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The “Dignity” statue in South Dakota stands as a striking tribute to Native American women, showcasing their strength an...
03/06/2026

The “Dignity” statue in South Dakota stands as a striking tribute to Native American women, showcasing their strength and resilience. Towering at 50 feet tall, the sculpture was unveiled in 2016 near the Missouri River in Chamberlain, South Dakota. Designed by artist Harold Holtz, “Dignity” represents a Native American woman, dressed in a traditional feathered blanket, gracefully poised in motion. The statue symbolizes the importance of preserving Native American culture, history, and pride, while also acknowledging the significant contributions of Native American women in particular.
The statue is made of stainless steel and features more than 1,000 individual stainless steel plates, which catch the light in a stunning way, creating a dynamic visual experience. The design was inspired by traditional Native American regalia, with the feathers and blanket serving as symbols of spirituality, beauty, and connection to nature. “Dignity” is also an homage to Native American communities throughout South Dakota, honoring their heritage and cultural practices.
Set against the backdrop of the expansive plains, the statue’s placement on a bluff overlooking the river further emphasizes its connection to the land and the people it represents. It’s an iconic and significant work of public art, admired for its beauty, cultural relevance, and the powerful statement it makes about honoring Native American identity. "Dignity" stands as a reminder of the strength and endurance of Native American communities, providing both a historical reflection and an inspirational message for future generations.

02/05/2026
𝐇𝐚𝐩𝐩𝐲 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐭𝐨 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨- 𝐀 𝐭𝐫𝐮𝐞 𝐚𝐫𝐭𝐢𝐬𝐭 𝐰𝐡𝐨 𝐡𝐚𝐬 𝐬𝐡𝐚𝐩𝐞𝐝 𝐦𝐨𝐝𝐞𝐫𝐧 𝐜𝐢𝐧𝐞𝐦𝐚 𝐰𝐢𝐭𝐡 𝐫𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐭𝐚𝐥𝐞𝐧𝐭 𝐚𝐧𝐝 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧.Rober...
01/26/2026

𝐇𝐚𝐩𝐩𝐲 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐭𝐨 𝐑𝐨𝐛𝐞𝐫𝐭 𝐃𝐞 𝐍𝐢𝐫𝐨- 𝐀 𝐭𝐫𝐮𝐞 𝐚𝐫𝐭𝐢𝐬𝐭 𝐰𝐡𝐨 𝐡𝐚𝐬 𝐬𝐡𝐚𝐩𝐞𝐝 𝐦𝐨𝐝𝐞𝐫𝐧 𝐜𝐢𝐧𝐞𝐦𝐚 𝐰𝐢𝐭𝐡 𝐫𝐞𝐥𝐞𝐧𝐭𝐥𝐞𝐬𝐬 𝐭𝐚𝐥𝐞𝐧𝐭 𝐚𝐧𝐝 𝐝𝐞𝐝𝐢𝐜𝐚𝐭𝐢𝐨𝐧.
Robert De Niro was born on August 17, 1943, in New York City, into an artistic family. He began his career in the 1960s and rose to prominence with roles in Bang the Drum Slowly (1973), Mean Streets (1973), and especially The Godfather Part II (1974), which earned him an Academy Award for Best Supporting Actor. He continued to impress with Taxi Driver (1976), Raging Bull (1980 – Best Actor Oscar), Goodfellas, Casino, Heat, The Irishman (2019), and Killers of the Flower Moon (2023). Beyond acting, he co-founded the Tribeca Film Festival, the global Nobu restaurant chain, and is a vocal advocate for social justice, arts education, and climate action. With over 60 years of dedication, De Niro stands as a living icon of cinematic excellence and civic responsibility.
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❤️ Proud to be a Native American.

