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The Idea and  Power of an Enduring Brand.- Kelechi Deca------------------------------------The logo of the Mercedes Benz...
21/12/2022

The Idea and Power of an Enduring Brand.

- Kelechi Deca

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The logo of the Mercedes Benz is undeniably, one of the most easily recognisable globally. And it is also one of the logos that have crossed a century. The logo has a very interesting story, and unlike many other car logos, its history emerged from the simplest of sources.

The long history of Mercedes-Benz begins back in 1890, when the company was founded by engineer and industrial designer Gottlieb Daimler.

Daimler sent a 1872 post card with the three-pointed star on it showing the location of their home to his two sons Adolph and Paul both of whom were working with him in the newly founded car factory. And he made a futuristic statement on the card tha “One day this star will shine over our triumphant factories.”

On the postcard, the location of their home was marked by a 3-pointed star. So when in 1907, they wanted to adopt a logo for the car company which was then called Daimler-Motoren-Gesellschaft, or DMG).they got inspiration from the post card their father sent to them.

When the founder sold his stake in the car company was to Wilhelm Maybach and Emil Jellinek, Adolph and Paul Daimler continued to work at the company influencing key decisions because of their high technical competence and passion for the company.

Emil Jellinek had a daughter named Mercedes. Mercedes is a Spanish feminine given name, derived from María de las Mercedes ("Our Lady of Mercy" or "Mary of Mercies"), which is one of the Roman Catholic titles of the Virgin Mary.

The uniqueness of the name in Germany attracted attention, so while racing in Nice, France, Emil Jellinek would call himself, “Monsieur Mercedes” so this name would be trademarked and ultimately Daimler would market its vehicles abroad under this name Mercedes.

In 1926, Daimler merged with another pioneering German automaker, Benz forming Daimler-Benz. It could be recalled that it was Karl Benz who in 1886 presented an internal combustion engine within a car, which he called the Benz Patent Motorwagen. This is widely believed to be the world’s first automobile.

And Gottlieb Daimler and Wilhelm Maybach elaborated on the Benz Motorwagen by incorporating a petrol engine later in 1886. They began marketing vehicles under Daimler’s company, Daimler Motoren-Gesellschaft (DMG), in 1901.

So with the merger of both pioneering car companies in 1926,, a change was made to the logo. Instead of the initial design of three pointed star, a circle was used to enclose it and it was changed to silver in 1934. The enclosure was a sign of completeness.

As the company grew and become prominent, it started conceiving other readings into the logo which was initially adopted in tribute to its founder Gottlieb Daimler and the Daimler family homeland.

The company added that the star’s 3 points represent the company’s drive for universal motorization — but each point also has its individual meaning. The points represent land, sea, and air — environments the company believed they would one day dominate with Mercedes-Benz engines.

The ambition behind the logo was clear and it is today representative of one of the world’s most recognized brand names. Daimler-Benz would continue marketing its vehicles using the “Mercedes” name and the brand today is known as such.

Brand Archetypes: How to Build Phenomenal Brands leveraging the Power of Archetypes.Learn how critical brand archetypes ...
13/11/2022

Brand Archetypes: How to Build Phenomenal Brands leveraging the Power of Archetypes.

Learn how critical brand archetypes are in connecting people with brands.
Left to Right: Google, Starbucks, Apple, Ford, Nike, Ups, Coca-Coal, Chanel

There was a time when creating, building, and selling companies did not demand an unlimited supply of inspiration or capital. Demand outstripped supply, and markets were clear. Most of the time, products were physically distinct from one another, and brands were designed around those characteristics.

However, as the competition reached a certain level, every company, whether a multinational clothing company like Gucci or a friendly neighbourhood dry cleaner, faced a new obstacle. Competitors could mimic or duplicate the company’s manufacturing and distribution infrastructure, even its dry-cleaning processes, no matter how effective they are. In this situation, corporations(big or small) discovered that they have just two options: lower their prices or ingrain their products with more meaning. Business-vise, the latter makes more sense.

