ORBIS Production

19/04/2026

A campaign doesn’t need to shout to be remembered.

The strongest intimates campaigns do the opposite — they lower the volume, tighten the frame, and let confidence carry the image. That is what makes this Lounge Intimates story feel so current. In a category that often confuses exposure with impact, this campaign understands that intimacy is about control, not volume.

The product language is unmistakably Lounge — sculpted silhouettes, lace, softness, shape. But what makes it work is the restraint. The body stays central, the product remains clear, and the location adds atmosphere without taking over. That balance is what defines strong fashion imagery.

Today, a campaign is not one image, but a system. Hero frames, portraits, details — different assets, one visual language. The strongest campaigns are not repetitive, they echo. And that is where production matters. Not just in logistics, but in protecting the conditions that allow the image to stay precise, calm and consistent across every frame.

ORBIS Production supported this campaign as a production service company in Italy, delivering the infrastructure international fashion and beauty brands rely on when shooting in Milan and across Italy. The goal is simple: not to make production visible, but to make the campaign stronger everywhere it appears.

Lounge Intimates.

Starring Kara del Toro.
Photography by Jesse Allen.
Production service in Italy by ORBIS Production.

19/04/2026

Growth was never the goal.
Ex*****on was.

But when ex*****on compounds — it becomes visible.

ORBIS Production has been recognised by Clutch as the #1 fastest-growing global production company in 2026, based on revenue growth across international projects.

What sits behind that number is simple:
complex productions, delivered without friction — across borders, timelines, and expectations that don’t allow compromise.

From Milan to global campaigns, from high-speed shoots to large-scale productions — this reflects how we work:
focused, precise, and built to deliver at the highest level.

To our clients, partners, and crews worldwide —
this recognition is shared.

We’re just getting started.

Read more: https://apnews.com/press-release/ein-presswire-newsmatics/orbis-production-named-the-worlds-fastest-growing-production-company-in-2026-1ddd79b5416055dc9c94693ed0ba7b0a

*****on

31/03/2026

Most brands still approach Milan Design Week as if it were a trade fair with better lighting.

It isn’t.

It is one of the rare weeks in the year when product, architecture, materials, hospitality, image culture and brand positioning all compete in the same city, at the same time, in front of the same global audience.

And in 2026, the signals are especially clear.

Salone del Mobile.Milano is literally framing the year as A Matter of Salone — which tells you the conversation is moving below the surface, toward material intelligence, transformation and responsibility. EuroCucina returns. The International Bathroom Exhibition returns. Salone Raritas makes its debut, bringing collectible design and high-end craftsmanship into the B2B bloodstream of the fair. And the path toward Salone Contract keeps pushing the conversation from individual objects toward systems, services and the built environment.

Across the city, Fuorisalone continues to do what Milan does best: turn entire neighborhoods into meaning-making machines. Brera remains one of the clearest stages for international design visibility. Isola marks ten years with TEN: The Evolving Now. Materially’s The New State of Materials reminds everyone that material innovation is no longer a niche conversation — it is the brief. Prada Frames is not asking what looks beautiful; it is asking what image-making means when the boundary between human and machine-produced visuals is becoming unstable. Lexus is staging experience, not just display.

If you are a brand, agency, broadcaster or media team, that is the real lesson of Milan Design Week 2026:

the job is no longer to film what happened.

The job is to interpret what it meant.

That is exactly why ORBIS Production is in Milan every year.

Yes, we are a global production company. We work across countries, categories and formats. But our roots run deep in Milan and in Italy.

Not as a slogan.
As an operating system.

We know this city when it is calm, and we know this city when the whole world lands on it at once.

We know the fairgrounds, but we also know the private apartments, the palazzi, the courtyards, the district rhythms, the hidden access points, the press preview timings, the morning light in a quiet showroom, the last clean ten minutes before doors open, the difference between filming an installation and actually understanding how to read space, scale, material and intent.

And that changes the work.

Because the smartest clients do not come to Milan Design Week just to collect footage.

