Simply Color Lab

Name: Simply Color Lab
Address: 905 East Dale Avenue, Henderson, NV, 89044, US
Telephone: +18555600525
Price range: $$
Rating: 4.1

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Henderson, NV
Simply Color Lab

Professional photo lab serving photographers nationwide. Metal, Canvas, Acrylic, and Fine Art prints — produced in Henderson, NV and shipped fast.
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Every order is hand-inspected before it leaves our lab. 100% digital print lab for professional photographers. Check out our completely customizable canvas, wood, metal, fine art prints & more at www.SimplyColorLab.com.

09/04/2026

We print the finish before we know the size. That order matters more than most photographers realize.

When you send us a Metal Print order, the finish choice locks in before dimension. Not because of our workflow. Because the finish changes how the image reads.

Clear Gloss has no white base layer. The aluminum shows through every transparent area of your file. That is why it works for high-contrast black and white compositions. The metal becomes part of the tonal range.

White Gloss sits on a bonded white coating. Light reflects back through the dye-sublimation layer. That base changes how midtones separate in portraits and how sky gradients hold.

White Gloss EXT uses the same process with an outdoor-rated coating. Five years of direct sun per ChromaLuxe specs. We have mounted these on exterior walls in full desert light.

One honest trade-off: on a very dark low-key image a high-gloss metal finish can swallow the most subtle shadow separation. Clear Gloss or fine art paper will hold more of that quiet detail.

Every Metal Print here is produced on the Epson SureColor F6470 with UltraChrome DS dye-sublimation inks in a six-color configuration. Light Cyan and Light Magenta are in the set for smooth tonal transitions across skin and sky. ChromaLuxe HD aluminum panels. Standoff hardware and French cleats installed in-house in Henderson, Nevada.

Custom sizes up to 44 by 96 inches.

Use code WALLSEASON20 for 20% off all products through September 30.

Order at simplycolorlab.com

09/02/2026

Most photographers pick the size first. But finish changes how light reads the image. Start there instead.

When you're working through a metal print order, the finish is the decision that shapes how the client sees the file. White Gloss gives you maximum color density and contrast. Clear Gloss prints with no white base, so the aluminum shows through transparent areas of the file. That's why it suits high-contrast black and white work where the metal itself becomes part of the image.

Matte finishes cut reflections if the piece is going in a room with direct sun or gallery lighting. And White Gloss EXT is outdoor-rated for exterior installs where five years of direct sunlight is the baseline.

One honest trade-off to call out: on a very dark low-key image, a high-gloss metal finish can swallow the most subtle shadow separation. Clear Gloss or fine art paper will hold more of that quiet detail.

We produce metal prints on the Epson SureColor F6470 with UltraChrome DS dye-sublimation inks in a six-color configuration including Light Cyan and Light Magenta for smooth tonal transitions across skin and sky. ChromaLuxe HD coating bonded to aluminum. Standoff hardware and French cleats installed in-house in Henderson, Nevada. Custom sizes up to 44 by 96 inches.

Use code WALLSEASON20 for 20% off all products through September 30.

Order at simplycolorlab.com

https://simplycolorlab.com

08/31/2026

The finish changes the image. Not just how it looks on the wall. How the tones separate, how the aluminum reads through.

We print ChromaLuxe HD aluminum panels on the Epson F6470 with UltraChrome DS inks in a six-color configuration. Light Cyan and Light Magenta run alongside standard CMYK and black for smooth tonal transitions across skin and sky. The dye sublimates into the polymer coating under heat and pressure. The image sits inside the panel.

Five finishes. Each one shifts the read.

White Gloss delivers full density and specular highlights. The most color. Matte White holds the same density without the reflection. Clear Gloss prints with no white base so the aluminum shows through transparent areas of the file. That is why it suits high-contrast black and white. The metallic lift lives in the highlights. Matte Clear is the same logic without the specular pop. White Gloss EXT is outdoor-rated for five-plus years of direct sunlight. For exterior installs where gloss and durability both matter.

