06/11/2024
NETFLIX
My review won’t focus on the plot details but rather on the characters of the story and my overall perspective on how the film Outside represents a hopeful step towards improvement in Philippine filmmaking.
This film offers a unique take on the zombie genre, setting itself apart from the works of other Filipino filmmakers. While I may have a slight bias because of Netflix's involvement as a co-producer, this movie is significantly better than many others in its category and stands out among Pinoy films. The cinematography is visually striking and effectively conveys the uncertainties of the world depicted in the story. Additionally, the performances of the actors are powerful and impactful.
“Outside” doesn’t bombard viewers with a horde of zombies; rather, it instills a deep sense of dread rooted in the "what ifs" of a zombie apocalypse. One particularly haunting element is that the zombies can express themselves with a single word or a few words, desperately trying to communicate with their loved ones—perhaps their final messages before their transformations erase their humanity.
Sid Lucero delivers a deeply layered performance as Francis, the troubled father and head of the family. At first, viewers may find themselves sympathizing with him, as his actions are shaped by the trauma and pain inflicted upon him by his own father. However, as the narrative unfolds, his increasingly violent behavior elicits feelings of frustration and anger, forcing us as viewers to confront harsher realities and the underlying threats that endanger both his life and his family’s security, far beyond the immediate dangers posed by zombies.
Beauty Gonzales, as Iris, struggling to stay with her husband, showcases her talent with emotional depth. She fully immerses herself in the character, creating a genuine vibe that draws the audience in. I've seen her in a TV show and a sitcom where she often appears carefree, but in "Outside" she proves that she can take roles on the other side of the emotional spectrum.
Joel Torre may only have a brief presence—perhaps just a couple of scenes, the first of which shows him lifeless in bed—but the weight of his portrayal is impactful. His character hints at the psychological scars he has inflicted upon his son, Francis, since childhood, illustrating that sometimes a strong performance doesn’t need words to resonate.
Enchong Dee plays a distressed soldier who brings hope to Iris and her children. Although his screen time is limited, his role highlights that Francis is no longer in his right mind and poses a significant danger to his family. His death prompts everyone to seek help and take a chance to escape, even amidst the surrounding zombie threats.
James Blanco's character, Diego, is a really striking example of what a humane zombie could look like. There's a tense scene where he chases Iris and her son, and even though he's turned into a monster, he still manages to say "run," which adds a lot of emotional skepticism.
In comparison to other films in the same genre, "Outside" emphasizes family dynamics, treating it as a major conflict in the film.
MyView, Director Carlo Ledesma’s “Outside” may not be the best film we have seen this year. Still, when you realize that the film strives to delve away from the stereotypes of its genre and its fellow local films, it signifies a significant improvement in Filipino filmmaking. If Pinoy movies continue to evolve this way, there is still hope for the Philippines film industry.
