Allegro Print Pte Ltd

Allegro Print Pte Ltd We print award-winning print products.

Colour Separation & Management
Customized Orders
Commercial Printing & Limited Quantity Production
Off-set & Digital Printing
Handcrafted Book Production
Large Format Printing
Self-Publishing Printing Services

•⁠ ⁠ʏᴇᴀʀ: 2018•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: This is Not a Food Magazine•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Gideon-Jamie it's not about recipes. it's n...
22/05/2026

•⁠ ⁠ʏᴇᴀʀ: 2018
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: This is Not a Food Magazine
•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Gideon-Jamie

it's not about recipes. it's not about restaurants. it's about Singapore — seen through the food we cook, the food we're expected to cook, and the food that quietly holds this place together.
This is Not a Food Magazine is a collection of essays first written for Tuckshop between 2015 and 2018. it moves through Zi Char menus, Home Economics curriculums, the unassuming kitchen tools behind our most beloved dishes — and somewhere in between, a contemplation on culture, identity, and what it means to be
•⁠ ⁠ʏᴇᴀʀ: 2018
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: This is Not a Food Magazine
•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Gideon-Jamie

it's not about recipes. it's not about restaurants. it's about Singapore — seen through the food we cook, the food we're expected to cook, and the food that quietly holds this place together.
This is Not a Food Magazine is a collection of essays first written for Tuckshop between 2015 and 2018. it moves through Zi Char menus, Home Economics curriculums, the unassuming kitchen tools behind our most beloved dishes — and somewhere in between, a contemplation on culture, identity, and what it means to be Singaporean.

Get your hands on a copy — link in bio.

08/05/2026

Singapore print and design, now a little easier to bring home!

we’re on Shukshuk — a curated platform that delivers local products straight to hotel rooms across Singapore. for the next time someone visits and asks where to find us, now you know what to send them. Oolors, all-book-s, OFFCUT, LayerPlay — all there, one scan away.

and if you’re visiting Singapore and you’ve found us — hi, hello, welcome!

find us on Shukshuk.

•⁠ ⁠ʏᴇᴀʀ: 2026•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: Critical of/for What?•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Vanessa Ban •⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: OTA Bind ...
07/05/2026

•⁠ ⁠ʏᴇᴀʀ: 2026
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: Critical of/for What?
•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Vanessa Ban
•⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: OTA Bind + Black Edging

Critical of/for What? doesn't try to give you a clean answer. Instead, it gathers voices — designers, educators, students — and lets the tensions speak. Between what schools teach and what studios demand. Between wanting to push back, and knowing when (and how) to. All set against the backdrop of a neoliberal economy and the kind of technological change that keeps everyone on their toes.

Through interviews, essays, and open discussions, it invites readers to sit with the ongoing question of how criticality is being understood and negotiated within Singapore's evolving design landscape.

Get your hands on a copy via the link in bio!

•⁠ ⁠ʏᴇᴀʀ: 2021•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: AME: RJ / Allegro / OuterEdit Calendar 2022•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: OuterEdit •⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ...
10/04/2026

•⁠ ⁠ʏᴇᴀʀ: 2021
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: AME: RJ / Allegro / OuterEdit Calendar 2022
•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: OuterEdit
•⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ:
Book finishing:MATERIAL/PRINT:Cover - 300gsm Shiruku White
Front - 4C + P805U + Matt Lamination + Spot UV x 0C / Back - 4C x 0C
Overview - 135gsm UV Ultra Column - 3C (CYK) + P805C x 0C
MATERIAL/PRINT: 3C (CYK) + P805C x 3C (CYK) + P805C for the following:-
Concept - 200gsm Granseur Zen White
Content & Postcard (Jan, Mar, May, Jul, Sept, Nov) - 230gsm Maple Snow Content & Postcard (Feb, Aug) - 240gsm Maple Ivory
Content & Postcard (Jun, Dec) - 220gsm Maple White
Content & Postcard (Apr) - 216gsm Curtis Retreeve Bright White Content & Postcard (Oct) - 216gsm Curtis Flannel Silver Mist
FINISH: Cover - Duplex + diecut & form / Contents - Die-cut + perforation / Black Wire O
Postcard - Trim to size + Insert

—

Rewinding to one of our favourite quirky prints—created by OuterEdit for RJ Paper’s 30th anniversary.

The Good Intentions Calendar was designed to be more than just a calendar. Inspired by the simple, often funny messages people send around- those light-hearted forwards that come from a place of care, it’s rooted in warmth, humour, and good intentions.

At the heart of it are 24 illustrated greeting cards, each with its own witty liner and gentle reminder. They’re meant to be torn out and shared, turning the calendar into something you can pass on. Nearly 40% of it is designed to be repurposed—less about keeping, more about giving.

There’s a lot of thought in the making too. Different paper stocks are used across the months, alongside neon inks, die-cuts, and perforations that make the whole piece feel interactive. Even the cover doubles up as a stand (so simple, but considered!)

It’s a project that brings together print, material, and intention. Something to keep, share, and hopefully get a smile out of :)

— All papers sponsored by RJ Paper —

DID YOU KNOW- we had to do 1000 copies with 1000 DIFFERENT covers? Women Inspiring Women, The National Edition•⁠ ⁠ʏᴇᴀʀ:...
29/03/2026

DID YOU KNOW- we had to do 1000 copies with 1000 DIFFERENT covers?