Brands are a part of our daily lives as our workplaces and local landmarks. Significant, lasting brands become cultural icons. For example, Coca-Cola’s logo is not only the most well-known in the world but has also come to symbolize the Western way of life. It is hard to put the finger on a single thing or feature of a brand that made it click for you. Sometimes you connect with a particular company more than others.

Have you ever wondered why some brands get to sit on the iron throne and earn millions of dollars while others have a hard time even hitting the ground running? The truth is, these brands grow in value not only due to their new features or benefits but also because their qualities are translated into compelling meanings. They were valued in the millions because they give their brand a larger-than-life meaning to their brand.

Let me give you a personal example. I’m a big fan of McDonald’s. If given a chance, I can eat at McDonald’s for all my three meals of the day. But why? Because I like the taste? Maybe! Have I not tried other fast food joints like Burger King, Taco Bell, etc.? Yes, I have tried other brands and had better burgers and fries. Or maybe I’ve been going to Mcdonald’s since I was a child, and now I’ve acquired the taste? Probably. The correct answer lies in their brand positioning. Some of the traits that made millions of other people and be compelled to buy from them are as follows:

The Experience(most important): structuring the store so that everything their customers see, hear, smell, and taste is of A-one quality. Also, putting a glass partition between the kitchen and delivery counter aroused a sense of credibility among the masses.
Affordable pricing: equipping themselves with modern machinery helped them increase production and allowed them to sell their products at lower prices than their competitors.
Quick Service: As the machines handled most of the tasks, they could deliver faster, and now they’ve more time to focus on the quality and variety of other products they can offer.

P.S. All of this sounds very obvious today, but when McDonald’s was just a startup, it made all the difference.

Now, how does all of this translate into branding? Back in the day, McDonald’s was one of the first brands that catered their products and store experience as per the desires of their customers — a restaurant where you can get a quick and authentic meal. This allowed the brand to become more human rather than portraying itself as a big corporation. This deeper archetypal meaning kept their customers tuned back in daily.

We saw a shift in consumer power when the Millennial generation and social media emerged, and consumers suddenly had a lot more power, forcing brands to become much more human. As a result, we’re seeing brands adopt many more human traits, using brand archetypes to act as the foundation to build those personas.
Nuts and bolts of Brand Archetypes
Meaning

Psychoanalyst Carl Jung when he first identified these archetypes, was looking at people, not brands. According to him, our unconscious actions are influenced by folk tales, shared universal behaviours, and common human instincts. Thus he made a list of 12 common characters or archetypes, which he repeatedly found in these stories and humans in general.

Since then, Jung’s archetypes have been used to understand individuals better, and it helps to answer crucial questions like, why does someone acts the way they do? Or why does someone thinks in this particular way? It helps us look at ourselves and notice what common traits we share with others, giving us a chance to connect better with people.

“Archetypes are imprinted and hardwired into our psyches.”

Each persona reflects specific behaviours embodied within these characters, known as archetypes. Each archetype will arouse a specific inner need within us based on their qualities.

When this concept is applied to marketing, you get a brand with a personality, a tone of voice, and other archetypal traits. By connecting your brand’s marketing and communication with your customers’ deep and unconscious desires, you can create a consistent culture inside the company that caters to those desires.
Carl Jung’s 12 Brand Archetypes
Brand Archetype — Flourish Online

The world’s most successful companies have well-defined archetypes mirrored in their visual design, marketing, tone of voice, and products. Names of the twelve brand archetypes are The Explorer, Creator, Innocent, Everyman, Caregiver, Jester, Hero, Outlaw, Ruler, Magician, Lover, and Sage.

In this article, I’m not going to discuss furthermore on these twelve archetypes as this topic deserves a separate article. With their help, a lot can be understood and learned about how can we create brand personalities that connect with their target audience on a personal and emotional level. I’ll drop down the link below once I write it.
Carl Jung’s 12 Brand Archetypes
Understand modern branding through a psychological lens.

medium.com
How to choose Brand Archetypes for your brand?
“Pen down your core values.”