They come to extract long-term value from a temporary moment.

The week ends.
The content should keep working.

A strong Milan Design Week production strategy should leave you with more than an aftermovie.

It should leave you with a brand film that explains the idea.
An interview that gives the project a voice.
Architectural photography editors and partners can actually use.
Short-form assets that keep the launch alive while the city is still talking.
Event coverage and live streaming that turn a local activation into an international moment.
Commercials, branded content, promos and corporate films that continue to travel long after the build has come down.

That is where local roots and global standards need to meet.

A team can know production and still miss Milan.
A team can know design and still fail under Milan.
What matters here is the ability to translate complexity into clarity — quickly, beautifully and without noise.

That is the ORBIS sweet spot.

From our Milan HQ, we support Milan Design Week 2026 with film production, video production, photo production, interviews, branded content, commercials, corporate films, event coverage and live streaming across Salone del Mobile, Fuorisalone, Brera Design Week, Isola, Tortona and the wider city.

Global production company.
Deep Milan roots.
One operating system.

For brands looking for a Milan production company, a film production company in Milan, or a video production company in Italy that understands Milan Design Week from the inside out, that is exactly how ORBIS is built.

If you are preparing a launch, activation, founder conversation, architectural story or high-stakes content capture for Milan Design Week 2026, now is the time to decide what your audience should remember — not just what your crew should record.

Because the best content from Milan is never just documentation.

It is translation.

Full-service film and photo production in Milan during Milan Design Week, including Salone del Mobile, architectural photography and multi-camera live event coverage.

16/03/2026

Some campaign films look effortless.

But that usually means the hardest decisions were made long before the camera rolled.

The Heineken Fusion campaign was exactly that kind of project.

Heineken positions Fusion as born for aperitivo – a beer with natural juniper and citrus notes designed for a fresher, more refined social moment. That positioning immediately shaped the production approach. The objective was never simply to shoot a beautiful beverage commercial. The real task was to build a believable social world around the product.

Strong commercial filmmaking doesn’t just show a product. It places it inside a cultural moment.

For this campaign that meant avoiding the usual “Italian summer” clichés. Instead the production focused on something more precise: a café terrace in the centre of Desenzano del Garda, where late afternoon light, the rhythm of a piazza, historic facades, greenery and water reflections naturally create the atmosphere of aperitivo.

In campaigns like this location becomes narrative.
The environment quietly teaches the viewer how to read the product before it is explained.

Once that world is established, every department protects it.

Beer styling must remain exact:
clean foam, correct glass orientation, citrus garnish, and table styling that feels authentically aperitivo rather than decorative.

At the same time talent direction must stay natural. Lifestyle campaigns depend on performances that feel unperformed — subtle gestures, timing and interaction carrying the emotional tone.

Cinematography then translates all of this into mood.

Behind that apparent simplicity sits a disciplined production structure: shot sequencing, product resets, glass continuity, background choreography, light management and constant alignment between agency vision, brand DNA and production reality.

When the system works, the final film feels calm, natural and atmospheric.

And that is often what global brands and creative agencies look for in a production partner in Italy — not only logistics, but the ability to translate strategy into images and complexity into clarity.

Client: Heineken Agency: Boomerang
Creative Director: Sascha Gorter
DP: Abel Andel
Producer: Laura Thrower, Mike Lisjak



https://orbispro.it

13/03/2026

The best production partner is the one who removes friction before anyone even notices it.

In international film and video production, speed only matters when the response is usable. A fast reply that ignores crew availability, permit logistics, equipment access, weather windows, or local production realities is not support — it’s noise.

What agencies, brands, and producers actually need is actionable production speed: clear options, honest timelines, strong location intelligence, and production thinking that protects the creative while keeping the process moving.

ORBIS Production operates as a global production partner for commercial, film, and video production, supporting agencies and brands across Europe, the UK, the United States, the Middle East, and APAC. From our headquarters in Milan, our teams coordinate location scouting, film permits, international crews, equipment logistics, and full production workflows market by market — while keeping one unified standard.

