Dino Kapetanovic - Graphic Designer

04/09/2023

"[...] Un lavoro duro, sincero e bellissimo. Imprescindibile."

Grazie INFINITE a e a tutta la redazione di per le fantastiche parole dedicate al podcast che ho curato. E ovviamente grazie a babbo, mamma e , i veri eroi di questa storia.

Progetto amatoriale, ibrido, un po' a metà ma pieno zeppo di passione e amore per la mia terra e la mia famiglia.

Link in bio.

06/11/2022

The State of the Union is an annual conference organised by . The 2022 edition was held on 5-7 May and counted 135 speakers, 43 sessions, 5 streams and 40+ hours of recordings. Worldwide policy leaders and experts such as Roberta Metsola and European Commission High Representative gathered in Florence to discuss the most pressing issues on the European agenda.

Even if the event was held in a hybrid format, the majority of the speakers participated in person in the stunning venues of Badia Fiesolana and Palazzo Vecchio, along with an audience of over 500 people, while nearly 12K people attended via the live stream.
SOU2022 was possible thanks the precious support of 41 local and international partners.

Working for such an event meant having a constant dialogue with a big team and many partners, starting with the SOU Secretariat who managed logistics, organisation and financing of the event, and then working face to face with EUI staff (Web unit, Photo and video team) and media partners such as , , .tv , , , and external supporting partners (Tecnoconference, , SSD Grafica and .imaging ).

In the months before the conference I was supported in everyday tasks by EUI design team made up of and .

When I joined the SOU team, the concept of the 2022 visual identity had already been designed by my colleague , with the supervision of ; my job therefore consisted in preparing digital and printed material for the conference for the next months.
I initially worked on the animations concerning the five streams and the layout of the video streaming. At the same time I created contents for the SOU website with the support of the web unit, and then I dedicated myself to the press campaign for our international media partners.
Subsequently, together with the design team, I designed all the printed media (above all the huge backdrops for the five stages). Once the conference was over, I dedicated myself to the design and creation of the final report.

More details on kapetanovic.it

14/04/2022

Hey mom, I'm on Financial Times!
💥💥💥

After months of hard work at as Graphic Designer for , and thanks to our fantastic Communication and Design teams, I achieved a big professional goal: this year's graphic is on !

See you in Florence, from the 5th to the 7th of May for our big event: The State of The Union!

stateoftheunion.eui.eu

06/04/2022

Sabato 9 sarò a al .it a parlare del mio progetto di tesi Turmae-cronache dall'Inferno (link in bio).
Ma principalmente lascerò la parola alla mia famiglia. La domanda è molto semplice, la risposta molto complessa: cosa vuol dire vivere in guerra?

Diciamo che io introdurrò il contenitore (podcast e magazine) ma il grosso lo faranno loro parlando del contenuto.

L'evento, promosso da
, finanzierà ONG per aiuti umanitari in Ucraina.

Accorrete numerosi!

13/12/2021

Ok, ci siamo.
Sono pronto a pubblicare ciò che per adesso è il progetto più importante della mia vita.
La storia della mia famiglia, che è sopravvissuta alla guerra civile in ex Jugoslavia, fuggendo dalla città di Mostar.

Turmae (il video-podcast) è fuori ora.
Date un'occhiata alla mia playlist su YouTube.

Questo progetto è stato realizzato come tesi magistrale all'Isia di Firenze. Ringrazio Maurizio Galluzzo (Relatore), Giulia Reali (Correlatrice), Studio Muttnik (Correlatori esterni), Nicola Giorgio (supporto tecnico - audio), MariaCaterina Frani (voce sigla), Virginia Hanami (supporto morale).

E ovviamente ringrazio la mia fantastica famiglia che mi ha permesso di lavorare, progettare, comunicare, piangere, ridere, crescere umanamente e professionalmente grazie a questa preziosissima testimonianza: Nedim Kapetanovic, Snjezana Cemalovic, Aida Kapetanovic (che tra l'altro mi ha aiutato anche nella stesura dei testi per i sottotitoli)

Buona visione e buon ascolto.

Mi chiamo Dino Kapetanović e sono nato a Firenze. I miei genitori sono sopravvissuti alla guerra in Bosnia. Le testimonianze di questa stagione si riferiscon...

07/12/2021

Hey hey hey!
My master's thesis project, Turmae — chronicles from hell, is out on 's brand new website!
💥💥💥

07/12/2021

Hey hey hey!
My master's thesis project is out on 's brand new website!
💥💥💥

06/12/2021

What a beautiful weekend at festival!

My participation in the "New in Stock" exhibition with my master's thesis "Turmae — chronicles from hell" was a fantastic opportunity to touch, browse, observe and analyse dozens of beautiful editorial projects.

An enriching and stimulating festival that every designer in Italy should follow!

Thanks to for organising the festival.
Thanks to staff for this great opportunity.
And obviously thanks to my mates .studio who constantly reviewed my thesis project!

24/11/2021

💥💥💥 BOOM 💥💥💥

I'm happy to announce that the editorial project of my Master Degree Thesis, Turmae — Cronichles from hell, has been selected for the "New in stock" exhibition at the Fahrenheit 39 XXS editorial design festival.

Check the project on my website for more info!
https://kapetanovic.it/turmae/

See you from 3 to 5 December at
Studio Record
Via Sant’Alberto 29/a
Ravenna, Italy!

11/10/2021

Hey hey hey!
It's monday, it's sunny and my brand new website www.kapetanovic.it is online!
💥💥💥

09/06/2021

💥New brand identity for the canarian writer and journalist 💥
Starting from the concept of Rhytm, I developed a brand identity that matches with the peculiarities of the authoress, who became famous for the beat of her hyperrealistic and grotesque style, written using the canarian dialect and settled in an athlantic-latin context.
During my stay in Tenerife, I had the oportunity to comprehend the client's need through the everyday immersion into the local landscapes and the canarian way of life, which helped me to design a visual identity that permeates the logo, the social media layouts and the website.
Finally, I want to thank Andrea Abreu for this oportunity, and I definitely suggest all my spanish-speaking followers to check out her work.