For guidance, you’ll need to dive deep and look at your values and purpose statement. They are the conceptual cornerstones of your brand and will assist you in determining which archetype best matches your brand.
“Analyze your target audience.”

Before adopting archetypes to define a brand, you must first determine what your brand is and who your target market is. You must thoroughly know how prospective customers view your business, its products, and its services. Consider how you want people to feel about your company.
“Create an emotion around your brand.”

As you’ll see in the next point, all 12 archetypes are connected to a particular emotion. Consider what emotions you want your audience to feel when connecting with your brand.

For example:- Netflix has a jester archetype. The emotion associated with it is a pleasure.
“Next Step: Choose from the wheel.”
Brand Archetype Wheel

Start from the middle. Choose the one which best aligns with your brand personality. Four options to choose from:

Do you provide structure to your customers?
Are you giving a spiritual journey experience?
Does your mission statement entail leaving a mark on this world?
Are you trying to connect and bring people together?

Although archetypes share these four underlying motives(mentioned above), they seek them out with a distinct human desire, as evidenced in the wheel’s colourful middle region. Carl Jung derived these archetypes from folk tales by observing universal characteristics and connecting them to people’s personalities and desires. For example, the Outlaw desires Liberation, the Wizard desires Belief, etc.

Like people, brands can have multiple personalities too. If you’re struggling with which archetype best suits the brand, remember one thing they embody universal human values, so it is okay to feel confused. Kaye Putnam suggests(in her youtube video) that when in doubt, pick a primary archetype and a secondary and then build upon that.

Once you’ve figured out your archetype, the next big question is, how do you incorporate this brand personality into your marketing content? Well, that’s a topic for another time. Stay tuned!

Archetypes opened up this whole new world of psychology and science for me and how that’s applied to branding. It fascinated me; the more I learned, the more I wanted to know. Branding was never about logos, colours, or typography. It was about understanding humans and how to make humans connect to a brand on a subconscious level.

Signage Through the AgesSigns have been a fundamental element in trade, industry and commerce for centuries. Ever since ...
13/11/2022

Signage Through the Ages

Signs have been a fundamental element in trade, industry and commerce for centuries. Ever since humans began to create tools, products and provide various services, they had to make their business visible to the public. Few marketing products have been used longer than signs; they are basically the first thing that comes into contact with your possible customers and makes your business known. They also act as the foundation stone for your branding campaign and your company’s identity, setting you apart from your competition. Your business becomes visible, easily identifiable, and unique, thus shaping its own personality as a fearless competitor and powerful player in the industry.

To understand how signage has become one of the most important factors in our modern economy, we need to see how it evolved through the ages. What did the early signage tools look like, and how were they made? What types of materials were used to create the first signs and how they evolved during the centuries?

Let’s try to answer these questions and tell the story of signage through the ages:

The early days of signage

Humans have used proto-signage tools and devices for hundreds of thousands of years, even before the invention of writing or record keeping. Symbolic advertising, as experts call it, was rudimentary — tribesmen scribbled or drew symbols that indicated to others that they had certain products to exchange or sell. Although scarce and not exactly reliable (at least from an archaeological standpoint), some tablets, dating back 40,000 years, were found in the Nile delta area, suggesting artisans and craftsmen frequently advertised their products (bows, arrows, pots and other everyday utensils).

As the tribal economies grew, craftsmen and tradesmen started to advertise their products and services on a more regular basis. Trade fairs and merchant towns were created as places to exchange, sell or buy various goods produced by different tribes. As trade further developed, tradesmen had a fixed location and needed to advertise their products and services by hanging or installing an identifying insignia. The oldest reliable advertising insignia dates back to 3000 BC and was found near the ancient city of Ur, located in the Middle East.