The trade-off, stated once: on a very dark low-key image a high-gloss finish can swallow the most subtle shadow separation. Clear Gloss or fine art paper will hold more of that quiet detail.

Finish first. Size second. The panel gets cut to order in Henderson. Standoffs and French cleats installed in-house. Custom sizes up to 44 by 96 inches.

Every order is hand-inspected before it ships.

Use code WALLSEASON20 for 20% off all products through September 30.

simplycolorlab.com

08/28/2026

Before we print your file, we check the histogram. Not for you. For the paper.

German Etching is a 310 GSM heavyweight matte cotton surface with a coarse tooth. It holds ink differently than smooth papers. The texture breaks up tonal transitions in a way that makes black-and-white work read with more dimension.

We run it on the Epson SureColor P20570 with twelve-color UltraChrome PRO12 pigment. The extended gamut gives us more tonal steps between shadows and midtones. On a textured matte surface, that translates to depth you can see at arm's length.

The honest trade-off: if your client wants color that pops or glow under a spotlight, paper is the wrong call. That is a metal or acrylic conversation. But if the image needs to hold detail in the shadows without going flat, this surface does that work.

Every Fine Art Paper Print is finished by hand in our Henderson, Nevada facility. Production is 2 to 3 business days.

Use code WALLSEASON20 for 20% off all products through August 31.

Order at simplycolorlab.com

08/26/2026

Black-and-white photographers know: the paper is half the image. Tyler prints his entire portfolio on German Etching.

He sent us a note last month: "I need the surface to hold shadow detail without going flat. German Etching does that. The texture reads in person but it doesn't fight the composition."

He's right. The 310-gram cotton base holds ink differently than smooth papers. Blacks stay dense. Mid-tones separate. The matte surface doesn't reflect gallery lighting back into the frame, so the tonal range stays intact from any viewing angle.

This is what twelve-color UltraChrome PRO12 pigment ink was built for. The Violet channel extends the gamut into deep shadow transitions that four-color presses can't touch. On a textured matte cotton like German Etching, that translates to prints that look like they were made in a darkroom, not on a screen.

Here's the honest trade-off: if you want color that pops or glow under a spotlight, paper is the wrong call. That's a metal or acrylic conversation. But if the image lives in the mid-tones and the shadows, and your client is going to stand six inches away and study it, this is the surface.

Printed on the Epson SureColor P20570 in Henderson, Nevada. Finished by hand. Ships in two to three business days.

Use code WALLSEASON20 for 20 percent off all products through August 31.

https://simplycolorlab.com/fine-art-paper-prints

08/24/2026

Most photographers think paper prints lack impact. They're looking at the wrong paper with the wrong image.

Paper doesn't glow. It doesn't reflect. And that's exactly why it works for black-and-white and tonal work.

When you remove color from an image, you're asking the viewer to read light, shadow, and texture. A reflective surface competes with that. Metal bounces light back at the viewer. Acrylic adds its own depth. Paper gets out of the way.

We print Fine Art Paper on the Epson SureColor P20570 with twelve-color UltraChrome PRO12 pigment. The extra ink channels matter most in the midtones. That's where monochrome images live or die.

Hahnemuhle German Etching is 310 GSM heavyweight cotton with a textured matte finish. The surface holds detail without reflection. Black stays black under any light. Your tonal range reads clean from two feet or ten.

The honest trade-off: if the client wants color that pops or glow under a spotlight, paper is the wrong call. That's a metal or acrylic conversation. But for portraits, documentary work, or anything living in grayscale, paper lets the image speak without the surface interrupting.

Every print is finished by hand in our Henderson, Nevada facility. Production runs two to three business days.

Use code WALLSEASON20 for 20% off all products through August 31.

