Superness

Superness Type and graphic design activities based on radical skepticism. Run by errors on the edge of serendipity with nondogmatic attitude. Twitter :

Conceiving typography, design and type design as a system and medium, the studio identifies itself as a publisher providing its editorial curatorship which allows even improper or at least unexpected logics. Working in–between multiple fields designers are reinventing their roles developing theories and ideas, becoming : tool developers, artists, producers, printing experts, writers, problem makers, collectors, cultural laborers, translators, directors, etc. rather than easy software end–users.

Hello Rome!
04/07/2019

Hello Rome!

Una delle più prestigiose, storiche e influenti istituzioni romane ha affidato a Dude la progettazione del proprio sito: è online il nuovo www.freniefrizioni.com 🛠

Il sito di Freni E Frizioni è stato disegnato da Federico Antonini (Superness) e sviluppato da Dude.

THX TO ALL THOSE WHO CAME LAST NIGHT AT 121 FOR THE OPENING OF —SUPERNESS: Type-Design, Research. “squaring the circle”—...
19/09/2018

THX TO ALL THOSE WHO CAME LAST NIGHT AT 121 FOR THE OPENING OF —SUPERNESS: Type-Design, Research. “squaring the circle”—. THE EXHIBITION WILL BE OPEN TILL OCTOBER, 15. 😍

Corraini Edizioni Pietro Corraini Alessio D'Ellena Federico Antonini Frizzifrizzi Aiap, Associazione Italiana design della comunicazione visiva Aiap Lombardia

La prassi del tentativo, David Reinfurt, Dexter Sinister, Munari, Superness, Metafont, etc.
04/04/2018

La prassi del tentativo, David Reinfurt, Dexter Sinister, Munari, Superness, Metafont, etc.

Dexter Sinister, paradossi temporali, Bruno Munari e la sua controversa eredità: incontro con David Reinfurt, tra i più importanti designer della sua generazione

20/08/2017

“Generative typography experiment I made in OpenFrameworks while at the workshop with . (Warning: hypnotic snake.) https://t.co/KvEeoPjlVv”

22/06/2017

Dexter Sinister
Notes on the Type, Time, Letters & Spirits

Three interconnected palimpsest essays recount (1) the backstory of a “meta” font recently updated by Dexter Sinister and used to typeset the Contemporary Condition book series, (2) a broad history of the rationalization of letterforms that considers the same typeface from “a higher point of disinterest,” and (3) a pending proposal for a sundial designed to operate in parallel physical and digital realms. Along the way they contemplate the ambiguous nature of our shared idea of *time* itself.

The Contemporary Condition series edited by Geoff Cox and Jacob Lund, Volume 06

Copublished with Aarhus University and ARoS Aarhus Art Museum

Design by Dexter Sinister

http://www.sternberg-press.com/index.php?pageId=1770&l=en&bookId=663&sort=year%20DESC,month%20DESC

Indirizzo

Milan

Orario di apertura

Lunedì 09:00 - 17:00
Martedì 09:00 - 17:00
Mercoledì 09:00 - 17:00
Giovedì 09:00 - 17:00
Venerdì 09:00 - 17:00

Notifiche

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