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I don't know why this hasn't received more publicity, but this fifty-foot sculpture was unveiled recently in South Dakot...
03/02/2026

I don't know why this hasn't received more publicity, but this fifty-foot sculpture was unveiled recently in South Dakota.It's called 'Dignity' and was done by artist Dale Lamphere to honor the women of the Sioux Nation..

If you like facts and knowledge, then follow.The Remarkable Story of Juana Maria: The Real-Life Island of the Blue Dolph...
03/02/2026

If you like facts and knowledge, then follow.
The Remarkable Story of Juana Maria: The Real-Life Island of the Blue Dolphins
Juana Maria, an American Indian woman, found herself stranded on San Nicolas Island off the coast of California in 1835 after being left behind during an evacuation. For the next 18 years, she lived a solitary existence on this remote island, relying on her ingenuity and resourcefulness to survive. Juana Maria's incredible story served as the inspiration for the timeless children's novel "Island of the Blue Dolphins" by Scott O'Dell, captivating readers with her tale of resilience and fortitude.
Despite the challenges of isolation and limited resources, Juana Maria managed to fashion tools, build shelter, and sustain herself by foraging for food. Her ability to adapt to her environment and endure the harsh conditions of island life is a testament to the human spirit's capacity for survival in the face of adversity. Juana Maria's story resonates with readers of all ages, showcasing the strength and determination inherent in individuals confronted with extraordinary circumstances.
The children's novel "Island of the Blue Dolphins" brought Juana Maria's story to a wider audience, immortalizing her legacy and inspiring generations with themes of courage, perseverance, and the power of resilience. Through vivid storytelling, readers were transported to the rugged beauty of San Nicolas Island and immersed in Juana Maria's world of survival and self-reliance. The novel's enduring popularity underscores the universal appeal of narratives that celebrate human tenacity and the triumph of the human spirit.
Juana Maria's solitary existence on San Nicolas Island has also sparked archaeological interest in uncovering her history and the artifacts she left behind. Excavations and studies of the island have revealed insights into her daily life and survival strategies, shedding light on the challenges she faced and the skills she developed to navigate her environment. This ongoing research contributes to our understanding of historical events and the resilience of indigenous peoples in the face of upheaval and displacement.
Juana Maria's story serves as a poignant reminder of the resilience and resourcefulness of individuals in the face of extreme circumstances. Her legacy continues to inspire curiosity, empathy, and admiration for her ability to thrive in isolation and adapt to the challenges of a remote island existence. The enduring fascination with Juana Maria's tale highlights the enduring power of human stories to captivate and inspire across generations.

“We had neither devil nor hell in our religion. Long before I have ever heard of Christ, or saw a white man, I had learn...
03/01/2026

“We had neither devil nor hell in our religion. Long before I have ever heard of Christ, or saw a white man, I had learned from an untutored woman the essence of morality.
With the help of dear nature herself, she taught me things simple but of mighty import. I knew God. I perceived what goodness is.
I saw and loved what is really beautiful. Civilization has not taught me anything better.” Ohiyesa
“They go inside a building to talk to their God. We go out into the natural world and our Creator speaks to us.”
“We do not go into ceremony to talk about God. We go into ceremony to talk with God.” Quanah Parker (Comanche).
“Religions are thought and written by men. Great Spirit does not need a pen and paper.” Unknown
“The Native American culture is a perfect example of one that is totally spiritual without religion.” Unknown
“They came with a Bible and their religion, stole our land, crushed our spirit, and now they tell us we should be thankful to the lord for being saved.” Chief Pontiac
“If you take a copy of the Christian Bible and put it out in the wind and rain soon the paper upon which the words
are printed will disintegrate and the words will be gone. Our Bible is the wind and the rain.” Unknown
“Do you call yourself Christians? Does the religion of him who you call your savior inspire your spirit, and guide your practices? Surely not.
It is recorded of him that a bruised reed he never broke. Cease then to call yourselves Christians lest you declare to the world your hypocrisy.
Cease too to call other nations savage, when you are tenfold the children of cruelty.” Thayendanegea, Chief of the six nations.