Whether it’s live location filming, studio builds, automotive production, specialty cinematography, fast-turn corporate shoots, or multi-market advertising campaigns, the brief may change — but the job stays the same: protect the creative idea, keep communication clear, and keep production moving.

Because in global production, scale only matters when ex*****on stays precise.

• • •

ORBIS Production
Global Film Production Company | Video Production Services | Commercial Production Partner
Milan – Europe – Worldwide

🎬 https://orbispro.it



Film production company in Italy • Video production company Milan • Global production services for brands and agencies

13/03/2026

Sometimes a global campaign quietly passes through a local square.

Earlier this week Zlatan Ibrahimović was spotted in Sesto San Giovanni, just outside Milan, during the filming of a FOX Sports commercial connected to the upcoming 2026 FIFA World Cup.

The spot was produced locally in Milan by ORBIS Production, with the city briefly turning into a working backdrop for an international sports campaign.

Moments like this show how global productions often rely on strong local production teams, location management and on-the-ground logistics. Cities around Milan increasingly serve as real environments for international advertising and sports content.

Interesting to see the local press pick it up.

https://www.milanotoday.it/attualita/ibrahimovic-sesto-san-giovanni.html

MilanoToday

Il 'segreto' svelato dal sindaco Roberto Di Stefano

26/02/2026

Italy Film Crew Rates 2026 — ORBIS Production Publishes Industry Guide for International Productions

Earlier this year, ORBIS Production published “Italy Crew Rates & Labor Rules (2026)” — a structured industry guide designed to support international producers, agencies, studios, and brands planning film and commercial production in Italy.

The guide addresses one of the most frequently searched topics in European production:

Italy film crew rates.

Unlike markets that operate on simple rate cards, Italian crew costs are shaped by a national labor framework that directly influences:

• 8+1 Base Day working structure
• 11-hour Flat Day systems
• Overtime thresholds and escalation
• Night shoot classification
• Travel time and door-to-door calculation
• Location radius impact
• Cancellation protection standards
• Schedule compliance requirements

Understanding how these elements interact is essential for accurate budgeting, risk control, and predictable production planning.

The publication was developed as a practical reference for teams researching:

Film crew day rates Italy
Italy labor rules for film production
Overtime rules Italy film crews
Production service company Italy
Film production company in Italy
Video production company in Italy

It is not a legal directive, but a structured planning resource reflecting standard industry practice across Italian productions.

As a nationwide Production Service Company in Italy and Full-Service Film Production Company in Italy, ORBIS Production operates within this labor framework daily — aligning international production workflows with Italian scheduling and compliance realities.

For producers budgeting commercials in Milan, feature films in Rome, fashion campaigns in Venice, or multi-city shoots across Italy, early integration of labor mechanics is critical to protecting both budget and creative flexibility.

The full guide is available here:

👉 https://orbispro.it/crew-rates-labor-rules-italy

Production in Italy works best when structure is understood from the beginning.

ORBIS Production Italy
Film Production Company in Italy
Production Service Company Italy
Milan | Rome | Venice | Nationwide

Understand Italian crew rates, working hours, overtime, night work, travel rules, and cancellations. A practical 2026 guide for film and commercial productions in Italy.

24/02/2026

The Samsung x CNN Create campaign “Revealing the Unseen,” directed by Paul Moore and produced by ORBIS Production in Italy, has received the Webby People’s Voice Award 2025.

Presented by the Webby Awards, the People’s Voice distinction reflects global audience recognition across thousands of international submissions.

“Revealing the Unseen” was delivered as a structured international production — aligning cinematic ambition with sustainability-driven workflows, cross-market coordination, and disciplined post-production designed for multi-format distribution.

At ORBIS, production is infrastructure. Creative intent is safeguarded through process, precision, and accountability at every stage.

We extend our sincere thanks to our director, partners, and collaborators for their trust and commitment to this campaign.