During Antiquity, from 3000 BC to 500 AD, signage evolved tremendously. They were widespread in Ancient Egypt, Rome and across the Greek city states. Often the only advertising medium employed by craftsmen, tradesmen and artisans, the signs were made of simple materials — wood, brick or stone, and had simple designs. Some services that were catered for the affluent, like bathhouses or luxury merchants, were made of expensive materials, like marble, alabaster, bronze or copper, and employed intricate designs and drawings. Almost all stores and workshops had some sort of sign and many of them have been unearthed in the ruins of Pompeii and other cities in an almost perfect condition.

After the fall of the Roman Empire, Europe slumped into the Dark Ages, a period mired with economic hardships, a decline in trade and widespread destruction of cultural symbols. During this period, the signs were minimal, featuring crude designs and basic symbols. After the 11th and 12th centuries, the new trade expeditions created a period of both economic and cultural revival. Rich merchants, renowned craftsmen and workshops had their own signs which often featured sophisticated designs and symbols. Most of them also featured elaborate carvings, paints, gilt and expensive materials. The most prestigious craftsmen and workshops had a symbol of their own, easily identifiable among customers (some experts may call it an early type of logo).

During this period, advertising was done strictly as an outdoor medium, mainly to designate the point of sale or the types of products or services sold. Some products manufactured by famous artisans and workshops, like the Murano glass, were advertised through word of mouth. Branding, as we understand it today, was during its early stages and, even though some artisans were particularly popular and admired for their work, their products were never advertised and basically unknown outside their towns or cities.

By the 17th century, English laws required that every craftsman or tradesman exhibit a sign that presented the products and services provided. The symbols employed varied greatly, but were effective nonetheless: a Bible symbolized a bookseller, a key symbolized a locksmith, a shoe was the symbol for shoemakers, while apothecaries were easily identified by their mortar and pestle sign. These signs were made of common, everyday materials: wood, wrought iron and other metals, but also porcelain and textiles. Many of them were quite artistic, the drawings were complex, the colors were vibrant and some even featured humorous situations. Names and letters were rarely used though, as few people knew how to read, even in major cities like London or Liverpool.

The 18th century and the beginning of sign regulation

During the early 1700s outdoor signs were getting more elaborate and heavier than ever. Many weighed up to 100 pounds and were dangling dangerously above the streets. After a series of tragic accidents, Charles II decreed that no outdoor sign should hang across streets or pedestrian walkways. Other regulations across Europe were enforced to limit the size, weight and extension of these signs. This stage, although limiting, was instrumental in the development of outdoor signs as we know them today.

The age of electric signs

The 19th century brought new technology that changed outdoor signage at its roots. In 1840, the first gas illuminated sign was created for P.T. Barnum’s Museum in Chicago, Illinois. The display could work for more than 5 hours straight, mesmerizing passer-byes. Gas lighting was further used for other signs across North America and Europe. They were particularly popular for theater marquees, retail and drug stores, as well as banks and public institutions.

The first incandescent light bulbs were launched in 1880 and, by 1882, the first electrical sign was built in London. It featured tens of incandescent light bulbs and it spelled the word “EDISON”. Further on, the Americans created the famous night sign (display type), starting the era of illuminated signs. By the 1900s, light bulb signs were extremely popular in the United States, many stores using signs that featured thousands of lights and covered hundreds of square feet.

During the early 1900s, Georges Claude and other physicists worked with neon, a recently discovered rare gas, to create light. The new invention, called a neon tube, quickly became a phenomenon. By the mid 1920s, almost every city in the United States had at least one neon tube outdoor sign.

Neon tubes, although extremely versatile and impressive, had a limited color range. A new invention further improved the signage industry in the mid-1930s, when the fluorescent tube was launched. The new colors were powerful and fresh, and the tubes could be modeled into any shape imaginable. By the end of the 1940s, the development of the electric sign industry changed outdoor advertising completely. The industry grew enormously: in only five years, from 1924 to 1929, the industry grew from $50,000 to more than $18 million annually.