01/26/2026
Willie Nelson and Neil Young being honored by Oglala, Ponca and Omaha Nations for their dedication to family farmers, an...
01/14/2026

Willie Nelson and Neil Young being honored by Oglala, Ponca and Omaha Nations for their dedication to family farmers, and native families. The buffalo hide they have on was hand-painted by artist Steve Tamayo and volunteers called "Pipeline Fighters" with symbols to tell the story of people killing the black snake which in tribal prophecy is believed to be the Keystone XL pipeline, a threat to our land and water

Amen.
01/14/2026

Amen.

Be blessed , my friends ...
01/09/2026

Be blessed , my friends ...

Congratulations to Lily Gladstone — the first Native Indigenous Blackfeet / Nimíipuu woman in the 81-year history of the...
01/01/2026

Congratulations to Lily Gladstone — the first Native Indigenous Blackfeet / Nimíipuu woman in the 81-year history of the Golden Globe Awards to win Best Actress, for her powerful role in Killers of the Flower Moon.
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“The villains are fairly obvious in ‘Flower Moon,’ but Scorsese asks audiences to take a wider look at systemic racism, historical injustice, and the corruptive influence of power and money—intriguingly tying together our past and present.”
— Brian Truitt
“Gladstone, in the rare Scorsese film that gives center stage to a female character, is the emotional core here, and it’s her face that stays etched in our memory.”
— Jocelyn Noveck
“This is for every little Rez kid, every little urban kid, every little Native kid out there who has a dream—and is seeing themselves represented in our stories, told by ourselves, in our own words.”
— Lily Gladstone
“We Are Still Here.”
Top: Mollie Kyle (Burkhart, Cobb) — Osage (1886–1937)
Bottom: Lily Gladstone — Blackfeet / Nez Perce
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Thank you for reading and supporting this story.
Proud to be Native American.
Very worth reading. ❤️🔥
❤️ Thank you for reading and liking
❤️ Proud to be a Native American
❤️ Very worth reading

She was fifteen when soldiers rode into the canyon, rifles glinting in the noon sun, orders in their pockets telling her...
12/12/2025

She was fifteen when soldiers rode into the canyon, rifles glinting in the noon sun, orders in their pockets telling her people they no longer belonged on the land that had cradled them for centuries.
By sundown, they expected the Chiricahua Apache to be gone—marched, chained, relocated like cattle.
They did not expect **Nayeli Doshee**.
She was small, quiet, careful with her words—
the kind of girl who listened more than she spoke,
who could track a deer across bare stone,
who knew every hidden waterhole, every shadowed pass.
But the day the soldiers came, she stepped forward with a fire no one had seen before.
Her people called her *Little Wind* because she moved softly.
That day, she became a storm.
---
Nayeli grew up in the red canyons of Arizona, wrapped in a world older than any map.
Her mother taught her the songs of the mountains.
Her grandfather taught her to read the sky, to find direction from the stars.
Her father taught her the truth every Apache child knew:
“This land is not where we live.
It is who we are.”
But the world outside the canyons was changing.
Whispers carried through traders and scouts:
Forts. Treaties. Soldiers.
Removal.
Her people tried to stay invisible.
The land kept them hidden—until it couldn’t anymore.
---
The soldiers claimed the Apache had to relocate “for their own good.”
They claimed the land belonged to someone else now.
They claimed the government had spoken.
But Nayeli had watched enough broken promises to know:
Those claims were lies wrapped in paper and signatures.
When her chief met with the officer in charge, she stood in the back of the council circle, listening.
The officer assured them no violence would occur—
just obedience.
Nayeli saw the truth in the set of his jaw.
He didn’t come to talk.
He came to take.
That night she did not sleep.
She climbed to the ridge above the camp, feeling the cold wind sting her face, and made a decision that would change her people’s fate:
She would not let the soldiers march them away.
---
Before dawn, she slipped into the soldiers’ camp.
She moved through shadows like a whisper.
She counted horses. Counted rifles. Counted men.
They were too many to fight head-on.
But they were blind to the land.
Nayeli smiled—
the first smile she’d had in days.
She didn’t need to defeat the soldiers.
She just needed to outthink them.
---
She led her people into the high canyons before sunrise, guiding them through a maze only she fully understood.
She blocked trails with boulders.
Covered tracks with brush.
Used the echoing walls to send false signals—footsteps bouncing in every direction.
When the soldiers followed, she was already two steps ahead.
One moment she lured them into dry washes that collapsed under their horses.
Another moment she led them into a dead-end ravine where the sun baked them until they turned back.
Every time they thought they had her trapped, she vanished into stone and silence.
For three days she led the chase.
For three nights she kept her people moving, feeding them, calming them, protecting them.
It wasn’t war.
It wasn’t violence.
It was survival sharpened into brilliance.
---
By the fourth morning, the soldiers gave up.
They returned to the fort with nothing—not a prisoner, not a clue, not a victory.
Nayeli stood on the canyon rim, watching them disappear into the distance.
Her legs trembled.
Her chest burned.
But she didn’t fall.
Her people gathered behind her, silent.
Not because she was a warrior.
But because she had become something even rarer:
A protector who refused to spill blood,
a strategist born from the land itself,
a girl who outsmarted an empire.
---
Years later, when forced removal swept across tribes like a dust storm, old stories resurfaced around campfires:
Stories of a young Apache girl who carved safety out of stone,
who used the land as her shield,
who refused to let her people be erased.
They never wrote her name in army reports.
They never recorded her in government files.
But her people remembered.
Nayeli Doshee—*Little Wind*, the girl who became a storm.
She kept her homeland alive long after the soldiers rode away.
Because sometimes the strongest warrior
is the one who fights to keep her family together—
not with arrows,
not with rifles,
but with courage
and the land beneath her feet.