Women Inspiring Women, The National Edition

•⁠ ⁠ʏᴇᴀʀ: 2024
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: Women Inspiring Women, The national Edition. Women in Singapore Holding Up the Sky
•⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: Hardcase, wrap sleeve and insert woman picture within acetate on the font cover
•⁠ ⁠Paper type: 157 gsm Matt art over 2mm Board
Endpaper: 140 gsm K Colour Charcoal Grey (Fancy)
Text: 128 gsm Matt art
Insert: 250 gsm Coated 1 side (Antalis)
Sleeve: 0.20mm Accetate

For Women Inspiring Women — The National Edition, no two copies are the same.
Each book features an individual portrait, inserted within a translucent acetate sleeve—transforming every edition into a singular tribute to the women who shape Singapore.

A delicate balance of craft and precision:
Hardcase binding wrapped with clarity, layered materials, and exacting alignment—executed across 1,000 variations without compromise.

Not just printed.
Individually composed.

Lien Foundation Report 2016-2017, George’s Anatomy•⁠ ⁠ʏᴇᴀʀ: 2018•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: Lien Foundation Report 2015-17 (Ge...
19/03/2026

Lien Foundation Report 2016-2017, George’s Anatomy

•⁠ ⁠ʏᴇᴀʀ: 2018
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: Lien Foundation Report 2015-17 (George’s Anatomy)
•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Couple
•⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: Round back case make, round book block and back glue exposed stitch, 
mount book on cover
•⁠ ⁠Paper type: Cover: Van Week Textile Natur & Halflinen 1120 over 3mm board
Text: 170gsm Maple Bright
Endpaper: 140 gsm Venus V Lite Silk (Spicer) 
Insert: 290gsm Venus V Lite Silk (Spicer)

Lien Foundation Report 2015–17: George’s Anatomy reimagines what a report can be—transforming it into a tactile and visual exploration of the human body. Conceptually driven and materially rich, the publication draws parallels between anatomy and construction—what lies beneath, what holds, and what is revealed.

Designed by Couple, the book pushes the boundaries of conventional bookmaking. A round back case binding paired with a Swiss-bound structure creates an unusual tension between precision and exposure—where the spine, typically concealed, is instead expressed through exposed stitching.

Material choices further deepen this narrative. From textile-based cover stocks to layered inserts, each component contributes to a sense of depth and discovery—mirroring the complexity of anatomy itself.

Realising this vision came with its challenges. Aligning imagery across acrylic and print required exacting precision. Engineering a rounded spine within a Swiss bind pushed structural limits. Even the acrylic slipcase had to be carefully bent to mirror the book’s form—without compromising clarity. Finishing details, like glow-in-the-dark endpapers, added yet another layer of technical complexity.

16/02/2026

“你以恩典为年岁的冠冕； 你的路径都滴下脂油，”
诗篇 65:11

“You crown the year with a bountiful harvest; even the hard pathways overflow with abundance.”
Psalms 65:11

From all of us at Allegro Print, may your year be steady and full of grace, blessings, and joy in every step.

Red packets we’ve printed through the years: some bright, some full of personality, and everything in betweenThis year, ...
16/02/2026

Red packets we’ve printed through the years: some bright, some full of personality, and everything in between

This year, we’re excited to feature two red packets that really bring the horsepower 🐎—symbols of strength, confidence, and steady strides into the year ahead.

From bold and bright to subtle and refined, each red packet tells its own story—carrying its own finishing and style, brought to life through printing that celebrates its design and character. We’re so grateful to be part of yours.

Here’s to a Lunar New Year full of prosperity, good vibes, and smooth gallops into 2026!

•⁠ ⁠ʏᴇᴀʀ: 2024•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: SUTD ASD Pub - Unfolding Horizons •⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Currency Design•⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜ...
06/02/2026

•⁠ ⁠ʏᴇᴀʀ: 2024
•⁠ ⁠ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: SUTD ASD Pub - Unfolding Horizons
•⁠ ⁠ᴅᴇꜱɪɢɴᴇʀ: Currency Design
•⁠ ⁠⁠ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: Exposed Bind (White thread), Insert Book Block into Sleeve

We worked with Currency to get the acetate print to line up perfectly with the exposed bind cover. Even a tiny misalignment shows, so it took a lot of patience and careful adjustments. Tricky as it was, seeing it finally click into place made it all worth it.

ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: NUS Architecture Notebook ʏᴇᴀʀ: 2025ᴅᴇꜱɪɢɴᴇʀ: Benson (SWELL)ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: OTA Bind with endpaper p...
19/01/2026

ᴘʀᴏᴊᴇᴄᴛ ᴛɪᴛʟᴇ: NUS Architecture Notebook
ʏᴇᴀʀ: 2025
ᴅᴇꜱɪɢɴᴇʀ: Benson (SWELL)
ᴛᴇᴄʜɴɪᴄᴀʟ ʜɪɢʜʟɪɢʜᴛ: OTA Bind with endpaper paste down + Round corner 6mm
–

For this notebook, Benson, the designer from SWELL, tried adding extra scoring lines on the spine to see if it would help the book open with a rounded curve. It didn’t quite change the spine, but the lines ended up creating a subtle, elegant detail that gives the book a little extra character and texture.

This project is all about those thoughtful touches that make each book feel special. From the choice of materials to small details like these spine lines, everything is designed to create a tactile, meaningful experience for the reader.

We tested 0.073 pt lines—the thinnest the printer can handle—so the effect is delicate, almost like a whisper, but noticeable up close. It’s these little experiments and considered details that really bring the book to life.

Address

61 Tai Seng Avenue, Print Media Hub. #05/03
Tai Seng
SINGAPORE534167

Opening Hours

Monday 09:00 - 18:30
Tuesday 09:00 - 18:30
Wednesday 09:00 - 18:30
Thursday 09:00 - 18:30
Friday 09:00 - 18:30

Telephone

+65 68588322

Website

https://oolors.com/blogs/news

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