Primarily living on a 1.5 million-acre reservation in Arizona, the Hopi people have the longest authenticated history of...
03/01/2026

Primarily living on a 1.5 million-acre reservation in Arizona, the Hopi people have the longest authenticated history of occupation of a single area by any Native American tribe in the United States.
The Hopi Tribe, often referred to as the "Peaceful Ones," has a rich cultural heritage deeply rooted in their traditional lands in northeastern Arizona. They have resided in the region for thousands of years, with archaeological evidence indicating continuous occupation dating back to at least 500 CE.
The Hopi reservation, established in 1882, encompasses approximately 2,531 square miles (6,557 square kilometers) of land, much of which is located within the boundaries of the Navajo Nation. Despite sharing land with the Navajo people, the Hopi maintain a distinct cultural identity, language, and ceremonial practices.
The Hopi are known for their intricate and symbolic artwork, including pottery, basketry, kachina dolls, and mural paintings. Their spiritual beliefs center around the reverence for the land, the cycles of nature, and maintaining harmony with the natural world.
Central to Hopi religious practices are ceremonial rituals performed throughout the year to ensure balance, fertility, and prosperity. These ceremonies are often elaborate and involve intricate dances, songs, and prayers conducted by religious leaders known as kikmongwi.
The Hopi Tribe continues to preserve and protect their cultural heritage, passing down traditional knowledge and teachings from generation to generation. Despite the challenges of modernization and external pressures, the Hopi people remain committed to maintaining their ancestral way of life and spiritual connection to the land.

In the Colorado Rockies, during the harsh winter of 1887, the Tolland family lived alone in a wooden cabin at 9,000 feet...
03/01/2026

In the Colorado Rockies, during the harsh winter of 1887, the Tolland family lived alone in a wooden cabin at 9,000 feet. They were known as “the Ghost Ridge family,” not for any superstition—but for their ability to survive where no others dared to settle. John Tolland was a Civil War veteran with one arm. His wife Clara was a former schoolteacher who stitched coats from elk hide. Their three children—Emily, Frank, and the youngest, Jesse—were raised to hunt, read, and pray in equal measure.
One morning, Frank returned from checking the traps with a stranger half-frozen over his saddle. The man was Native—Arapaho, maybe Shoshone—but couldn’t speak. His feet were nearly black with frostbite. Clara didn’t flinch. She boiled water, wrapped him in buffalo hide, and fed him spoonfuls of soup for three days. When he could finally speak, he whispered, “My name is Wovoka.” He said little else.
Over time, he helped the children track elk and told quiet stories in broken English and song. Jesse swore Wovoka once disappeared into the forest and returned with a newborn fawn wrapped in his coat, claiming “the land still speaks if you listen.”
In spring, Wovoka left without a word. Weeks later, two Pinkerton men arrived asking about a fugitive—said he’d escaped custody after refusing to testify in a mining trial in Utah. Clara only said, “We saw no such man.”
Years later, Emily Tolland—then a nurse—recognized Wovoka in an old photograph shown to her by a Lakota soldier during the Spanish-American War. He had become known among tribes as a spiritual messenger, teaching peace and dance and dreams.
But to the Tolland family, he was simply the man who taught them that even the coldest winters can carry grace.

Congratulations - Lily Gladstone for being the first Native Indigenous Blackfeet/Nimíipuu Female in its eighty one year ...
02/28/2026

Congratulations - Lily Gladstone for being the first Native Indigenous Blackfeet/Nimíipuu Female in its eighty one year history, to win the Best Actress at the Golden Globe Awards for her role in "Killers of the Flower Moon!"
"The villains are fairly obvious in “Flower Moon,” but Scorsese asks audiences to take a wider look at systemic racism, historical injustice and the corruptive influence of power and money, intriguingly tying together our past and present." ~ Brian Truitt,
"Gladstone, in the rare Scorsese film that gives center stage to a female character, is the emotional core here, and it's her face that stays etched in our memory."
~ Jocelyn Noveck
“This is for every little Rez kid, every little urban kid, every little Native kid out there who has a dream and is seeing themselves represented in our stories told by ourselves, in our own words..." ~ Lily Gladstone
"We Are Still Here!"
Top : Mollie Kyle (Burkhart, Cobb) Osage, (1886-1937)
Bottom: Lily Gladstone, (Blackfeet-Nez Perce
Thank you for reading and liking the article
Proud to be a Native American.
Very worth reading