Order at simplycolorlab.com

https://simplycolorlab.com

08/21/2026

A cluster isn't always better than one large panel. Here's when it is and when it isn't.

If the image has a strong central subject, one large metal print usually wins. The eye needs uninterrupted space to travel across the composition. Breaking it into pieces fragments the visual narrative. The subject loses its anchor.

But if you're working with a series, a cluster becomes the better tool. Six metal prints at 1 inch spacing read as one luminous installation, not six separate decisions. The ChromaLuxe HD surface carries consistent luminosity across all panels when printed on the Epson F6470 with UltraChrome DS dye sublimation inks. The grouping feels unified because the substrate and process are identical across every piece.

Metal Clusters ship with Photoshop sizing templates for each of the six available layouts. Wall space ranges from 20 by 20 inches up to 57 by 32 inches. All cluster designs maintain 1 inch spacing between prints. Three hardware options available: no hardware, cleat mounting, or 1/2 inch standoff mounting.

Clusters are always 20% off regular individual Simply Metal pricing. Use code WALLSEASON20 for 20% off all products through August 31, 2026. Same flat 20%, not additive.

Production: 3 to 4 business days from our Henderson, Nevada facility.

Order at simplycolorlab.com

08/19/2026

Nine metal prints. One wall. Hand-mounted and inspected before they ship together.

Metal Clusters arrive as designed sets. Six layouts available, spacing locked at one inch between panels. Wall coverage ranges from 20 by 20 inches on the smallest design to 57 by 32 inches on the largest.

Every metal is printed on the Epson F6470 using UltraChrome DS dye-sublimation inks. Each panel is inspected under task lighting. Then the mounting hardware is installed here in Henderson. Cleat or standoff options, installed before the cluster ships. Your client unwraps a collection, not a project.

Gloss finish only. Production runs three to four business days. Each cluster includes a downloadable Photoshop sizing template so your files match the layout exactly.

Every order is hand-inspected before it ships. Use code WALLSEASON20 for 20% off all products through August 31.

simplycolorlab.com

08/17/2026

One metal print is a photograph. Nine metal prints is a collection. The reveal session changes when you price a wall, not a frame.

Metal Clusters let you design the wall before the client walks in. Six layouts available, each maintaining 1 inch spacing between panels. The smallest cluster fits in 20 by 20 inches. The largest spans 57 by 32 inches. Every panel printed in gloss finish on ChromaLuxe HD aluminum, produced on the Epson F6470 using UltraChrome DS dye-sublimation inks. Color embeds into the surface instead of sitting on top.

The collection mindset shifts the reveal. A client choosing between three poses is deciding between walls, not moments. Metal's surface luminosity is what makes five separate panels read as one cohesive installation. Clusters are always 20% off regular individual metal pricing.

Production runs 3 to 4 business days. Photoshop sizing templates included for each design. Three hardware options: no hardware, cleat mounting, or half-inch standoff mounting.

Use code WALLSEASON20 for 20% off all products through August 31.

https://simplycolorlab.com

08/14/2026

We sand every corner by hand. Not because it's faster. Because a machine can't feel when birch is ready.

Heritage Wood prints start as fine art paper and three-quarter inch white birch. The paper goes down first. Then UV lamination. Then the piece moves to the finishing bench.

That's where the corners get rounded. By hand. With 220-grit paper. The person doing it can feel grain direction, can stop before the bevel goes too deep, can match the curve on all four sides without a jig.

Frames are built in-house. The wood substrate is white birch for both Heirloom and Legacy finishes. Every corner is hand-sanded with rounded edges. Production takes four to five business days in our Henderson, Nevada facility because this step can't be rushed.

The wood has to be right before it leaves the bench.

Use code WALLSEASON20 for 20% off all products through August 31.

See every print we make at simplycolorlab.com

Address

905 East Dale Avenue
Henderson, NV
89044

Telephone

+18555600525

Website

http://www.SimplyColorLab.com/

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