door of industrial design, something that post- 2000, we have never deviated too far from. Sure, we are less minimalistic in our application of it; edges have become curves and new found metaphysical, artistic depths exist. We are also now in the age of bespoke art, homes and furniture. Naturally, industrial design has found a new home (only a few minutes down the street) in an era where skill and craft shape the aesthetic portion of our lives. Industrial design also has a great potential for sustainability which has attracted a wider audience for its merits.

Industrial design’s poster girl, if you will, is concrete. Brutalist architects, including Marcel Breuer and Paul Rudolph, were concrete fiends, and trailblazers like W***y Guhl were shaping the weighty substance into delicate furniture as early as the 1950s. Yes, boring, clunky, under-appreciated, surprising concrete has made a huge comeback. Floors are perhaps the most natural application when using this material in your home. Recently, Carr Restorations showcased in an episode of Grand Designs, polished concrete floors as well as ones with stone accents embedded. If concrete floors aren’t your thing, concrete walls also have a great charm. Concrete has the power to add an incredibly subtle texture to a room. It is natural without appearing shabby and clean without appearing clinical. More people are choosing to incorporate concrete in their interiors because it’s a particularly easy material to maintain. Concrete is a natural balancer, a substance that silently allows other design accents to shine whilst certainly earning its spot as a noticeable design trend. When it’s used, it lends a ton of visual weight to the room.

Some key examples of recent, avant-garde uses of concrete include the Tilted Kilt Pub which has stained its concrete floors to appear wooden, thus adding metaphysical layers to our understanding and interaction with materials. Another manipulation of concrete is by staining it with acid which affords it a wonderful, rich, brassy look. We have included some pictures in this article so you can see what we are talking about!

A new generation of designers are also shaping the very make up of concrete. They are colouring it and complimenting it with found, interesting objects. Some examples are London-based designers Hannah Plumb and James Russell, who are known for reinventing pieces from the past. Perhaps their most seminal piece of work was filling the negative spaces of broken, antique chairs with concrete to repurpose it as modern masterpieces. Amelie Marei Loellmann is perhaps the most bold in her use of concrete, creating carpets and other pliable textiles from the material. She has fashioned a concrete skirt, hat and bag; most of her collection is rigid, although the pieces are relatively lightweight. Again, we have included pictures of these pieces below! They all serve as testimony to the ever increasing creativity of the modern art world which fosters a balance of a beauty, skill and functionality down to a tee. DezeenCulture TripVogue UK - USA

India Mahdavi“Look at me!/Look at me!/Look at me NOW!/It is fun to have fun/But you have to know how.”Yep, we would all ...
21/07/2020

India Mahdavi

“Look at me!/
Look at me!/
Look at me NOW!/
It is fun to have fun/
But you have to know how.”

Yep, we would all like to know how…

This misleadingly childish aphorism from the pen of Dr. Seuss sums up a certain person that we all dane to be. Light, creative and quick, this fleshy embodiment of effortless creativity is a source of inspiration to those rising the ranks in the interior design world. It’s all very well to be able to hand pick items for a client from an already tailored selection, but it takes real vision to assemble them uniquely. One person who is essentially basking in the artistic bigger picture is India Mahdavi, the Iranian interior designer. India Mahdavi is the reigning queen of colour. “It’s the best way to bring sunshine into a space,” says the Paris-based interior designer. She is very much the person Dr Seuss (probably) would have had in mind when outlining the whimsical, original characters and shapes of his books. Like Seuss, the pieces she includes are almost zoomorphic, transcending basic functionality and taking on a character of its own. One stunning example of this are pink, velvet cushioned chairs she chose for London’s Sketch gallery and restaurant. Plush, tongue-like and sumptuously puffy, these chairs alongside their matching benches make one feel as if they are simultaneously being gobbled up or luxuriously pampered.

That is the charm of India Mahdavi. There are perennial flickers of childhood that appear all over her work and give the impression that this artist is having fun. From her colour schemes to the metamorphosis of static items reminiscent of childhood novels of fiction, her work reflects an imagination that has been realised. As I mentioned before, it takes a real craftsperson to be able to actualise a bigger, artistic picture. This requires great attention to detail and vision that extends beyond theme, motif and external inspiration. Mahdavi’s work is both original and tasteful. In her artistic diligence and skill, she has left an indelible mark on the world of interior design that has fortunately, not gone unnoticed. india mahdavi sketch

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