Happy 95nd Birthday To HimClint Eastwood is a famous American actor, film director, producer and composer, famous for hi...
02/28/2026

Happy 95nd Birthday To Him
Clint Eastwood is a famous American actor, film director, producer and composer, famous for his flourishing career in the entertainment industry. Born on 1930, in San Francisco, California, Eastwood rose to fame in the 1960s for his role as "The Man with No Name" in Sergio Leone's "The Dollar Trilogy" of spaghetti Westerns. He further solidified his status as a cultural icon with his role as Harry Callahan in the "Dirty Harry" film series, which began in 1971. Eastwood's career spanned more than six decades, during which he received won many awards, including multiple Oscars for best film. Director and Best Picture for "Unforgiven" (1992) and "Million Dollar Baby" (2004). Known for his stoic screen presence and tough personality, Eastwood has also directed and produced such critically acclaimed films as Mystic River (2003), Gran Torino (2008) and American Sniper (2014). In addition to his film work, Eastwood also dabbled in politics, serving as mayor of Carmel-by-the-Sea, California, from 1986 to 1988. His contributions to cinema and his influence on Popular culture has made him one of its most respected people. and long-standing figures in Hollywood history.

In Navajo culture, laughter is seen as a powerful symbol of connection. The moment a baby laughs for the first time, it ...
02/27/2026

In Navajo culture, laughter is seen as a powerful symbol of connection. The moment a baby laughs for the first time, it is believed they are choosing to join the human community. Until then, the baby is viewed as still being in transition between the spiritual and physical worlds.
This tradition, known as the A’wee Chi’deedloh ceremony, is typically observed around three months of age. Family members pay close attention during this period, eager to be the one who makes the child laugh. Whoever succeeds earns the honor of hosting the celebration, often preparing a meal of salted food and gifts to mark the occasion.
The ceremony not only celebrates the baby’s first expression of joy, but also emphasizes generosity and community. Salt is symbolically offered to guests to encourage the child to grow up to be generous and kind. It’s one of the earliest social teachings given to a Navajo child—using joy as a path toward belonging and humanity.

THE MUSICAL REBEL WHO CHANGED HISTORY: How One Native American Girl Turned Boarding School Oppression Into Musical Revol...
02/27/2026

THE MUSICAL REBEL WHO CHANGED HISTORY: How One Native American Girl Turned Boarding School Oppression Into Musical Revolution!
Meet Zitkála-Šá, the incredible Native American woman who refused to let anyone erase her identity! In the late 1800s, she was sent to a boarding school designed to strip away her heritage and culture. But instead of giving up, this amazing woman used her talent to fight back in the most beautiful way possible - through music that would change American history forever.
THE GROUNDBREAKING ACHIEVEMENT
In 1913, Zitkála-Šá made history by co-composing the first-ever American Indian opera, "The Sun Dance." This wasn't just any ordinary musical work - it was a revolutionary fusion of traditional Native American melodies with European classical music forms. She didn't just create beautiful music; she created a powerful statement that Native American culture deserved recognition and respect on the world's biggest stages.
MUSIC AS RESISTANCE
What makes her story so powerful is how she turned oppression into opportunity. While boarding schools were trying to destroy Native American culture, Zitkála-Šá mastered classical music and then used it as a weapon of cultural preservation. Her opera was based on the sacred Sun Dance ceremony, which was actually banned by the U.S. government at the time. Through her music, she was secretly keeping her people's traditions alive and sharing them with the world.
BEYOND THE STAGE
But Zitkála-Šá's impact went far beyond music. She became one of the most important Native American rights activists of her time, using her platform and fame to fight for justice and recognition for her people. She co-founded the National Council of American Indians and spent her life lobbying for increased political power for Native Americans. Her music gave her a voice that couldn't be silenced.
LEGACY OF COURAGE
Today, Zitkála-Šá stands as a symbol of how art can be the ultimate form of resistance. She proved that you can honor your roots while mastering new skills, and that creativity can be the most powerful tool for social change. Her story reminds us that sometimes the best way to fight oppression is to excel so brilliantly that the world has no choice but to listen.
This is what happens when talent meets determination and cultural pride! Zitkála-Šá's symphony of resistance continues to inspire musicians, activists, and anyone fighting to preserve their identity in a world that tries to erase it.

