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28/05/2026

After cancer left him physically weakened, Henri Matisse entered the final years of his life by reinventing the way he created art, producing some of his most celebrated works.

Now you can experience hundreds of works from these final creative years at the “Matisse, 1941–1954” exhibition by , presented at .

March 24 – July 26, 2026
Grand Palais, Paris

26/05/2026

At a time when most goalkeepers wore dark and forgettable jerseys, Jorge Campos stepped onto the pitch looking like a psychedelic surf poster from Acapulco.

Standing at only 5 foot 7, Campos broke almost every rule of goalkeeping. He constantly charged out of the penalty area,His style became so unusual that FIFA eventually stopped goalkeepers from freely changing into outfield positions during games at the World Cup.

22/05/2026

A quick look into the extraordinary poster arts of Bonnie Maclean and the psychedelic graphic design movement of the late 60s.

19/05/2026

At a time when Parisian streets were covered with Art Nouveau posters filled with dancers and elegant women, Steinlen’s black cat immediately stood out.

More than a cabaret poster, La Tournée du Chat Noir became a symbol of Parisian nightlife itself, and perhaps the most iconic cat in graphic design history.

15/05/2026

Jim Fitzpatrick designed many memorable album covers throughout his career, but perhaps the most iconic were the ones he created for the Irish band Thin Lizzy. And among them, the most famous one was the artwork for Black Rose. An album cover so iconic that it later became an Irish national stamp.

To hear more about the iconic career of Jim Fitzpatrick, watch the full episode on Twos Studio’s YouTube channel and podcast platforms (link in bio).

graphicdesignpodcast

13/05/2026

The 10th episode of Twos Talks is here 🎉
Full video on YouTube and audio on Apple & Spotify (link in bio).

In this episode, Sajad sits down with Jim Fitzpatrick, the legendary Irish artist and designer behind the iconic Che Guevara poster, to talk about revolutionary graphics, psychedelic design, Celtic art, and the story behind one of the most reproduced images in history.

From unexpectedly meeting Che Guevara in a small pub in Ireland years before designing the famous poster, to creating album covers for Thin Lizzy and embedding hidden signatures inside his artworks, Jim shares the stories, philosophy, and influences behind his decades-long career in art and design.

08/05/2026

Since the late 19th century, Turkish ci******es became one of the most fashionable and commercially successful styles of smoking in Europe and America, largely because of the popularity of Ottoman to***co.

Brands like Murad, Sultan and many others were produced and marketed internationally in places like Istanbul, Cairo, London, and New York, using Turkish to***co not only as a product, but as a visual identity.

Their packages and advertisements were filled with veiled figures, crescent symbols, Ottoman references. Brands like Murad even collaborated with famous artists such as Rea Irvin, the founding visual artist of The New Yorker.

The visual language of Turkish cigarette design dates even earlier to Ottoman cigarette papers, which carried highly decorative designs with motifs deeply rooted in the visual culture of the Ottoman Empire.

Music: Selda Bağcan - Yuh Yuh

01/05/2026

Since the 1890s, Japanese matchbox labels began to evolve into something more than packaging.

Early designs focused on subjects like flowers, fruit, animals, and folklore, often executed with the precision of woodblock printing. Some were even privately commissioned, turning them into collectible prints rather than simple labels.

By the 1920s and 30s, new styles such as Art Nouveau, Art Deco, and Bauhaus entered through graphic design publications, merging with traditional forms into a distinct visual language.

Often given away for free by bars and restaurants, these labels followed the country’s visual shifts over time, as new influences entered and reshaped the way they were designed.

28/04/2026

Is this the best looking Olympic Games of all time?

The visual identity of the 1968 Mexico City Olympic Games reflects a moment where modern design and cultural identity came together at a global scale.

Developed under Mexican architect Pedro Ramírez Vázquez, with Mexican artist and designer Eduardo Terrazas, American graphic designer Lance Wyman, and a team of designers, the project became one of the most talked about visual identities in Olympic history.

24/04/2026

Since the 15th century, Iranian bowls and dishes reflect a rich exchange between local craftsmanship and global influence, where artisans infused imported styles with their own motifs and cultural identity.

Inspired by Chinese blue and white porcelain, Iranian makers adapted these elements into a distinct visual language. Dragons, lotus flowers, waves, and distant landscapes appear across their surfaces, reinterpreted through Iranian composition and scale.

Across centuries, their designs evolved into vibrant polychrome compositions, combining blues with greens, reds, and yellows, while maintaining a distinct decorative identity.

Images of works from The Metropolitan Museum of Art

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