The age of plastics

After World War II, the sign market wanted something new, both in terms of design and materials. The 1940s and 1950s was a time of economic boom and a new material was quickly becoming ubiquitous — plastic. The major plastics manufacturers vastly improved their technologies and were able to produce quality plastics that could be easily malleable, versatile and durable.

The use of plastics in signage was quickly embraced by the public because they were cheap, easy to create, extremely versatile and required little to no maintenance. Also, plastic signs could be combined with neon and fluorescent tubes, as well as light bulbs, to create a complex outdoor sign. By the early 1960s, plastics signs, especially acrylic ones were everywhere. Virtually every small store or public institution had a personalized plastic sign. Various other signs, banners, A-frames, flags as well as inflatable signs were also developed. The availability and success of the plastic signs spawned the creation of thousands of companies that designed and manufactured signs across the country.

The latest technology in signage

Now, more than 95% of outdoor signage is made of plastics, but the technology has vastly improved over the last two decades. New modern printing technology allows designers to create cutting edge designs, employing fresh, powerful colors on any type of medium. Many signs are made of composite materials (reinforced plastics, fiber-polymers), modern plastics (polyuretane, polyetilene, PVC) but also a huge variety of metals, ceramics and textiles.

UV-resisting paints and new laminated printing technology allows designers to create signs that can withstand extreme weather, extending the lifetime of outdoor advertising elements. Thanks to these new technologies, the colors remain strikingly fresh for decades without any additional maintenance. 3D printing, although only in its early stages, is expected to have a powerful impact on outdoor advertising. Previously extremely expensive and difficult to manufacture, 3D silhouettes, complex outdoor figurines and sculptures are now easier to create and are becoming increasingly popular for select clients.

The signage industry today

Signs have always been recognized as symbols of economic activity. From the earliest bow-makers in Ancient Egypt and all the way to the high tech start-up in Silicon Valley, every business needed a way to promote, advertise and made their products known to the public. Now, the signage industry is composed of more than 3,000 sign companies in the United States alone and generates an estimated annual revenue of $2 billion.

Thanks to the technology improvements which continuously shape the industry, this figure is only expected to rise, especially as more and more business owners understand the importance of having a great outdoor presence.

Flaviu Mircea

Jan 14, 2019, medium.com

Mondrian Lives on!
13/11/2022

Mondrian Lives on!

The Pervasive Mondrian Influence.
12/11/2022

The Pervasive Mondrian Influence.

Why Are Architects So Obsessed With Piet Mondrian?In the 1920s, Dutch-born artist Piet Mondrian began painting his iconi...
12/11/2022

Why Are Architects So Obsessed With Piet Mondrian?

In the 1920s, Dutch-born artist Piet Mondrian began painting his iconic black grids populated with shifting planes of primary colors. By moving beyond references to the world around him, his simplified language of lines and rectangles known as Neo Plasticism explored the dynamics of movement through color and form alone. Though his red, yellow and blue color-blocked canvases were important elements of the De Stijl movement in the early 1900s, almost a century later Mondrian’s abstractions still inspire architects across the globe.

Evan Pavka (2018)

The Mondrian Influence on FashionYves Saint Laurent imbued his collection with modernity. He drew inspiration from a boo...
12/11/2022

The Mondrian Influence on Fashion

Yves Saint Laurent imbued his collection with modernity. He drew inspiration from a book his mother had given him for Christmas: Piet Mondrian Sa vie, son œuvre by Michel Seuphor (1956). Twenty-six of the 106 designs in the show would end up echoing the painter’s works.

Pieter Cornelis Mondriaan  7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as ...
12/11/2022

Pieter Cornelis Mondriaan 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.

Mondrian's work had an enormous influence on 20th century art, influencing not only the course of abstract painting and numerous major styles and art movements (e.g. Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.

Mondrian never married.

Making texts talk.
11/11/2022

Making texts talk.

Discover recipes, home ideas, style inspiration and other ideas to try.

Our city Port Harcourt, from the sky.
18/10/2022

Our city Port Harcourt, from the sky.

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