More details: https://orbismagazine.com/orbis-production-wins-webby-award-2025

24/02/2026

When people talk about “global production,” they often mean scale, gear, or locations.
In reality, global production is a discipline: the ability to deliver the same creative intent across complex markets – without fragmentation, without surprises, and without losing the idea in the handoffs.

In a recent interview with AdForum, Mike Lisjak (Global Executive Producer, ORBIS Production – https://orbispro.it ) shares a perspective we see more and more from agencies and brands: production is no longer downstream of strategy – it is the delivery mechanism of strategy.

Because one shoot doesn’t ship one asset anymore. It ships a system:
• hero film + cutdowns
• stills + social-first formats
• multiple markets, languages, specs, rights, and approvals
• launch windows that don’t move simply because reality got complicated

That’s why ex*****on has become a competitive advantage – and why “speed” is rarely about working faster. It’s about working cleaner.

A few themes from the conversation that matter for anyone planning a multi-region campaign in 2026:

1) Schedule risk early (or it schedules you later)
Weather, permits, access, labor rules, security, transport, insurance, post deadlines – none of these are “production details.” They are the critical path. The earlier they’re designed into the plan, the more creative ambition you can actually protect.

2) Build production architecture, not a patchwork
A deliverable matrix before cameras roll. Clear usage and rights. One approvals logic that works across time zones. Naming conventions, QC gates, and a single creative spine (color / sound / graphics) that keeps versions coherent as volume expands.

3) Single-point accountability beats “more vendors”
Complex work doesn’t fail because teams aren’t talented. It fails because responsibility is fragmented. Clear ownership and operational clarity are what keep a campaign feeling premium at scale.

4) Sustainability is operational
Fewer moves. Smarter logistics. A post pipeline that avoids wasteful re-edits. When sustainability is built into the workflow, it becomes efficiency – not performative language.

One line in the interview is worth putting on a wall:
“If you don’t schedule risk, it schedules you.”

If you’re heading into a global moment this year, here’s an early-stage alignment checklist that can save weeks later:
• Rights & usage (what, where, how long, what platforms)
• Access (permits, location windows, talent constraints)
• Deliverables (formats, specs, markets, languages)
• Contingency (weather cover, alternates, realistic buffers)
• Approvals (who signs off, when, and what “done” looks like)

Curious: what’s the single most common issue you see derail multi-market timelines – rights, approvals, or post volume?

Full interview (AdForum):
https://www.adforum.com/interviews/mike-lisjak-orbis-if-you-dont-schedule-risk-it-schedules-you

06/02/2026

INSIDE MILAN — Opening Ceremony Day

Milano Cortina 2026 doesn’t start tonight.
It’s been quietly running for hours already.

By early afternoon, Milan had switched into full Olympic protocol: perimeter changes around San Siro, rehearsals locking to the minute, security flows tightening across the city, and public squares — especially around the Duomo — turning into live gathering points for fans, media and crews.

Here’s the part most people won’t see on TV.

This Opening Ceremony isn’t treated like a single show. It’s being executed as a distributed live operation, with Milan and Cortina d’Ampezzo running in parallel — different atmospheres, different rhythms, one shared timeline. Every decision today is about control, not spectacle. Precision, not noise.

At 20:00 CET, “Armonia” begins at San Siro.
But insiders know the defining moment comes later.

At 22:30 CET, two Olympic cauldrons will be lit simultaneously:
• Arco della Pace, Milan
• Piazza Dibona, Cortina d’Ampezzo

Two locations. One exact second. No margin for error.

From a media and production standpoint, this is where Milano Cortina 2026 quietly raises the bar. Multi-city synchronization. Public-space choreography. Crowd management, timing, signal flow — all happening live, in real environments, not controlled studios.

This is why today feels different on the streets. The city isn’t waiting for the Games to begin. It’s already part of the broadcast.

If previous Winter Olympics were defined by what happened inside a stadium, Milano Cortina 2026 is defined by what happens across an entire region – city and mountains reacting together, in real time.

Tonight won’t just be watched.
It will be felt – and replayed everywhere tomorrow.

Live updates continue throughout the evening.
https://orbispro.it