08/31/2026
Just as a pendulum swings back and forth, the effect of this stain painting changes dramatically depending on the distance from which it is viewed. Looking closely at the canvas reveals a marbled, static surface with blue, yellow, and green daubs and blotted-away paint. When observed from a distance, the mottled composition seems to move.
The painting is characteristic of Howard Mehring’s work from the late 1950s and early 1960s, when he was investigating the complex relationship between colors and space in his “all-over” paintings. Mehring became associated with the Washington Color School following his studies of art at Catholic University, where he met fellow founding members Kenneth Noland and Thomas Downing.