Fotografik

Fotografik As a freelance photographer, I specialise in capturing dynamic performances and real moments across drama, dance, sports, and education settings.

I provide creative, high-quality imagery tailored to each client’s needs.

I had another opportunity to document a rehearsal and production for Singapore Ballet. To distinguish between the rehear...
05/05/2026

I had another opportunity to document a rehearsal and production for Singapore Ballet. To distinguish between the rehearsal and live performances, I worked with both colour and black-and-white stills. The absence of colour brings a certain rawness to the images—something that colour photography doesn’t always capture.

SEASAC Gymnastics (Boys)
10/04/2026

SEASAC Gymnastics (Boys)

SEASAC Gymnastics (Girls)
10/04/2026

SEASAC Gymnastics (Girls)

Drama production dress rehearsal
10/04/2026

Drama production dress rehearsal

Dance dress rehearsal.
10/04/2026

Dance dress rehearsal.

I'm fortunate to have been asked to document one of the oldest audio recording studios in South East Asia. Opened in 198...
02/04/2026

I'm fortunate to have been asked to document one of the oldest audio recording studios in South East Asia. Opened in 1980 by PolyGram records, a living testament to the nation's musical evolution and a rare architectural gem modelled after the world-renowned Abbey Road Studios. Lion Studios in Singapore has been at the forefront for both local and international artists from around the region and the world. In decline for a number of years the studio has still retained its unique studio space and recording equipment. Designed by Los Angeles architect Jeff Cooper for PolyGram, the studio is situated in a very nondescript part of Singapore above a local Hawker food centre, very much in keeping with its unique qualities and history. Over the next few months I'll be attempting to document everything in the studio from the original building plans, stacks of master tapes, recording equipment to promotional material and to a unique collection of historical items.

AI the dreaded acronym. The question above was to posed to me in a photographers survey I'd recently completed. Survey's...
07/01/2026

AI the dreaded acronym. The question above was to posed to me in a photographers survey I'd recently completed. Survey's I don't do. This one I did… and disappeared down a metaphorical rabbit hole. Before I knew it over hours had gone by, emails, messages and quotes left undone, it was 'paperwork Monday', so thankfully no gigs. As questionnaires went it started innocuously enough, I'd already attempted it previously and got bored by question 30. On a second viewing I was hooked by question 32, the questions really made stop and think about my photography business. Ironically it kick started historical conversations with other photographers and vidoeographers over the past year or so. The subject being… how will AI affect my business?
As a photographer I use AI in my camera's (auto focus), in my photo editing software (denoise, sharpen, retouching etc.) and the obligatory description for a social media 'shout out' to promote the business. A task I loath, I'm pretty crap at it and hate doing. The last usage eases the pain and saves on the procrastination. The first 2, I use because technology has advanced so much in just 5 years. It's become unavoidable. Modern high end camera's now have dedicated chips that detect if the subject is a human, a bird, a plane or a carrot. They can shoot at 120 frames a second, they can pre-empt you pressing the shutter button, fill in your tax returns and make love to your wife. The technology and it's advancement is inevitable and unavoidable.
The creation of AI generated imagery on the other hand is a worry. 99% of my photography is live action. With low light and live concert action I do the best that I can and make sure that I can get 50 decent images from 1,500 for example. Could AI do that? I'd convinced myself that my business will be immune from the AI threat. In the last year or so my paranoia has been piqued by conversations regarding AI, not as tool but as a real issue for the entire creative industry. Recently a friend of mine and I discussed how our business's were faring. He admitted that his business was on the cusp of some serious change. His clients (his studio makes video shorts for blue chip companies for social media advertising etc) were in the process of producing the content internally to save costs. No cameras, no lighting, no sound, no editing. No way! I said. How is that possible? I added. He then showed me of a video generating app (technology he said that was evolving almost every week) of a video short that had been completely produced through AI prompt's. It wasn't right… but good enough in quality to be a concern. And of course technology will inexorably march on making that concern very real for every creative.
I managed to complete the questionnaire but skipped question #97. 'In general, I think that Al is_______for photographers'? Maybe I'll get AI to answer that one.

*No AI was used in the production of this article. All the typo's and errors are proudly human.

Reflecting on a memorable 2025 journey. Seeing my business grow and change. Working with some amazing people. And lookin...
02/01/2026

Reflecting on a memorable 2025 journey. Seeing my business grow and change. Working with some amazing people. And looking forward to 2026. I've curated a small selection of images that mean something special taken over the last year. Each still represents in some form people 'in the moment'. It doesn't always happen and if I'm lucky I get witness and capture that moment. It's taken awhile… but after many years of self doubt, nay sayers and soul searching I can finally say that I love my job.

Yolanda Brown and her band help workshops at Tanglin Trust School, passing through Singapore on her way back from gigs i...
01/01/2026

Yolanda Brown and her band help workshops at Tanglin Trust School, passing through Singapore on her way back from gigs in various venues throughout South East Asia. In the workshops she worked with staff and students in 'jam' sessions throughout the 2 day visit. Both staff and students were encouraged and embrace improvisation.

My journey to become a professional photographer took root many years ago when I decided my day job as a graphic designe...
01/01/2026

My journey to become a professional photographer took root many years ago when I decided my day job as a graphic designer wasn't really 'scratching the creative itch'. As part of my degree course I spent countless and sometimes fruitless hours in a dark room wrestling with film canisters, enlargers and developing fluid. Typography and layout won the day but I was bewitched by the magic of the image making process of photography. Years after completing my degree and working full time as a graphic designer I decided to undertake a GCSE and then an A Level in photography as a night class at a local college. The 'itch' was still there.
It wasn't until 2018 that I decided to take the plunge and become a photographer, not as a pastime but a potential change in career. I was unsure at first and at the time was still undertaking graphic design work on a freelance basis. Not wanting 'to burn my bridges' I created Glyphh as an agency offering both graphic design and photography services. Since then photography has become my mainstay, my passion. Glyphh served a purpose but I needed to reflect and make a change that I felt was overdue clarifying who I was and what services I can offer.

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Bukit Batok

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