History rarely remembers the women who endured its harshest chapters—but the Apache never forgot Tze-gu-juni.Born around...
02/26/2026

History rarely remembers the women who endured its harshest chapters—but the Apache never forgot Tze-gu-juni.
Born around 1847, she was struck by lightning during a thunderstorm that killed her mother and sister. She survived. Later, captured during the 1880 Mexican massacre at Tres Castillos, she was enslaved and sent to Mexico City. Her captors called her Huera—Spanish slang for a pale woman—though she was simply different from the others, with striking features and a fire in her eyes.
For five years, she lived in chains. Then, with nothing but a single knife and a blanket, she escaped with a few other Apache women. Together, they began an unimaginable journey—1,300 miles through desert and danger, guided only by survival.
When a mountain lion lunged for her throat, Huera wrapped her blanket tight and fought back. It tore her scalp from her head, but she didn’t stop. She drove her blade into the lion’s heart and lived. Her companions reattached her scalp using cactus thorns—and mountain lion saliva.
Still bleeding, Huera pressed forward.
Months later, battered but alive, they returned to San Carlos. The community was stunned. She became a shaman, a translator, and a figure of quiet strength among the Chiricahua. Her face bore the scars of survival, but she never wore them with shame.
Her second husband, the great warrior Geronimo, called her “the bravest of Apache women.”
And yet, outside of her people, the world barely remembers her name.

"Crowfoot stood and watched as the white man spread many one dollar bills on the ground.“This is what the white man trad...
02/26/2026

"Crowfoot stood and watched as the white man spread many one dollar bills on the ground.
“This is what the white man trades with; this is his buffalo robe. Just as you trade skins, we trade with these pieces of paper.”
When the white chief had laid all his money on the ground and shown how much he would give if the Indians would sign a treaty, Crowfoot took a handful of clay, made a ball out of it and put it on the fire.
It did not crack.
Then he said to the white man, Now put your money on the fire and see if it will last as long as the clay.
The white man said, No….my money will burn because it is made of paper.
With an amused gleam in his eyes the old chief said, Oh, your money is not as good as our land, is it?
The wind will blow it away; the fire will burn it; water will rot it. But nothing will destroy our land.
You don’t make a very good trade.
Then with a smile, Crowfoot picked up a handful of sand from the river bank, handed it to the white man and said, You count the grains of sand in that while I count the money you give for the land.
The white man said, I would not live long enough to count this, but you can count the money in a few minutes.
Very well, said the wise Crowfoot, our land is more valuable than your money. It will last forever.
It will not perish as long as the sun shines and the water flows, and through all the years it will give life to men and animals, and therefore we cannot sell the land.
It was put there by the Great Spirit and we cannot sell it because it does not really belong to us.
You can count your money and burn it with a nod of a buffalo’s head, but only the Great Spirit can count the grains of sand and the blades of grass on these plains.
As a present we will give you anything you can take with you, but we cannot give you the land.”
Chief Crowfoot : Blackfoot Confederacy

Elsie Vance Chestuen was born in 1873, her Indian name was Chestuen. Her mother was Dilth-cley-ih, daughter of the Apach...
02/25/2026

Elsie Vance Chestuen was born in 1873, her Indian name was Chestuen. Her mother was Dilth-cley-ih, daughter of the Apache Chief Bidu-ya, Beduiat known as Victorio. Elsie's father is unknown, her mother married Mangus who was the son of Mangas Coloradas, Chief of the Chiricahua Apaches.Elsie was sent to the Carlisle Indian Industrial School on 4th November 1886 when she was 13 years old,she was enrolled as Elsie Vanci. Carlisle and other schools like this have been a contentious issue with the Native Americans, many say that children were forced to leave their families at very young age. They were forced to change their Indian names and give up their cultures, languages, and religion.
Elsie was only at Carlisle school for 3 years.On the 30th of May 1889, when she was 16 years old, she was sent to Alabama due to illness, she stayed with another Indian lady called Mollie. Elsie must have moved back to her home at some stage, as she died at Fort Sill on April 15th 1898, from tuberculosis. She was 26 years old, Elsie Vance Chestuen, is buried at the Beef Creek Apache Cemetery in Oklahoma.

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