04/10/2026
Today opened at EXPO Chicago with nine artists working across calligraphy, landscape, and photography: Xu Bing, Wang Dongling, Zhang Yu, Chu Chu, Victoria Yau, Hung Liu, Wang Tiande, Tai Xiangzhou, and Huang Hairong. The presentation spans three generations and draws on the full breadth of the gallery’s program, with particular ties to Chicago’s institutional collections. Tai Xiangzhou’s work is held by the Art Institute of Chicago, and Victoria Yau was recently exhibited at Northwestern’s Block Museum.
The booth follows Qualia’s debut at Art Central Hong Kong in March, where the gallery presented new work by Lyu Peng and Xu Hongming in the fair’s Duo Projects section. Both appearances in the same season mark a significant moment for a program that director Dacia Xu has built steadily over six years around the dialogue between Eastern and Western contemporary art.
April 9-12 | Chicago
Xu Bing, 英文方块字书法:抄赵孟頫语录 Copying Zhao Mengfu’s Quotes, 2025, Ink on xuan paper, 70 x 137.4 cm, 27.4 x 54 in
Wang Dongling, 晏殊词乱书 Yan Shu’s Words in Chaos Script, 2025, Ink on xuan paper, 75 x 80 cm, 29.5 x 31.5 in
Zhang Yu, Divine Light Series No. 15: Floating Incomplete Circle, 1995, Ink on rice paper, 38.19 x 37.80 in
97 x 96 cm
Chu Chu, Winter·Sixty Ninth Pentad:Zhi Shi Qu (冬·六十九候:雉始鸲), 2018, Photography, Ink silver, and Colour on Xuan Paper, Each: 12.3 x 17.72 in (33 x 45 cm), Scroll Size: 50.39 x 44.88 in (128 x 114 cm)
Victoria Yau, Evening Shadow, 1980, Watercolor collage on paper mounted on paperboard, 29.5 x 28 in
Hung Liu, She: Amethyst, 2015, Mixed media/resin on wood panel with silver leaf and paint, 20 1/2 x 20 1/2 x 2 in
Wang Tiande, Hermit Tao’s Hut in the Snowy Mountain Vista 陶庐登雪图, 2022, Xuan paper, ink, burn marks, high-resolution calligraphy scan, 34 x 29 in
Tai Xiangzhou, Delimiting the Four Seasons and Attunning the Five Phases (節四時而調五行), 2023, Ink on silk, 14 x 20.7 in
Huang Hairong, Vow《誓言, 2014, Oil on Canvas, 23.62 x 23.62 in
60 x 60 cm.