Stemming from her background in philosophy, spiritual practices, and interest in complex interpersonal relationships, Julia Larberg’s work engages with the ways internal dialog and individual orientation appear in the visual realm. Propelled by questions surrounding the Self and the ego, her work
investigates relationships to time and location, as well as what affects that ability to anchor. Proje
cts such as Heaven Forbid We Be Human invite the viewer into a world just slightly askew and strange from the world existing in front of their nose. One might compare it to magical realism in literature but
substituting the weird with magic. Engaging with the Self through play, movement, performance, and existential dread, her self-portraits from internal performance become evidence of a consistent self-portrait practice from the beginning of the COVID-19 pandemic. homing signal attempt to define the word ‘home’ through strangers Larberg met online via calls for participants. Her conversations and following photographic sessions became a sort of performance as well, one where the photographs became evidence of the space she held to hear their stories and present them as tenderly as possible. Her continued work making photographs of her family, friends, and hiking routes become a meditation to be practiced between project-oriented work. This balance between mundane and performance invites questions surrounding how performance is defined when applied to the ways one
moves around through life. Her process is exploratory - she uses gifs, video, audio, performance, digital manipulation, color, and others to excavate the meaning of the photographs, or lack thereof. While formally composed, Larberg utilizes the mundane, play, humor, and experimentation to explore the ways the internal self can be visually represented in the 2D plane.