𝐂𝐡𝐢𝐞𝐟 𝐃𝐚𝐧 𝐆𝐞𝐨𝐫𝐠𝐞, whose real name is Geswanouth Slahoot, was a Canadian actor, poet, and writer of Indigenous descent.Ge...
11/29/2025

𝐂𝐡𝐢𝐞𝐟 𝐃𝐚𝐧 𝐆𝐞𝐨𝐫𝐠𝐞, whose real name is Geswanouth Slahoot, was a Canadian actor, poet, and writer of Indigenous descent.
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He was born on July 24, 1899, belonging to the Tsleil-Waututh (Salish) tribe, in a settlement near North Vancouver, British Columbia, Canada. He became widely known for his acting career, especially in films portraying Indigenous characters.
Chief Dan George gained further prominence after his role in the classic film "Little Big Man" (1970), where he portrayed a wise, philosophical elder named Old Lodge Skins. This role earned him an Academy Award nomination for Best Supporting Actor, making him the first Canadian Indigenous person to receive such a nomination.
In addition to his acting career, Chief Dan George was renowned for his writing and poetry, expressing his love and reverence for Indigenous culture. His cultural contributions extended to writing books and essays, helping to spread and preserve the cultural heritage of the Tsleil-Waututh and other Indigenous peoples.
Chief Dan George was also a prominent social activist, advocating for the honoring and protection of Indigenous rights. He worked tirelessly to raise awareness on issues such as Indigenous leadership, environmental conservation, and fair treatment of Indigenous peoples in society.
Beyond his artistic career and social activism, Chief Dan George was also known as a speaker and spiritual leader for the Indigenous community. He often participated in events, workshops, and discussions to share knowledge, inspire others, and encourage confidence and pride within his community.
Chief Dan George also contributed to promoting education and community development among Indigenous peoples. He supported various educational and cultural projects, providing opportunities for younger generations to learn and thrive. He frequently engaged in educational activities and programs to foster understanding and respect for Indigenous culture and history.
Get shirt here: works, literature, and community activities, continuing to influence and inspire future generations about the importance of cultural diversity and the significance of protecting and respecting the rights of Indigenous communities.
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11/29/2025

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